[Note: In observation of Christmas week, weâre republishing a post that originally appeared on Dec. 23, 2022.]
Q: Which is the more traditional version of this Christmas carol: âGod Rest Ye, Merry Gentlemenâ or âGod Rest You Merry, Gentlemenâ? I see it both ways, but the one with “you” looks better to me.
A: Youâre rightââyouâ makes more sense than âyeâ in this case, as weâll explain later. In fact, the original pronoun in that early 18th-century carol was âyou.â
But that isnât the only misunderstanding associated with the song. There’s that wayward comma too. Hereâs the story.
Beginning in the Middle Ages, English speakers used ârest youâ or ârest theeâ with a positive adjective (âmerry,â âwell,â âtranquil,â âhappy,â âcontentâ) to mean âremain in that condition.â (The verb ârestâ is used in a somewhat similar sense today in the expressions ârest assuredâ and ârest easy.â)
In the earliest and most common of such expressions, the adjective was âmerry,â according to citations in the Oxford English Dictionary. And at the time, âmerryâ had a meaning (happy, content, pleased) thatâs now obsolete.
So in medieval English, the friendly salutation ârest you (or thee) merryâ meant remain happy, content, or pleased. The OED explains it more broadly as âan expression of good wishesâ that meant âpeace and happiness to you.â
The form ârest you merryâ was used in addressing two or more people, while ârest thee merryâ was used for just one. This is because our modern word âyou,â the second-person pronoun, originally had four principal forms: the subjects were âyeâ (plural) and âthouâ (singular); the objects were âyouâ (plural) and âtheeâ (singular). The expression weâre discussing required an object pronoun.
The OEDâs earliest example of the expression, in 13th-century Middle English, shows a single person being addressed: âRest Ăže [thee] murie, sire Darisâ (the letter Ăž, a thorn, represented a âthâ sound). From Floris and Blanchefleur (circa 1250), a popular romantic tale that dates from the 1100s in Old French.
As early as the mid-1200s, according to OED citations, âyouâ began to replace the other second-person pronouns. By the early 1500s, âyouâ was serving all four purposes in ordinary usage: objective and nominative, singular and plural.
As a result, the usual form of the old expression became ârest you merryâ even when only one person was addressed. And it was often preceded by âGodâ as a polite salutation, with the meaning âmay God grant you peace and happiness,â the OED says. The dictionary cites several early examples of the formula:
- âo louynge [loving] frende god rest you mery.â From an instructional book, Floures for Latine Spekynge Gathered Oute of Terence (1534), by Nicholas Udall. (The English is presented as a translation of the Latin greeting Amice salue.)
- âGod rest you mery bothe and God be your guide.â From Like Wil to Like (1568), a morality play by Ulpian Fulwell.
- âGod rest you merry sir.â From Shakespeareâs As You Like It (c. 1600).
Soon after Shakespeareâs time, we find the formulaic ârest you merryâ addressed to âgentlemen.â In plays of the 17th century in particular, itâs often spoken by a character in greeting or parting from friends.
The popular playwright John Fletcher, for example, used ârest you merry gentlemenâ in at least two of his comedies: Wit Without Money (c. 1614) and Monsieur Thomas (c. 1610-16).
It also appears in several other comedies of the period, including works by the pseudonymous âJ. D., Gentâ (The Knave in Graine, 1640), Abraham Cowley (Cutter of Coleman-Street, 1658), Thomas Southland (Love a la Mode, 1663), and William Mountfort (Greenwich-Park, 1691).
In most of the 17th-century examples weâve found, thereâs no comma in âGod rest you merry gentlemen.â When a comma does appear, it comes after âmerry,â not before: âRest you merry, gentlemen.â Â This is because ârest you merryâ is addressed to the âgentlemen.”
In his comedy Changes: or, Love in a Maze (1632), James Shirley has âGentlemen, rest you merry,â a use that more clearly illustrates the sense of the expression and removes any ambiguity.
This brings us to the Christmas song âGod Rest You Merry, Gentlemenââ the title as given in The Oxford Book of Carols and other authoritative collections. The oldest existing printed version of the song was published around 1700, though the lyrics were probably known orally before that.
As the OED says, ârest you merryâ is no longer used as an English expression; it survives only in the carol. But the syntax of the title, the dictionary adds, âis frequently misinterpreted, merry being understood as an adjective qualifying gentlemen.â So the comma is often misplaced after âyou,â as if those addressed were âmerry gentlemen.â
In fact, the carol originally had no title. The words first appeared, as far as we can tell, in a single-page broadsheet entitled Four Choice Carols for Christmas Holidays with only a generic designationââCarol  I. On Christmas-Day.â The broadsheet had no music, either; the words were sung to a variety of tunes.
The sheet was probably published in 1700 or 1701, according to the database Early English Books Online. Some commentators have said the lyrics existed earlier, but we havenât found any documents to show this. The other three songs on the sheet are designated âCarol II. On St. Stephen’s-Day,â âCarol III. On St. John’s-Day,â and âCarol IV. On Innocent’s-Day.â  Hereâs a facsimile of the front side, with âCarol Iâ at left.

âGod rest you merry Gentlemenâ (without a comma) is the first line of âCarol I,â and it later became used as the title. It appeared as the title in some printings of the carol by the late 1700s.
But well into the 19th century the song was sometimes referred to simply as âOld Christmas Carolâ (in Sam Weller, a play by William Thomas Moncreiff, London, 1837) or âA Christmas Carolâ (in The Baltimore County Union, a weekly newspaper in Towsontown, MD, Dec. 23, 1865).
For the most part, music publishers over the years have printed the title with âyouâ (not âyeâ) and with the comma after âmerry,â a form that accurately represents the original meaning. But in books, newspapers, and other writing the title has also appeared with âye,â a misplaced comma, or both.
Why the misplaced comma? Apparently the old senses of ârestâ and âmerryâ were forgotten, and the title was reinterpreted in ordinary usage. It was understood to mean that a group of âmerry gentlemenâ were encouraged to relax and be jolly.
The OEDâs earliest example of the misconception dates from the early 19th century, where Samuel Jackson Pratt refers to âGod Rest You, Merry Gentlemenâ as âa time-embrowned dittyâ (Gleanings in England, 2nd ed., 1803).
And why the shift from âyouâ to âyeâ? Our guess is that it represents an attempt to make the carol sound older or more âtraditional.â (Not coincidentally, âyeâ began appearing in place of âyouâ in 18th- and 19th-century reprints of those old comedies we mentioned above, as if to make them more antique.)
Weâve found scores of âyeâ versions of the carol dating from the 1840s onwards in ordinary British and American usage.
A search of Googleâs Ngram viewer shows that âyouâ versions were predominant in books and journals until the mid-20th century. But in the 1960s, âyeâ versions began to rise, and by the â80s they had surpassed the âyouâ versions. (Placement of the comma isnât searchable on Ngram.)
Today, both the âyeâ and the misplaced comma are ubiquitous in common usage, despite the way the title is printed by most music publishers and academic presses.
Perhaps the music of the carol bears some of the blame for the wayward comma. While the song has had several different musical settings, itâs now sung to music, most likely imported from Europe, that some scholars believe was first published in Britain in 1796. And the tune doesnât allow for a pause before âgentlemen,â so the ear doesnât sense a comma there.
As the music scholar Edward Wickham writes, âThe comprehension of whole sentences of text, when sung, relies in part on the perception of how those sentences are segmented and organised.â
âThe music to the Christmas carol ‘God rest you merry, Gentlemen,â â Wickham says, âmakes no provision for the comma and thus is routinely misunderstood as ‘God rest you, merry Gentlemen.â â (âTales from Babel: Musical Adventures in the Science of Hearing,â a chapter in Experimental Affinities in Music, 2015, edited by Paulo de Assis.)
One final observation. All this reminds us of an entirely different âyeâ misunderstandingâthe mistaken use of âyeâ as an article. This misconception shows up in signage of the âYe Olde Gift Shoppeâ variety, an attempt at quaintness that we wrote about in 2009 and again in 2016.
Help support the Grammarphobia Blog with your donation. And check out our books about the English language and more.