Category: Etymology

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English English language Etymology Expression Grammar Language Usage Word origin Writing

Tense about the present

Q: I know languages tend to get simpler as they grow older, but there’s a recent subtraction from English that puzzles and irks me – the disappearance of the past, contrary-to-fact condition, at least in sports announcing. For example, “If he catches that pass, he scores easily.” Any thoughts?

A: This isn’t really contrary to fact, since it’s possible he could catch the pass. Here are three other ways you might write this sentence:

(1) “If he catches that pass, he’ll score easily.”

(2) “If he caught that pass, he’d score easily.”

(3) “If he were to catch that pass, he’d score easily.”

Perhaps sportscasters would feel #2 sounds a bit off when referring to a future catch. And maybe they’d find #3 a little too “literary.” If I were a sportscaster, I’d go with #1, but there’s really nothing wrong with the example you cite.

Broadcasters in general seem to like using the present tense for just about everything. You’ll notice this a lot in teasers for the TV news. The announcer will say (using what I think of as “headline-ese”) something like “Mom dies in leap from bridge – news at eleven!”

A similar kind of construction is sometimes used to replace not only the past tense but the future tense as well. It’s often called the “historical present,” a device used frequently in nonfiction writing and journalism.

We came up with this example to illustrate the historical present in action:

“The walls of Troy are still standing after a 10-year siege by the Greeks. Then Odysseus and his best warriors hide inside a giant wooden horse and trick the Trojans into dragging it inside the gates. At night, the Greeks slip out and let in the rest of their army.”

Here’s another: “Since losing his job on Wall Street, he finds himself in an untenable financial situation. What does he do? Does he sell his sinking stocks and take a loss, or does he stay the course and hope for a rally?”

Once you start to notice this, you’ll see it everywhere. Even in weather reports where it’s entirely inappropriate (“Tomorrow, rain is intermittent and temperatures are rising”). It can get disorienting, to say the least.

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English English language Etymology Expression Phrase origin Slang Spelling Usage Word origin

Phoo, pfui, and phooey

Q: I recently saw “phewey” used on Twitter to imply “oh, darn!” I don’t think it’s a word. When my daughter says “phew,” she’s relieved that something has ended or never happened. Am I right that the Twitter posting person (who is NOT a twit) should have used “fooey” or “phooey”?

A: The word the twitterer should have used is “phooey.” The spelling “phewey” definitely doesn’t fill the bill. “Phew” would rhyme with “few” instead of “foo.”

Believe it or not, “phooey” has a respectable lineage as an English interjection, and its beginnings may go back to the 1600s.

The Oxford English Dictionary says the expression “phoo” was first recorded in 1672, and defines it as “expressing contemptuous rejection, cursory dismissal (of a proposition, idea, etc.), disagreement, or reproach.”

The first person to use it in writing, as far as we know, was George Villiers, 2nd Duke of Buckingham, who along with several collaborators wrote a satirical play called The Rehearsal, staged in 1671 and published in 1672. The quote: “Phoo! that is to raise the character of Drawcansir.”

The word has continued to appear in fictional dialogue ever since. Here’s Oliver Goldsmith, in his novel The Vicar of Wakefield (1766): “‘Phoo, Charles,’ interrupted she, ‘all that is very true.’ ” And here’s Jane Austen, in Mansfield Park (1814): “Phoo! Phoo! Do not be so shamefaced.”

The expression was also used to mean something like “darn!” as in this quotation from Maria Edgeworth’s novel Castle Rackrent (1800): “Phoo, I’ve cut myself with this razor.”

In the mid-19th century, some writers began using a similar word, “pfui,” adopted from a German word (pfui) that means the same thing: “an emphatic expression of contempt, disgust, or cursory dismissal,” according to the OED.

Here’s William Makepeace Thackeray, writing in the Cornhill Magazine in 1864: “Pfui! For a month before my lord’s arrival I had been knocking at all doors to see if I could find my poor wandering lady behind them.”

Both “phoo” and “pfui” continued to be used through 20th century. The most recent citations for both in the OED are from the 1990s.

The spelling “phooey” first showed up in 1919 in a caption appearing in the Sandusky (Ohio) Star-Journal: “Phooey! That’s old stuff – she told me pers’n’ly that all of them ‘sweet patootie’ letters was forged.” Was this just a new spelling of the old “pfui”? We can’t tell for sure.

The lyricist Lorenz Hart was apparently fond of the word. He used it in the song “A Melican Man” in 1926: “Give Chinee man this chop suey / He’ll refuse it and say ‘Phooey’!” The following year, in the song “Whoopsie,” he used it to mean “mad” or “crazy”: “When ev’ry thing’s gaflooey / And life is simply phooey…”

All of these words (the English “phoo,” “phooey,” and “pfui,” as well as the German pfui) are “imitative,” the OED says. They imitate the action of dismissively puffing or blowing through the lips.

We can’t vouch for their ultimate derivations or even say for sure that the English versions are essentially the same word. The OED has separate entries for each, merely directing the reader to “compare” them.

There may not be a paper trail here, but our hunch is that they’re the same animal with different spots.

By the way, spellings vary widely with many such imitative words. If you’re interested, we ran a blog entry last year about a few other words that mimic interjections.

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English language Etymology Linguistics Pronunciation Spelling Usage Word origin Writing

Why don’t “laughter” and “daughter” rhyme?

Q: Why do words like “caught,” “ought,” “thought,” “bought,” “naught,” “laugh,” and “should” have endings with no bearing on the way the words sound?

A: We think you’ve asked a much larger and more complicated question than you realize!

Our spelling system began as an attempt to reproduce speech. But because most spellings became fixed centuries ago, they no longer reflect exact pronunciations.

As a result, spelling is about more than pronunciation; it also reflects a word’s meaning and etymology and history. And in the case of English words, their spellings often have very idiosyncratic histories hidden within.

You mention “caught,” “ought” and others. The appearance of “gh” in words like these is annoying to people who’d like to reform English spelling. Many wonder, for example, why “laughter” and “daughter” don’t rhyme. Well, they once did.

“Daughter” has had several pronunciations over the centuries, including DOCH-ter (with the first syllable like the Scottish “loch”), DAFF-ter (rhyming with “laughter’”) and DAW-ter. We know which one survived.

The Middle English letter combination “gh” is now pronounced either as “f” (as in “cough/trough/laugh/enough”) or not at all (“slaughter/daughter/ought/through,” etc.).

The word “night,” to use another example, went through dozens of spellings over 600 years, from nact and nigt and niht, and so on, eventually to “night” around 1300. It’s a cousin not only to the German nacht but probably to the Greek nyktos and the Old Irish innocht, among many others.

The odd-looking consonants in the middle of “night” (as well as “right” and “bright”) were once pronounced with a guttural sound somewhere between the modern “g” and “k.” But though the pronunciation moved on, the spelling remained frozen in time.

You also mention “should,” a word in which the letter “l” looks entirely superfluous. But the “l” in “should” and “would” was once pronounced (as it was in “walk,” “chalk,” “talk,” and other words).

Same goes for the “w” in “sword” and the “b” in “climb.” They were once pronounced. Similarly, the “k” in words like “knife,” “knee,” and “knave” was not originally silent. It was once softly pronounced. But while pronunciation changed, spelling did not.

There are several reasons that English spellings and pronunciations differ so markedly.

Much of our modern spelling had its foundation in the Middle English period (roughly 1100 to 1500). But in the late Middle English and early Modern English period (roughly 1350 to 1550), the pronunciation of vowels underwent a vast upheaval.

Linguists call this the Great Vowel Shift, and it’s too complicated to go into in much detail here. To use one example, before the Great Vowel Shift the word “food” sounded like FODE (rhymes with “road”).

Melinda J. Menzer’s Furman University website can tell you more about the Great Vowel Shift. We’ve also touched on it briefly in a blog item.

While the pronunciations of many words changed dramatically, their spellings remained largely the same. Why? Because printing, which was introduced into England in the late 1400s, helped retain and standardize those older spellings.

Complicating matters even further, the first English printer, William Caxton, employed typesetters from Holland who introduced their own oddities (the “h” in “ghost” is an example, borrowed from Flemish).

In addition, silent letters were introduced into some English words as afterthoughts to underscore their classical origins. This is why “debt” and “doubt” have a “b” (inserted to reflect their Latin ancestors debitum and dubitare).

Sometimes, a letter was erroneously added to reflect an imagined classical root. This is why “island” has an “s” (a mistaken connection to the Latin isola). We’ve written a blog entry about this.

Still other English spellings came about in the Middle Ages when scribes found that the letters “m,” “n,” “u,” and “i” caused readers difficulty because of all those vertical downstrokes of the pen (“m” + “I” was hard to tell from “n” + “u”). So “o” was substituted for “u” in words like “come,” “some,” “monk,” son,” and “wolf.”

Apart from ease of reading, “o” was sometimes swapped for “u” because, as Dennis Freeborn writes in his book From Old English to Standard English, “u was an overused letter. It represented the sound v as well as u, and uu was used for w.”

Another authority, David Crystal, has pointed out that England’s “civil service of French scribes” following the Norman Conquest in the 11th century also influenced the spelling of English words.

Crystal writes in his book The Fight for English that not only did consonants change (the French “qu” replaced the Old English “cw” in words like “queen,” to use just one example), but vowels “were written in a great number of ways.”

“Much of the irregularity of modern English spelling derives from the forcing together of Old English and French systems of spelling in the Middle Ages,” he says.

As you can see, this is a vast subject. In summary, spellings eventually settle into place and become standardized, but pronunciations are more mercurial and likely to change.

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English English language Etymology Expression Language Phrase origin Usage Word origin Writing

An exception proves the rule?

Q: Can you help me understand how an exception can prove a rule? I’ve often heard it said that this expression made sense at one time when the word “prove” meant to test rather than to confirm absolutely. Is that correct?

A: The old saying “the exception that proves the rule” does seem nonsensical. If there’s an exception, then it should disprove the rule, right? Many word lovers have turned themselves inside out in an attempt to explain this seeming contradiction.

But the word “proves” isn’t the key to the problem. (Contrary to statements in several reference books, “proves” here does indeed mean proves, not tests.) The key is the word “exception,” which English adopted from French in the 14th century.

When the word (spelled excepcioun) showed up in Chaucer’s writings in 1385, it meant a person or thing or case that’s allowed to vary from a rule that would otherwise apply.

That sense of the word led to the Medieval Latin legal doctrine exceptio probat regulam in casibus non exceptis (exception proves the rule in cases not excepted), according to the Oxford English Dictionary.

By the 17th century, the Latin expression was being quoted in English as “the exception proves the rule” or variations on this. And the exception, the OED tells us, was something that “comes within the terms of a rule, but to which the rule is not applicable.”

If all students in a school are required to attend gym class, for example, that’s the rule. If a kid with a sprained ankle is excused from gym, then the exception made for him proves that there’s a rule for everybody else.

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Quiddity

Q: Could you tell me where “quid,” the British slang term for pound sterling, comes from? I’ve read online that a paper mill in the town of Quidhampton or the Latin expression quid pro quo may be the source of the term.

A: Lexicographers aren’t certain how we got the word “quid,” a British monetary term that originally referred to a gold sovereign or guinea, and later meant one pound sterling.

The Oxford English Dictionary says that perhaps it comes from the Latin word quid (in this case meaning “what”), “reinterpreted to refer to (monetary) means or wherewithal.” If so, then your comment about quid pro quo isn’t far wrong.

The OED’s first recorded reference to the word comes from a pornographic tract by the pseudonymous Peter Aretine, Strange Newes from Bartholomew-Fair (1661): “The fool lost his purse, but how he knew not; for the reckoning being suddainly brought in, his Quids were vanisht.”

As for pounds, guineas, and sovereigns, here’s how they accumulated.

The “pound” (punda in Old English) was originally so called because it was worth a pound weight of silver, and was valued at 20 shillings.

The “guinea” was an English gold coin, made between 1663 and 1813, originally worth 20 shillings. It was so called because it was made of gold from Guinea.

The first version of the gold “sovereign” was coined in the 1500s and 1600s; a later gold sovereign worth one pound or 20 shillings was minted beginning in 1817.

Why a sovereign? Because it was imprinted with the image of the reigning monarch.

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Why “one-off” is one of a kind

Q: The term “one-off” is often used to denote something that’s one of a kind, but it seems to me that it should be called a “one of.” That’s what it’s describing – something unique. What’s your opinion?

A: The phrase “one-off” (it’s used as both an adjective and a noun) originated in Britain in the 1930s and appears to be gaining popularity here. It refers to something that is one of a kind or is occurring or being produced only once.

Why “off” rather than “of”? Because it was common practice in Britain when the expression originated to use the word “off” with a preceding numeral to describe the number of units of an item being produced or manufactured (“600 off,” or “12 dozen off,” or the like). Picture something coming off a conveyor belt or an assembly line.

The Oxford English Dictionary defines the term “one-off” as both an adjective (meaning “made or done as the only one of its kind; unique, not repeated”), and as a noun for such a product.

The OED’s first published reference is to the adjective, which appeared in an industrial trade journal in 1934: “A splendid one-off pattern can be swept up in very little time.”

Like you, we’re not used to the phrase yet, but we imagine we’ll get accustomed to it if it persists in American usage.

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Are we seeing “more” more?

Q: I’ve noticed that newscasters are increasingly using “more” and “most” instead of comparatives and superlatives, as in “more ugly” or “most ugly” instead of “uglier” or “ugliest.” I anticipate that before long we’ll be hearing “more big” or “most big” instead of “bigger” or “biggest.” Would you speculate about this?

A: I don’t see any evidence that the adverbs “more” and “most” are replacing the “er” and “est” word endings.

Comparatives like “uglier” (instead of “more ugly”) and superlatives like “ugliest” (instead of “most ugly”) are incredibly handy language tools.

They’re so handy that the “er” and “est” suffixes aren’t likely to be threatened by an increase in the use of “more” and “most.”

If newscasters are indeed resorting to “more” and “most” instead of using comparatives and superlatives, it may be because they’re not sure how to pronounce the “er” and “est” versions.

But relax – those versions are here to stay.

Here’s a little history.

We’ve been using the “er” and “est” suffixes to make comparisons since the earliest days of English, and it’s a practice handed down from ancient Indo-European.

The Old English endings were originally spelled differently than they are today: ra for the comparative, and ost (sometimes est) for the superlative.

Taking the word “old” as an example, the Old English forms were eald (“old”), yldra (“older”), yldest (“oldest”). And taking “hard” as another, the forms were heard (“hard”), heardra (“harder”), heardost (“hardest”).

Which brings us to another set of Old English words: micel (meaning “great” or “big”), mara (“more”), and maest (“most”).

While “more” and “most” (or their ancestors) were around since the earliest days of English, it wasn’t until the early 1200s that we began using them as adverbs to modify adjectives and other adverbs in order to form comparatives and superlatives – that is, to do the job of the suffixes “er” and “est.”

For a few centuries, usage was all over the place. In fact, it wasn’t uncommon for even one-syllable words to be used with “more” and “most,” according to The Origins and Development of the English Language, by Thomas Pyles and John Algeo. The authors cite the frequent use of phrases like “more near,” “more fast,” “most poor,” and “most foul.”

And multi-syllable words were used with “er” and “est,” like “eminenter,” “impudentest,” and “beautifullest.” Pyles and Algeo say there were even “a good many instances of double comparison, like more fitter, more better, more fairer, most worst, most stillest, and (probably the best-known example ) most unkindest.”

How about today, though? Is there a hard-and-fast rule about when to use “more” and when to use “er”? Not exactly, but there are common conventions.

The Oxford English Dictionary says the use of “more” is “the normal mode of forming the comparative” with “most adjectives and adverbs of more than one syllable, and with all those of more than two syllables.” A few single-syllable words (like “real,” “right,” “wrong,” and “just”) also normally form comparatives this way instead of with “er” suffixes, according to the OED.

Sometimes, however, “more” is used with one-syllable and two-syllable words that normally would end in “er,” like “busy,” “slow,” “true” and so on. Why? Here’s how the OED explains it:

“This form is often now used either for special emphasis or clearness, or to preserve a balance of phrase with other comparatives with ‘more,’ or to modify the whole predicate rather than the single adjective or adverb, especially when followed by than.”

So, we might choose “much more humble” instead of “much humbler.” Or we might say “so-and-so’s voice was more quiet but no less threatening.” Or “that’s more true than false.” Or even “his feet are more big than ungainly.”

So far, we’ve talked about “more” as an adverb modifying an adjective or another adverb to form a comparative (as in “more determined,” “more bitterly,” “more correctly,” “a more just society,” and so on). But it has other uses too:

(1) As a pronoun (as in “I want more,” “more of an athlete,” “there’s more where that came from,” “what’s more,” and so on).

(2) As an adjective (as in “more’s the pity,” “the more fool you,” “more pizzazz,” “more calories,” etc.).

And here’s a little sidelight: Until the early 1600s, “more” was often contrasted with “mo,” another Old English hand-me-down. “More” was used with quantities of one thing, while “mo” (or “moe”) was used with plural nouns.

In The New Fowler’s Modern English Usage, the lexicographer R.W. Burchfield notes that “the more/mo distinction dropped out during the 17th century and survives only in some regional forms of English.” He points out the two versions in Shakespeare, from The Tempest (“is there more toil?”), and The Winter’s Tale (“let’s first see moe ballads”).

I could go on with the history of “most,” but I think you’ve had enough. No more!

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A few facts about nonfiction

Q: I’m teaching a pair of courses next term on nonfiction and have been thinking about the idea of naming something by what it isn’t. That seems odd and got me to wondering just when and where the term “nonfiction” was first used. Any idea?

A: Our first thought was that only bureaucrats could conceive of naming something by what it isn’t.

Sure enough, the earliest published reference to “nonfiction” in the Oxford English Dictionary comes from the 1867 annual report of the trustees of the Boston Public Library: “This, as we have seen, is above the proportion of our circulation between fiction and non-fiction.”

The term appears to have lost its hyphen (at least in the OED citations) in the early 1950s. The earliest hyphen-less example cited is in The Celebrity, a 1951 novel by Laura Z. Hobson: “In this bad slump, nonfiction’s the only thing selling – apart from one or two novels a year.”

Librarians also appear to be responsible for the adjectives “non-fictional” and “non-fiction,” according to the OED. The earliest citations for the two terms come from 1894 and 1895 issues of The Library, a magazine of the Library Association of the United Kingdom.

All the OED citations for the two adjectival forms are hyphenated, but both words are spelled without hyphens in The American Heritage Dictionary of the English Language and Merriam-Webster’s Collegiate Dictionary.

The word “fiction,” by the way, has a more creative background. It’s ultimately derived from the Latin verb fingere, which means to shape, form, or feign. That sounds a lot like what a fiction writer does.

“Fiction” was first used in the literary sense (or, in the words of the OED, as a “species of literature which is concerned with the narration of imaginary events”) in the late 16th century.

The earliest citation for this usage is in the title of a 1599 book translated from Italian into English by the poet Richard Linche: The Fountaine of Ancient Fiction.

The Latin verb that gave us “fiction” has also given us such English words as “effigy,” “faint,” “feign,” “figure,” and “figment,” according to John Ayto’s Dictionary of Word Origins.

[Note: A later post on “nonfiction” appeared in 2017.]

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Welcoming committee

Q: When someone says “thank you” in Spanish or French, the usual reply is “it’s nothing.” Why do we say “you’re welcome” in English?

A: Let’s begin with some history. The word “welcome” is a very old word, dating back to Anglo-Saxon days. The first published references in the Oxford English Dictionary are from Beowulf.

The word was originally wilcuma in Old English, a combination of wil (pleasure) plus cuma (guest). At first, it could be a noun for a desirable guest, an adjective describing such a guest, or an interjection greeting the guest. The verb form, wilcumian, meant to receive someone with pleasure.

By about 1300, however, “welcome” was being used more loosely to describe something acceptable, pleasurable, freely permitted, or cordially invited.

So when did we begin using the word in response to “thank you”? The language sleuth Barry Popik has traced the usage back at least to Shakespeare’s day. Here’s an exchange from Othello (circa 1603):

Lodovico: Madam, good night; I humbly thank your ladyship.
Desdemona: Your honour is most welcome.

I don’t know when the exact phrase “you’re welcome” was first used in response to “thank you,” but I can attest from personal experience (and a few reminders from Mom) that it was before the OED’s first citation.

The earliest reference in the OED is from a 1960 newspaper article, though the dictionary has one from a 1907 short story that’s quite close: “Thank you,” said the girl, with a pleasant smile. “You’re quite welcome,” said the skipper.

[Update, Oct. 4, 2016: A reader found an earlier citation in The House by the Churchyard, an 1863 novel by the Irish writer Sheridan Le Fanu: “ ‘I thank ye again, sir.’ ‘You’re welcome, my honey,’ rejoined Toole, affectionately.”]

Why “you’re welcome”? I can’t give you a definitive answer. But I suspect that it’s simply another way of saying “it’s a pleasure” or “the pleasure is mine.” Remember, one of the early uses of “welcome” was to describe something pleasurable.

As for the Spanish de nada and the French de rien, we too sometimes say “it’s nothing” in response to “thank you.” Also, Spanish and French speakers sometimes say “the pleasure is mine” (el gusto es mío and le plaisir est pour moi).

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Two index fingers pointing

Q: Can you write about “such that”? I assume you’ve seen this recent-seeming locution (at least to me) used in the following way: “She knew the English language very well, such that she wrote a whole book about it.”

A: Writers often use “such,” followed by a clause starting with “that,” to say something about one thing by referring to something else. As in, “His height was such that he had to have his clothes custom-made.”

Sentences like this may sound a bit redundant to the modern ear. Why not “He was so tall that he had to have his clothes custom-made”?

This “such that” construction, according to the grammarian George O. Curme, is evidence of an “older English fondness for double expression,” with “such and that pointing as with two index fingers to the following explanatory clause.”

The word “such” in sentences like these can have either of two meanings:

(1) “of such a kind” (adjective), as in “Her illness was such that she couldn’t work.”

(2) “in such a way” (adverb), as in “She trembled such that she couldn’t work.”

The adjectival construction has been widely used for the last thousand years, right up to the present day. Examples date back to around 1100, according to the Oxford English Dictionary. We’ve found them in the 1200s, 1300s, and 1400s, but in most of these the only recognizable words are “such that,” so we won’t bother to quote them!

Here’s a citation from Shakespeare’s Henry IV (1597): “Yea, but our valuation shall be such / That every slight and false-derived cause, / Yea, every idle, nice and wanton reason / Shall the king taste of this action.”

But the adverbial construction has been rarer, and some now consider it incorrect. In the sentence you cite – “She knew the English language very well, such that she wrote a whole book about it” – the “such that” construction is being used in an adverbial way.

In this case, “such that” answers the question “How well did she know English?” The sentence is definitely awkward. Better: “She knew the English language so well that she wrote a book about it.” Whether this “such that” usage is grammatically acceptable is a matter of opinion.

Merriam-Webster’s Collegiate Dictionary (11th ed.) accepts the adverbial “such that,” meaning in such a way, giving as an example “related such that each excludes the other.”

But the usage panel of The American-Heritage Dictionary of the English Language (4th ed.) rejects this sentence: “The products are packaged such that users can pick the components they need and add capabilities over time.”

Perhaps “in such a way that” would be less jarring to modern ears.

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Cotton picking

Q: My nickname is Cotton and my gamertag on Xbox Live is Qutun. I chose that handle after reading that qutun is the Arabic word for cotton. But someone who studied Arabic told me recently that qutun does not mean cotton. I have also heard that the word “cotton” is a verb, yet I doubt that anyone uses it that way today. Any information you could provide would be greatly appreciated.

A: Ultimately, the English word “cotton” comes from the Arabic qutun (also spelled qutn in our alphabet). A press official at the Egyptian Embassy in Washington confirmed to us that qutun is indeed Arabic for cotton.

The original word passed from the Middle East to Spain, and from Spanish to other European languages. English got it in the late 13th century from the Old French coton. This is the rough history of the English word, as described in several etymology books as well as the Oxford English Dictionary.

The Origins and Development of the English Language, by Thomas Pyles and John Algeo, says several other words of Arabic origin (“amber,” “camphor,” “lute,” “mattress,” “cipher,” “orange,” “saffron,” “sugar,” “syrup,” “zenith,” and others) entered English during the same period, “most of them having to do in one way or another with science or commerce.”

As for the verb “cotton,” meaning to take a liking, it’s still being used today. The American Heritage Dictionary of the English Language (4th ed.), which describes it as an informal usage, gives this example: “a dog that didn’t cotton to strangers.”

This figurative meaning, which dates from the 1600s, is derived from an older sense of the verb “cotton” in textile finishing. In the 1400s, to “cotton” meant to form a nap (like the pile on a fabric).

Here’s an OED citation from 1488: “viii elne of cotonyt quhit clath” (“eight ells of cottoned white cloth”). An “ell” was roughly four feet; if a fabric “cottoned” properly, it was successfully finished.

We hope you find this answer properly cottoned.

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Take a listen, please!

Q: On CNN, all the anchors use the expression “take a listen” instead of just “listen” or “listen to this.” Does that sound as caustic to you as it does to me?

A: We don’t know about caustic, but it certainly sounds condescending and lame. It’s no doubt the speaker’s way of avoiding “Listen to this.” Let us quote from the entry for this “infantile phrase” in The Dimwit’s Dictionary (2d ed.), by Robert Hartwell Fiske:

“As inane as it is insulting, have (take) a listen obviously says nothing that listen alone does not. Journalists and media personalities who use this offensive phrase ought to be silenced; businesspeople, dismissed; public officials, pilloried.”

Well, we don’t think it’s as bad as all that, but the phrase is certainly overworked. We just googled “take a listen” and got several million hits (and a great many of them are complaints about the usage).

The expression hasn’t made it yet into modern dictionaries, but The American Heritage Dictionary of the English Language (5th ed.) and Cambridge Dictionaries Online include examples of somewhat similar usages.

Here’s the American Heritage example: “Would you like to give the CD a listen before buying it?”

And this is the example from Cambridge Dictionaries: “Have a listen to this!”

The word “listen,” by the way, has been used as a noun for about 250 years in expressions like “to be on the listen” or “to have a proper listen.”

In fact, the earliest citation in the Oxford English Dictionary for “listen” as a noun dates from the 1300s. In an apparent reference to becoming deaf or hard of hearing, the writer wonders if someone “has losed the lysten.”

The OED’s  modern examples of the noun usage, in which the word means an act of listening, begin with this citation from the December 1788 issue of The American Museum, a literary journal published in Philadelphia:

“Every time the door opens, or a foot is on the stairs, you are on the listen.” (The article, “To the Bachelor,” is signed by “Aspasia,” possibly the pen name of Elizabeth Graeme Ferguson, a Philadelphia writer and intellectual.)

Later OED examples include these: “She was often on the watch, and always on the listen” (1884); “constantly on the listen” (1935); “take a listen” and “have a proper listen” (both 1968); “I had a long listen” (1970); and “Give it a listen” (1971).

[Note: This post was updated on June 18, 2020.]

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English English language Etymology Expression Phrase origin Usage Word origin

Pardon my French

[An updated post about “Pardon my French” ran on Jan. 31, 2014.]

Q: In an old “Seinfeld” episode, George admits his willingness to say anything to impress a woman, including that he’d coined the phrase “pardon my French.” Well, who did come up with this great expression?

A: Mary McCarthy is the first writer known to have used the exact phrase “pardon my French,” according to citations in the Oxford English Dictionary.

In A Charmed Life, a 1955 novel, she puts the words in the mouth of one of her characters: “ ‘Damn fool,’ he said, vehemently, ‘pardon my French.’ ”

But the term “French” has been used euphemistically for bad language since the early 1900s and probably even earlier. In Passing English of the Victorian Era (1909), J. Redding Ware says the expression “loosing French” meant violent language, though he doesn’t give a date for its first use.

James Joyce, in Ulysses (1922), uses “bad French” to mean bad language. More to the point, in All Trees Were Green (1933), Michael Harrison writes: “A bloody sight better (pardon the French!) than most.”

The adjective “French,” of course, has been used in a negative way in English for hundreds of years.

A 1503 citation in the OED, for instance, refers to venereal disease as the “Frenche pox.” The French, naturally, referred to it as the English disease. Touché!

And “French” has been used since the mid-18th century to describe racy novels and pictures. As an example, here’s an excerpt from Robert Browning’s Soliloquy of the Spanish Cloister (1842):

Or, my scrofulous French novel
On gray paper with blunt type!
Simply glance at it, you grovel
Hand and foot in Belial’s gripe.

Belial, as you probably know, is the personification of evil in the Old Testament and a fallen angel in Milton’s Paradise Lost.

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English English language Etymology Grammar Usage Word origin

To incent and incense

Q: I recently saw an interview with Carly Fiorina, who kept using the words “incent” and “incenting.” My dictionary has never heard of these forms of “incentive.” Is my dictionary out of date? Or is Ms. Fiorina inventing words?

A: We’ve found “incent” in four standard dictionaries, though two of them (Collins and Oxford Dictionaries online) describe it as an American usage, and Collins adds that it’s “not standard.”

However, The American Heritage Dictionary of the English Language (5th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.) list it without comment (that is, as standard English).

“Incent” is what’s known as a back-formation, in this case formed from “incentive.” As you might suspect, it means to provide an incentive or to incentivize.

Although “incent” hasn’t been accepted wholeheartedly by all standard dictionaries, it’s been around for more than a century and a half.

The Oxford English Dictionary‘s first citation for the word appears in an 1840 issue of the Rover, a New York literary weekly:

“Incented by the stupid ambition of an ignorant mother, she thought that the purse of the one was far superior to the heart of the other.”

The next OED citation, dated 1898, is from a British source, Hansard’s Parliamentary Debates: “The noble Lord went so far … as to charge … Mr. Tilak with incenting to murder.”

Back-formations are pretty common in English. Examples of verbs that began as back-formations from nouns are “diagnose” (from “diagnosis”), “escalate” (from “escalator”), “baby-sit” (from “babysitter”), and “curate” (from “curator”).

Among back-formations that are frowned upon by some commentators are “incent,” “administrate” (from “administration”), “enthuse” (from “enthusiasm”), “liaise” (from “liaison”), and “orientate” (a mid-19th century back-formation from “orientation,” which itself is derived from a verb, “orient”).

Not every word you find in dictionaries is pleasing to every ear. We, for example, find “administrate” unnecessary since the older “administer” is a perfectly good word.

Though “administrate” doesn’t have any more syllables than “administer,” it’s longer and newer, which may be its attraction for people who enjoy using bureaucratic language.

An example of a back-formation that’s out there but not (yet) in standard dictionaries is “adolesce” (from “adolescence”), as in “He hasn’t finished adolescing yet.”

[Note: This post was updated on July 6, 2016, at the suggestion of a reader.]

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Shop till you drop

Q: I repeatedly hear radio ads for “pre-need funerals.” I can’t imagine what such a ritual would be like, or who would sign up for one. Any thoughts on this?

A: The funeral industry is great at coming up with bizarre usages. How about having your loved one referred to as the “cremains”?

To be fair, though, what the “pre-need” advertisers are talking about is a useful product. My mother actually arranged and paid for her funeral, cremation, and associated services a couple of years before she died.

I thought it was a little creepy at the time, but two years later I was very, very glad that everything had been arranged and I had so few decisions to make.

Nevertheless, the expression “pre-need funeral” is ugly. It sounds like having one’s funeral ahead of time. (Would you be allowed to give your own eulogy?) Perhaps “prearranged funeral” would be more in keeping with the event.

I should mention, however, that this isn’t a very new usage. The Oxford English Dictionary has published references for it going back to 1945.

In fact, the earliest citation comes from an ad in the newspaper that gave me my first job in journalism, the Waterloo Courier in Iowa: “Who will pay the Funeral Bill? Ask us today for details of our pre-need plan. No obligation.”

As Mom might have said, holy moley!

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English English language Etymology Grammar Linguistics Usage Word origin

Finishing touch

Q: I’m hoping you might comment on what I see as the widespread abuse of a verb tense in instructions: “When you are finished Step One, etc.” Shouldn’t it be “When you HAVE finished Step One, etc.”? I’d like to see this abuse finished – that is, lights out! But maybe I’m missing something here because I’m seeing it all the time.

A: No, I think you’re right on the money. It would naturally be incorrect to say “When you are finished step one….” (And no, I don’t believe in unnecessarily capitalizing “step one,” as many instructional manuals do.)

Here are a few of the correct ways one might write this thought: (1) When you are finished with step one…. (2) When you have finished step one…. (3) When you have completed step one…. (4) When you have done step one….

The verb “finish,” by the way, dates back to around 1350, according to the Oxford English Dictionary. I couldn’t find a single example of the construction you cited in the OED’s 40 published references for “are finished.”

Here’s a citation for “finish” at work in the 1697 Dryden translation of Virgil’s Georgics: “He call’d, sigh’d, sung: his griefs with day begun, / Nor were they finish’d with the setting sun.”

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An article of faith

Q: I have a pet peeve about the italic notes under magazine pieces translated from other languages – e.g., “Translated from the Japanese by so-and-so.” Why is “the” necessary? Shouldn’t it simply say, “Translated from Japanese by so-and-so“?

A: In English, the definite article “the” has often been used in an idiomatic way with the names of things that wouldn’t appear to need an article (or could use the article “a” instead). For instance:

● With names of seasons, directions, and natural phenomena: “in the spring”; “I hate the cold”; “face the north,” and so on.

● With diseases: “she has the flu,” “have you had the measles?”

● With some titles: “the Reverend,” “the Honorable,” etc.

● With musical instruments: “she learned to play the piano,” “lessons on the viola.”

● And, finally, with the names of languages: “translated from the Spanish,” “borrowed from the German.”

Once the use of “the” with a language was much more prevalent than it is today. Here are two old citations from the Oxford English Dictionary: “Let not your studying the French make you neglect the English” (1760). And “Every advantage that … a complete knowledge of the Arabic could afford” (1795).

The OED says people use “the” with languages in an elliptical way – that is, they’re mentally deleting part of a longer phrase. Examples: “translated from the Spanish [version]” … or “from the [original] German” or “from the Japanese [language].”

At any rate, it’s not a mistake. It’s just a custom. Some people (and publications) adopt it and some don’t. And readers just accept this idiomatic “the” as, let’s say, an article of faith.

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What’s buttery about butterflies?

Q: I’ve read that the large-winged insect we see every summer was originally called a “flutterby,” but a tongue-tied VIP in England could only say “butterfly” and that name caught on. This makes sense to me since butterflies do more fluttering than buttering. Do you agree?

A: We’re sorry to disappoint you, but “butterfly” is as old as English words come. In written use it goes back to about the year 700, when Anglo-Saxons were speaking Old English.

The earliest example in the Oxford English Dictionary is from The Epinal Glossary, a list of terms in Latin and Old English: “Papilo, buturfliogae” (butur- was the compound form of buter or buture, Old English for “butter,” while fleoge and flyge were terms for a winged insect).

The OED says the reason for the name is unclear, but it “may arise from the pale yellow appearance of the wings of certain European butterflies (perhaps specifically the brimstone butterfly), or from a supposed tendency to feed on or hover over butter or buttermilk, or from a folk belief that butterflies (or even witches in the form of butterflies) steal butter.”

The dictionary notes similar words in other Germanic languages. A popular name for the insect in 16th-century Dutch, for example, was botervlieg, while popular names in Middle High German were bitterflivge and brutflevg. The insect is normally called vlinder in Dutch and schmetterling in German.

The OED also cites several Dutch and German regional terms that reflect the folk belief in butterfly thievery and witchery: botterheks (“butter witch”) in Dutch as well as butterhexe (“butter witch”) and “milchdieb (“milk thief”) in German.

The dictionary notes the use in Dutch of “boterschijte, lit. ‘butter shit,’ which has led to the (improbable) suggestion that the insect was so called on account of the (supposed) appearance of its excrement.”

In fact, butterflies don’t produce excrement, according to A World for Butterflies. However, the website and book by Phil Schappert note that caterpillars do poop and at least one of them has yellow excrement.

The word “butterfly,” according to the OED, has been in use steadily in various spellings since it first appeared in Old English. It can be found in the works of major English writers through the ages: Chaucer, Shakespeare, and so on.

The earliest Oxford citation with the modern spelling is from the early 17th century: “As Butterflies quicken with heat, which were benummed with cold” (from Francis Bacon’s Sylva Sylvarum: Or a Naturall Historie, 1626).

As for “flutterby,” there’s a lot of etymological nonsense about it on the Internet, but we can’t find a single published reference for the word in the OED.

The closest thing is this citation from 2000 in the dictionary’s entry for “pillock,” an obscure North English term for penis: “Why did the butterfly flutter by? Because she saw the caterpillar wave his pillock at her.”

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English English language Etymology Spelling Usage Word origin

A dilemma inside an enigma

Q: I have a question that has plagued me since childhood: Has the spelling of “dilemma” changed in the past 35 or so years? I could have sworn that it was “dilemna” when I learned to spell in the late ’60s and early ’70s. I remember this because I used to pronounce it phonetically – i.e., “di-lem-na” – as a joke.

A: Welcome to the Twilight Zone!

The word “dilemma,” which has been in English since the 1500s, has always been spelled with a double m. And yet legions of English-speakers from around the world not only spell it “dilemna,” but also (and here’s where Rod Serling steps out from behind a tree) INSIST that their teachers drummed this into them and ridiculed any “mistaken” efforts to spell it with two m’s.

No matter what you were taught, the correct spelling is “dilemma.” The word is derived from the Greek di (twice) and lemma (assumption). What it means, as you probably know, is a choice between two or more alternatives, all unfavorable. (Despite the “di” prefix, the word is now widely accepted as applying to more than two choices.) The alternatives are sometimes called the “horns” of the dilemma.

You can check the Oxford English Dictionary. There are no variant spellings given, and no citations in which the “dilemna” spelling appears. We’ve also consulted every standard dictionary we have access to, including some bizarre 19th-century ones. No dice. Or, rather, no “dilemna.”

However, the misspelling has cropped up here and there over the centuries. And internet searches of contemporary databases turn up hundreds of hits, including the CNN headline “Seoul’s Missile Dilemna.” In searching the New York Times archive, we found 11 appearances of “dilemna” since 1981.

Mostly, though, we find cries in the wilderness from people (both American and British) whose teachers apparently insisted on the spelling “dilemna” so vigorously that it became engraved on their brains. Who were these teachers and where did they get this harebrained idea? Did they (on both sides of the Atlantic) descend from a single Proto-Teacher born on another planet?

The odd “mn” spelling does have parallels in English: “condemn,” “solemn,” “alumna,” “limn,” “autumn,” “indemnity,” “damn,” and others. Oddly, we came across many language sites noting that the French for “dilemma” is dilemme, yet the word is widely misspelled in France as dilemne. As one site pointed out, “En effet, la forme ‘dilemne’ n’existe pas.” This gets curiouser and curiouser.

Some things, and this apparently is one of them, are beyond us. We can’t account for the bizarre phenomenon of so very many people being taught – and taught INSISTENTLY – that “dilemna” is correct. If we ever become enlightened on this mysterious subject, we’ll report back!

With apologies to Winston Churchill, this is a dilemma, wrapped in a mystery, inside an enigma.

[Note: We published a later post on this subject in 2011.]

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A sigh is just a sigh

Q: A Hebrew speaker has asked me to describe the difference between these three words: “moan,” “groan,” “sigh.” There’s only one word for all of them in Hebrew. Can you explain?

A: English is believed by many to have the largest lexicon – that is, the most words – of any modern language. Although this depends on how one decides what a word is, English does indeed have lots of words  And that gives English speakers lots of flexibility.

When we need a noun, for example, we can often choose between three or four or more of them while the speakers of other languages may have only one to do the job.

So, as you point out (and The New Bantam-Megiddo Hebrew & English Dictionary confirms), we can utter a moan, a groan, or a sigh when we’re feeling down in the dumps, but a Hebrew speaker must be content with an anachah.

As for your question, I’d describe a moan and a groan as similar (they’re both vocal sounds), with the groan more intense. A sigh, on the other hand, is a breathing out that doesn’t involve the vocal cords.

A moan is described in the Oxford English Dictionary as “a low, inarticulate sound” expressing mental or physical suffering (or, in some cases, pleasure) that’s “less harsh and deep than a groan.”

A groan, according to the OED, is “a low vocal murmur, emitted involuntarily under pressure of pain or distress, or produced in voluntary simulation as an expression of strong disapprobation.”

A sigh, the dictionary says, is a “sudden, prolonged, deep and more or less audible respiration, following on a deep-drawn breath, and especially indicating or expressing dejection, weariness, longing, pain, or relief.”

I hope this helps. And tell your friend to lighten up!

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A murder of crows

Q: When my wife and I grew up in Monmouthshire in the UK back in the ’40s and ’50s, a common collective noun for crows was “murder,” as in “a murder of crows.” Please comment on the origin of this usage.

A: The term “murder” was used to describe a flock of crows as far back as the 15th century, according to the Oxford English Dictionary. (Here’s a spine-chilling version from 1475: “A morther of crowys.”)

But the OED cautions that this usage is “one of many alleged group names found in late Middle English glossarial sources.” In other words, it might have been some glossary writer’s fanciful invention, rather than a legitimate expression in common use in the 15th century – like “gaggle of geese” or “pack of dogs.”

But why a “murder”? The OED suggests this is an allusion to “the crow’s traditional association with violent death” or “its harsh and raucous cry.” If you’ve ever heard dozens of agitated crows in full cry, it really does sound as if they’re yelling bloody murder.

This whimsical usage, which apparently died out after the 1400s, was revived in the 20th century, but as far we can tell it has never been commonly used in reference to a group of birds.

We’ve done some birdwatching over the years and have never heard birders use those terms in a serious avian discussion.

The first modern citation in the OED comes from 1939, but the usage was undoubtedly popularized by its appearance in An Exaltation of Larks (1968), a compendium of “nouns of multitude” by James Lipton.

Some of the group nouns (they’re called terms of venery) in that book and its successors are actual archaic terms.

The one in the title, for example, dates back to the 15th century. “A exaltacion of larkes” (from Debate of the Horse, Goose, and Sheep, circa 1440, by John Lydgate).

Others (like “parliament of owls”) are more likely to be modern inventions, though “parliament” has been used since the 14th century for a congregation of things: fowls, birds, fools, bees, women, masts (on a ship), and rooks, according to the OED.

The dictionary’s earliest example is from the title and opening line of “Parlement of Foules,” a poem by Chaucer, believed written around 1381.

The poem, which describes a gathering of birds to choose mates, begins this way: “Here begyneth the Parlement of Foules”

Interestingly, the OED’s first recorded example of “Valentine’s Day” also appears in that poem:

“For this was on seynt Volantynys day / Whan euery bryd comyth there to chese his make” (“For this was on Saint Valentine’s Day / When every bird comes here to choose his mate”).

But the association of “parliament” with owls didn’t appear until much later. The earliest example we’ve found is from “Chicago a Thousand Years Hence,” a 19th-century poem by James Newton Matthews.

The poem, which describes a crumbling cathedral, appeared in the June 12, 1886, issue of The Current, a Chicago weekly magazine. Here’s the relevant passage:
Look on it now! the stately edifice,
That once was palpitant with prayer and praise,
Re-echoes to a parliament of owls,
That perch, by night, upon the shattered stones.

The American Heritage Dictionary of the English Language (4th ed.) includes many collective nouns for animals under its entry for “flock.” But keep in mind that some of them are found only in very old compilations and may have had little or no existence aside from these lists.

Since Lipton’s very popular book and its successors appeared, the naming of groups of things has become something of a game with his many fans. While these inventions aren’t legitimate historically, some of them are quite imaginative and even beautiful. A favorite of mine: “a chandelier of hummingbirds.”

[Note: This post was updated on Dec. 24, 2022, Dec. 31, 2023, and Jan. 1, 2024.]

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A goldenrod rule?

Q: A group of rather literary friends recently corrected me for using the word “goldenrods.” They said the plural of the wildflower is the same as the singular. Does “goldenrod” become plural by adding an “s,” like “flower,” or does it stay the same, like “deer”?

A: The dictionaries I’ve consulted don’t indicate that the singular and plural of this word are the same (as they do for invariable nouns like “deer,” “moose,” “sheep,” “swine,” and so on).

So I would conclude that “goldenrod” forms its plural the normal way, with the addition of an “s,” as in “The bouquet included three irises, two lilies, and four goldenrods.”

As an amateur gardener, however, I do know that people with green thumbs often use the singular in referring to plants: “We planted five dozen iris and two dozen crocus last fall” or “I like the way you’ve grouped your three daphne” (instead of “irises,” crocuses,” and “daphnes”).

And plants are often spoken of in the singular, as in “Slender fragrant goldenrod flowers in the summer” (instead of “goldenrods flower”) or “That field of lance-leaved goldenrod is striking.”

Despite these common conventions, “goldenrod” isn’t treated as an invariable noun by dictionaries, which means that technically it has a separate plural.

By the way, the term “goldenrod,” which refers to a plant of the genus Solidago, first appeared in English in a 1568 book by the British botanist William Turner.

All this reminds me of the headline on a “Cuttings” column in the New York Times some years ago: “Just Call Them Glads and Move On From There.”

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English English language Etymology Expression Phrase origin Usage Word origin

A pantleg to stand on

Q: Is the phrase “crease in the pant’s leg” correct or should it be “crease in the pants’ leg”? Thanks a bunch.

A: No apostrophe is needed. Merriam-Webster’s Collegiate Dictionary (11th ed.) says the word “pant” can be an adjective meaning “of or relating to pants,” and it uses the example “pant leg.” So I would suggest “crease in the pant leg.”

Or “pantleg,” if you prefer. While the term often appears as two words, as in M-W, and has also appeared in the past with a hyphen, the Oxford English Dictionary lists the noun as one solid word.

The OED says “pantleg” originated in the US and is still “chiefly” North American. The dictionary gives examples dating from 1859.

As for “pants,” etymologists trace it back to San Pantaleone, the patron saint of Venice.  Because of his identification with the city, Venetians came to be known as pantaloni and a stock character in commedia dell’arte was Pantalone, a rich old miser.

This character typically wore “spectacles, slippers, and tight trousers that were a combination of breeches and stockings,” says the Chambers Dictionary of Etymology.

In the 17th century, the OED says, the French linked the character with a style of trousers that came to be known as “pantaloons” in English.

The word “pantaloons” was eventually shorted to “pants” in the US. Oxford’s earliest example for the new usage is from an 1835 issue of the Southern Literary Messenger:  “In walked my friend—pumps and tight pants on—white gloves and perfumed handkerchief.”

In the OED’s  citations for the short form used as an attributive noun (that is, as an adjective), it’s singular, as in “pantcoat,” “pantdress,” “pantskirt,” “pantsuit,” and “pant-look”), dating from the 1960s and later. (Hmm, I wonder if the appearance of all those “pant” words had something to do with the rise of feminism.)

Like most changes in our changeable language, the evolution of “pantaloons” to “pants” did not occur without opposition. Oliver Wendell Holmes, for one, described the upstart as “a word not made for gentlemen, but for ‘gents.’ ”

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English English language Etymology Expression Uncategorized

When a cat has your tongue

[Note: An updated post on this topic appeared on Feb. 4, 2011.]

Q: Do you have any information on the origin of the phrase “cat got your tongue”?

A: The expression (it’s generally in the form of a question) is something one says to a shy or silent person in an effort to get the tongue-tied one to speak.

Why a cat? Nobody seems to know for sure where “cat got your tongue” comes from, but, as usual, there are lots of spurious etymologies floating around the Internet.

We’ve seen no evidence to prove any of these theories, which involve the cat-o’-nine-tails of seafaring days, ancient Middle Eastern torture techniques, liars’ tongues being ripped out and fed to cats, and so on.

Evan Morris, on his Word Detective website, notes that we’ve been concocting feline myths and metaphors ever since a homo sapien first opened the cave door to a yowling cat.

“The most surprising thing about ‘cat got your tongue’ may be its relatively recent vintage,” Morris notes. “While it certainly sounds as if it must have been dreamt up back in the Middle Ages, the earliest written example listed in the Oxford English Dictionary is from 1911.”

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English English language Etymology Spelling Usage Word origin

Is it “-able” or “-ible”?

[Note: A later and more complete post on this subject was published on Jan. 6, 2016.]

Q: Is there a rule for remembering the correct spellings of words ending in “-able” or “-ible”? You know, words like “portable,” “possible,” “manageable,” “delectable,” “suitable.” Hmm… Now I’m having trouble coming up with another “-ible.” Perhaps treating “able” as the norm and remembering the “-ible” exceptions will do it?

A: There’s no rule, exactly, for telling the “-ables” from the “-ibles.” Often a word derived from a Germanic source (Old Dutch, Old Icelandic, Old Norse, and so on) will end in “-able,” like “forgivable,” which comes from Old English.

If a word is derived directly from Latin, however, it might be spelled one way or the other. It generally will end in “-able” if the  original Latin verb ended in “-are.” And it will probably end in “-ible” if  the  original Latin verb ended in “-ere” or “-ire.” 

That accounts for English words like “legible,” from the Latin legere (“read”), “collectible,” from colligere (“gather”), and “potable,” from potare (“drink”).

There are exceptions, though. And not many of us know automatically whether a word is derived from Latin or Old English. Only one thing is certain: there are far more “-ables” than “-ibles.” The best rule to follow is this: When in doubt, look it up.

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Are we losing “-ed” adjectives?

Q: Have you noticed the death of the “-ed” adjective? I see lots of signs that say “ice tea” and people talk about “mix tapes.”

A: No, we haven’t noticed the death of the “-ed” adjective, though some words that began life with the suffix are often seen without it.

For example, the use of “damned” as an adjective to express disapproval or add emphasis showed up in the late 16th century, while “damn” used in this sense didn’t appear until the late 18th century and is now much more popular.

The loss of the “-ed” ending here is is no surprise. The fact is that “-ed” can be awkward to pronounce before a consonant. This can sometimes lead to its loss in writing. For example, “ice cream” and “iced cream” both appeared in the 17th century, but only the “d”-less version has survived.

As for the chilled tea served over ice, both “iced tea” and “ice tea” showed up in the 19th century (the version with “d” in 1839 and one without it in 1842, according to citations in theOxford English Dictionary). You can find both versions in standard dictionaries now, though the suffixed one is far more popular.

A search of the News on the Web corpus, a database of online newspaper and magazine articles published since 2010, shows that “iced tea” is five times as popular as “ice tea.” And the longer version is even more popular in a search with Google’s Ngram viewer, which tracks words and phrases in digitized books up until 2008. 

In short, the “-ed” adjective is alive and well in writing, though it’s often dropped in speech. We’re used to hearing things like “corn beef,” “mash potatoes,” “grill cheese,” “chop liver,” and “whip cream,” but people generally preserve the “-ed” endings in writing these noun phrases.

As for the compilation of music from multiple sources, it’s usually “mixtape” now, though it was “mix tape” when it showed up in writing in the 1980s and has sometimes been “mix-tape,” according to our searches of newspaper databases. It has seldom been written as “mixed tape.” The word “mix” in the compound “mixtape” is an attributive noun—one used adjectivally.

[Note: This post was updated on July 12, 2019.]

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Heavens to Betsy!

Q: I saw the expression “Heavens to Betsy” in the paper the other day and it reminded me of my late, dearly beloved mother, who used to use it at least once a week. Where does the expression come from, and who was Betsy?

A: Word sleuths have long asked themselves the same questions about “Heavens to Betsy,” an exclamation of surprise, shock, or fear.

All they’ve been able to learn is that the expression can be traced to 19th-century America. But “Betsy” herself remains stubbornly anonymous. As the Oxford English Dictionary comments: “The origin of the exclamation Heavens to Betsy is unknown.”

The earliest published reference found so far, according to the OED, comes from an 1857 issue of Ballou’s Dollar Monthly Magazine: “ ‘Heavens to Betsy!’ he exclaims, clapping his hand to his throat, ‘I’ve cut my head off!’ ”

Fred Shapiro, editor of the Yale Dictionary of Quotations, found this hyphenated example in an an 1878 issue of Harper’s New Monthly Magazine: “Heavens-to-Betsy! You don’t think I ever see a copper o’ her cash, do ye?”

And the OED has this one from a short-story collection by Rose Terry Cooke, Huckleberries Gathered From New England Hills (1892): “’Heavens to Betsey!’ gasped Josiah.” (“Betsy,” as you can see, is spelled there with a second “e.”)

The OED says the word “heaven,” used chiefly in the plural, has appeared since the 1500s in “exclamations expressing surprise, horror, excitement, etc.” It’s frequently accompanied by an intensifying adjective, Oxford adds, as in “good heavens,” “gracious heavens,” “great heavens,” “merciful heavens,” and so on.

In later use, the dictionary says, “extended forms” have included “Heaven and earth,” “Heavens above,” “Heavens alive,” and “Heavens to Betsy,” which it says originated and is chiefly heard in the US.

Some people have suggested that the exclamation was inspired by the Minna Irving poem “Betsy’s Battle Flag” (about Betsy Ross) or the nickname of Davy Crockett’s rifle, Old Betsy, but language authorities have debunked these ideas.

In a posting to the American Dialect Society’s mailing list, the etymologist Gerald Cohen has suggested that Betsy Ross may indeed have inspired the expression even if the Irving poem didn’t. He adds that “Heavens to Betsy” may be an elliptical way of saying “may the heavens be gracious to Betsy.”

As for any more definitive explanation, we can’t offer one. This is one of the many language mysteries that we simply have to live with.

It’s even possible that the expression referred to nobody in particular, and that “Betsy” was used simply because it was a familiar feminine name. The generic use of names isn’t uncommon in such expressions, as we’ve written in posts about “Tom, Dick, and Harry”  and “Johnny-come-lately.”

The lexicographer Charles Earle Funk, in his appropriately titled book Heavens to Betsy!, says he spent “an inordinate amount of time” on this problem before deciding that it’s “completely unsolvable.”

[Note: This post was updated on Jan. 23, 2018.]

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A wonky question

[An updated post about “wonk,” “wonky,” and “wonkish” appeared on the blog on July 2, 2014.]

Q: I’m reading an Angela Thirkell novel, High Rising, and one of the characters (young Tony Morland) repeatedly uses the term “wonky” to mean nutty or neurotic. Can you tell me more about the origin of this word?

A: Both The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.) say “wonky” is chiefly British and means shaky, unsteady, or awry.

But many Americans these days use both “wonk” and “wonky” to mean overly studious or obsessed with details – that is, wonkish or nerdy. [See update below.]

The first reference for “wonky” in the Oxford English Dictionary is a 1919 citation in which Lord Northcliffe, a newspaper magnate, writes of being “weak, and wonky, as the telephone girls say, after a bad morning with the subscribers.”

When Angela Thirkell wrote High Rising in the early 1930s, “wonky” was well established as an adjective to describe an unstable or unsound person or thing. Kipling, in his last collection of stories, Limits and Renewals (1932), refers to a wonky headlight. And Edgar Wallace, in his novel The Strange Countess (1925), refers to financial accounts “that went a little wonky.”

But where does “wonky” come from? American Heritage suggests that it may be derived from the Old English word wancol, meaning unsteady or insecure.

As for the noun “wonk,” it first appeared in print in 1929, according to the OED, and has had various meanings over the years, including a useless naval hand, a white person, and an effeminate man.

Fred Shapiro, editor of The Yale Book of Quotations, has traced the use of “wonk” for a studious or hard-working person to a 1954 article in Time magazine. He says the usage may have originated at Harvard, where students were called wonks, preppies, or jocks, according to a 1962 article in Sports Illustrated.

The use of “wonk” or “wonkish” to refer to someone obsessed with minute points of policy is relatively recent. The first published reference in the OED is from a 1992 Washington Post article that refers to “a lot of wonkish material” (targeted tax cuts, community policing, education reform).

One apparently dubious suggestion is that “wonk” is “know” spelled backwards. Another is that “wonk” is related to the slang term “wanker,” meaning masturbator. A third is that it’s derived from Willy Wonka, Roald Dahl’s eccentric chocolate maker.

But all this is speculative. Most etymologists say the origin of “wonk” is unknown.

[Update, June 12, 2014: Newer definitions appear in later editions of the dictionaries we cited above. The OED includes this meaning of “wonkish,” which it says originated in American politics: “excessively concerned with minute points of (governmental) policy.” American Heritage (5th ed.) defines “wonk” as  “1. A student who studies excessively; a grind. 2. One who studies an issue or topic thoroughly or excessively: ‘leading a talkathon of policy wonks in a methodical effort to build consensus for his programs.’ ”  And the newest version of Merriam-Webster’s 11th says “wonk” means “a person preoccupied with arcane details or procedures in a specialized field; broadly ‘nerd,’ ” and gives the examples “a policy wonk” and “a computer wonk.”]

 

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Nerds of America

[Note: This post was updated on Sept. 24, 2020.]

Q: I was listening to a discussion on WNYC about the word “nerd” and began thinking of when I first heard the term. I’m a baby boomer and don’t remember encountering it in grammar school, high school, or college. I believe I first heard the word on the TV show Happy Days. Did I miss something or did “nerd” originate on the sitcom?

A: You must have had your mind on other things. Happy Days was on the air from the mid-’70s to the mid-’80s, but the word “nerd” (sometimes spelled “nurd” in its early days) originated in the United States in the early ’50s.

That’s about the only thing certain about “nerd.” Its origin has been much disputed and we may never know the real story.

The Oxford English Dictionary describes “nerd” as a “mildly derogatory” slang term for “an insignificant, foolish, or socially inept person” or one “who is boringly conventional or studious.” The word nowadays also has a more specific meaning, the dictionary adds: “a person who pursues an unfashionable or highly technical interest with obsessive or exclusive dedication.”

The first published citation for “nerd” in the OED is from an article in Newsweek (Oct. 8, 1951): “In Detroit, someone who once would be called a drip or a square is now, regrettably, a nerd.”

[Update: The Newsweek quotation suggests that the word was already attracting notice, at least in Detroit. In fact, the author and Yale Law School librarian Fred Shapiro spotted this slightly earlier example in the Detroit Free Press: “If the person in question (formerly known as a square) is really impossible, he’s probably a ‘nerd’ ” (Oct. 7, 1951).]

The OED mentions one plausible origin and several others that are more doubtful.

The plausible one suggests that “nerd” was inspired by a fictional character of the same name in a Dr. Seuss book, If I Ran the Zoo, published in 1950. The Nerd in the children’s book, according to the OED, was “depicted as a small, unkempt, humanoid creature with a large head and a comically disapproving expression.” That sounds pretty nerdlike.

Less likely, the OED says, are suggestions that “nerd” is an alteration of “turd” or that it is back-slang for “drunk” (which contains the letters n-u-r-d) or that it is derived from the name of the ventriloquist Edgar Bergen’s dummy Mortimer Snerd.

Here are some “nerd”-related word formations, from Green’s Dictionary of Slang and the Random House Historical Dictionary of American Slang: the adjectives “nerdy” (1960s) and “nerdly” (1990s) are self-explanatory; the verb “to nerd” (1980s) means to study, but “to nerd around” (1970s) is to goof off; a “nerd magnet” (1980s) is a woman who attracts nerds; a “nerd pack” (1980s) is a pocket protector for holding pens.

We don’t recall hearing “nerd” during our school careers, either (Stewart, class of ’63; Pat, ’71). But we remember the type—the guys who spent all their spare time in the library or lab, didn’t party or do drugs, studied like fiends, got great grades, and went on to become zillionaires in Silicon Valley or on Wall Street. We think they got the last laugh.

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Continuing education

Q: I am curious about the words “continual” and “continuous.” Is there a difference between them and when should each one be used?

A: Many usage guides make this distinction: “continual” means going on regularly or frequently but with breaks in between; “continuous” means going on steadily and without interruption. Bryan A. Garner, in Garner’s Modern American Usage, offers a trick for telling them apart—imagine that the “ous” ending is short for “one uninterrupted sequence.”

These days, however, so many people use the two words interchangeably that the distinction may someday be lost. In fact, a case can be made that the difference between “continual” and “continuous” has never been quite as clear-cut as the sticklers insist.

The word “continual,” for instance, has been used to mean both continuing without interruption and repeated with brief interruptions since the 14th century, according to the Oxford English Dictionary. The 17th-century newcomer “continuous,” the OED says, means uninterrupted or unbroken.

Both The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.) define “continuous” as uninterrupted, but they say “continual” can mean either uninterrupted or recurring regularly.

Because people use both to imply without interruption, it’s better to use “repeated” or “intermittent”  instead of “continual” to describe something that starts and stops.

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“I’m right, aren’t I?”

Q: As a teacher of English as a second language, I’ve wondered about the use of the “tag” question “aren’t I?” at the end of a sentence, e.g., “I’m right, aren’t I?” One ought to say, “I’m right, am I not?” but doing so sounds too formal for ordinary conversation. The problem, of course, is that “aren’t I?” uses the plural verb “are” with the singular subject “I.” It feels like the grammatical equivalent of a pebble in one’s shoe. So, what’s a grammarian to do?

A: Let’s get rid of that pebble. “Aren’t I?” is correct, standard English.

“Am,” of course, is the proper first-person singular form of the verb “to be.” But in the negative interrogative, where the subject and the auxiliary verb are inverted, “aren’t I?” replaced “amn’t I?” over the years because of the awkwardness of the regular negative form “amn’t.”

The “m” in “amn’t” was dropped early on for reasons of euphony. Earlier spellings (like “a’n’t I?” and “an’t I?”) were eventually replaced by “aren’t I?” – but only in the interrogative. One would never say “I aren’t going.”

These days “amn’t” is heard mostly in certain dialects in Ireland and Scotland, according to the linguist David Crystal. In informal English, of course, the infamous “ain’t” is heard both in statements and in questions.

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Do you pronounce ‘t’ in ‘often’?

Q: I just discovered your site and I plan to return often. Oh, that reminds me – it makes me crazy to hear people pronounce the “t” in “often.”

A: The word “often” can be pronounced with a silent “t” (the more common pronunciation) or with an audible “t.” How “correct” is the second pronunciation? That depends on the dictionary you consult.

Both are correct, according to The American Heritage Dictionary of the English Language (4th ed.).

However, Merriam-Webster’s Collegiate Dictionary (11th ed.) treats the version with the audible “t” as a variant that occurs in educated speech but is considered unacceptable by some. [Update, May 25, 2018: The online edition of Merriam-Webster’s Collegiate Dictionary has dropped that label and now has the word “nonstandard” before the second pronunciation.]

American Heritage has an interesting usage note after its entry for “often.” During the 15th century, it seems, English speakers stopped pronouncing some sounds within consonant clusters, making the language easier to articulate. Examples include the “d” in “handsome” and “handkerchief,” the “p” in “consumption” and “raspberry,” and the “t” in “chestnut” and “often.”

With the rise of public education and people’s awareness of spelling in the 19th century, according to the dictionary, sounds that had become silent were sometimes restored. This is what happened with the “t” in “often.”

You might be interested in knowing that “often” was originally just “oft,” and “oft” was commonly used as a prefix in word combinations that are archaic and unrecognizable today.

Even a word like “oftentimes,” which appears in modern dictionaries, seems dated and has musty, quaint overtones. It’s also a term that drives people crazy because of its apparent redundancy. But in fact, the words “oftentime,” “oftentimes,” and “oftime” date back to the early 1400s, and “ofttimes” was first recorded in the 1300s, so they have a venerable history.

[Note: This post was updated on May 25, 2018.]

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Is “trepidatious” a word?

Q: I hear people use “trepidatious” to mean fearful or anxious, but I can’t find it in my dictionary and my spell-checker tells me it’s wrong. Is “trepidatious” a word?

A: Yes, it’s a word, though it’s more common in the US than in the UK. Six of the 10 standard dictionaries we regularly consult recognize the adjective.

All five American dictionaries include it as standard English. However, it’s found in only one of the five British dictionaries, Lexico (the former Oxford Dictionaries Online), which describes the usage as informal. All 10 dictionaries include the noun “trepidation.”

The Oxford English Dictionary, an etymological dictionary based on historical evidence, defines the adjective as “apprehensive, nervous; filled with trepidation.” The dictionary says it originated with the addition of the suffix “-ious” to either trepidāt-, the past participial stem of the classical Latin verb trepidāre (to be alarmed), or to the root of the English word “trepidation.”

Although the usage is more popular in the US than the UK, the first OED citation is from an early 20th-century British novel about colonial India:

“Hilda looked up from the papers she had been busy with as he entered—in fact, made a guilty and trepidatious attempt at sweeping them out of sight” (The Sirdar’s Oath: A Tale of the Northwest Frontier, 1904, by Bertram Mitford, a member of the aristocratic and literary Mitford family).

The earliest American citation in the OED is from the May 18, 1940, issue of the Circleville Herald, an Ohio newspaper: “A trepidatious Europe today remained tense, worried, fearful, for the outcome of what military men predict will be the greatest battle in the history of the world.”

The much older noun “trepidation” ultimately comes from the Latin trepidāre. When it first appeared in the early 17th century, the OED says, “trepidation” referred to agitation in the scientific sense:

“Massiue bodies … haue certaine trepidations and wauerings before they fixe and settle” (from Of the Proficience and Aduancement of Learning, Diuine and Humane, 1605, by Francis Bacon).

Two decades later, the noun took on its modern sense of “tremulous agitation; confused hurry or alarm; confusion; flurry; perturbation,” according to the dictionary.

The earliest citation is from another work by Bacon: “There vseth to be more trepidation in Court, vpon the first Breaking out of Troubles, then were fit” (The Essayes or Counsels, Ciuill and Morall, 1625).

Some sticklers have objected to the use of the relatively new adjective “trepidatious,” but we see nothing wrong with it. The linguist Arnold Zwicky, who uses the term himself, wrote a strong defense of the adjective in a Nov. 17, 2004, post on the Language Log.

[Note: This post was updated on Feb. 19, 2020, to reflect newer dictionary information. Posts on “trepidatious,” “trepidant,” and “trepidated” also appeared in 2015 and 2017. ]

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Stormy weather

[An updated and expanded post about “nor’easter” appeared on the blog on March 2, 2015.]

Q: Where does the word “nor’easter” come from? Is it short for “northeastern”? I live in Brooklyn and we recently experienced a nor’easter.

A: The word “nor’easter” is a contraction of “northeaster,” which is a noun meaning a strong northeast wind or a storm with heavy winds from the northeast.

The prevailing opinion among American broadcast and print journalists, who choose the contraction “nor’easter” by a wide margin over the longer version (just check Google), seems to be that “nor’easter” represents a regional New England pronunciation. This seems to be a myth, however. Many linguists and a great many coastal New Englanders insist that no such pronunciation existed in the region, and that locals have always pronounced the word without dropping the “th.”

According to the University of Pennsylvania linguist Mark Liberman, “nor’easter” is a “literary affectation.”

The earliest published reference to “nor’easter” in the Oxford English Dictionary comes from an 1837 translation of an Aristophanes comedy, The Knights: “Slack your sheet! A strong nor’-easter’s groaning.” The English poet Alfred Austin (he was poet laureate from 1892 to 1913) used both “nor’-easters” and “sou’-westers” in his writing, according to the OED.

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Let’s fathom a “sea change”

Q: Where does the term “sea change” come from? I know what it means, but I don’t know anything about its origin.

A: The expression “sea change” originally referred to a change caused by the sea, but it’s now used figuratively to mean a significant change or transformation.

The phrase was coined by Shakespeare in The Tempest to describe the vision of a drowned body. In Act I, scene 2, Ariel sings to Ferdinand about his father, Prospero:

“Full fathom five they father lies:
Of his bones are coral made:
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.”

The entry for “sea change” in The American Heritage Dictionary of the English Language includes this modern quote from the playwright Harold Pinter: “The script suffered considerable sea changes, especially in structure.”

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