(We’re repeating this post for Thanksgiving Day. It originally ran on Nov. 21, 2012.)

Q: I have a Thanksgiving question: Why is a turkey leg called a “drumstick”? Why not a “club” or a “bat” or a “bowling pin”?

A: You’re right. The leg of a turkey isn’t as long and skinny as a real drumstick. Even the bone alone isn’t quite like a drumstick—it has big knobs at each end instead of a single knob or padded head.

So calling this part of the bird a  “drumstick” seems to be stretching a metaphor. But why use a metaphor at all?

Etymologists think that people started calling this part of a fowl the  “drumstick” because the word “leg” wasn’t polite table talk in the 18th and 19th centuries. 

Neither were the words “thigh” and “breast,” so discreet (OK, prudish) diners referred to them as “dark meat” and “white meat.” 

Sometimes the breast of the turkey was referred to as—ahem—the “bosom.” And occasionally the term “upper joint” was used instead of “thigh,” and “lower joint” or “limb” instead of “leg.” 

Yes, really. There actually was a time when “leg,” “breast,” and “thigh” were considered too coarse for the ears of ladies and unfit for mixed company. 

The word “drumstick,” according to the Oxford English Dictionary, was first used in the mid-18th century  to mean “the lower joint of the leg of a dressed fowl.”

The OED’s earliest citation is from Samuel Foote’s play The Mayor of Garret (1764): “She always helps me herself to the tough drumsticks of turkies.”

Our fellow word maven Hugh Rawson recently discussed
dinner-table euphemisms like these on the Cambridge Dictionaries Online blog.

As he writes, “By the end of the eighteenth century, drumstick was being used by the authors of cookbooks, and it eventually was lumped in with other dinner-table euphemisms.” 

Rawson cites a lecture, “The Laws of Disorder,” by the Unitarian minister and speaker Thomas Starr King, who died in 1864: “There are so many that love white meat, so many that can eat nothing but dark meat, two that prefer a wing, two that lie in wait for drumsticks.” 

Such terms, particularly in America, made table talk easier for everyone, Rawson explains: “Polite guests at American tables knew that asking a poultry-serving hostess for white meat instead of ‘breast meat,’ dark meat instead of a ‘thigh’ and a drumstick in place of a ‘leg’ saved embarrassment all around.”

The 19th-century British novelist and naval captain Frederick Marryat pokes fun at this kind of squeamishness in Peter Simple (1834). In one episode, Rawson points out, the novel’s hero describes a dinner party on the island of Barbados. 

“It was my fate to sit opposite a fine turkey, and I asked my partner if I should have the pleasure of helping her to a piece of breast. She looked at me very indignantly, and said ‘Curse your impudence, sar, I wonder where you larn your manners. Sar, I take a lily turkey bosom, if you please. Talk of breast to a lady, sar! – really quite horrid.’ ”

The OED cites another example from Marryat’s works as an example of “limb” as a euphemism for “leg,” a usage it describes as “now only (esp. U.S.) in mock-modest or prudish use.” 

In his book A Diary in America: With Remarks on Its Institutions (1839), Marryat says a young American woman told him that “leg” was not used before ladies; the polite term was “limb.” She added: “I am not so particular as some people are, for I know those who always say limb of a table, or limb of a piano-forte.”

That example, like several others from the OED, seems to have been used with humorous intent. 

For example, Oliver Wendell Holmes, in his novel Elsie Venner (1861), has this bit of dinner-table conversation: “A bit of the wing, Roxy, or the—under limb?” 

And John S. Farmer, in his Slang and Its Analogues, Past and Present (1885), uses this illustration: “Between you’n me, red stockings ain’t becomin’ to all—ahem—limbs.”

Euphemistic language has proven itself useful, not just at the dinner table. It comes in handy for swearing, too. 

We’ve written before on our blog about euphemistic oaths like “doggone it,” and “gosh a’mighty,” milder substitutes for “God damn it” and “God almighty.” 

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Q: When I call a doctor’s office, I always hear this message: “If this is an emergency, hang up and dial 911.” The terms “hang up” and “dial” were meaningful in the days of rotary phones. But I imagine that millennials must find them quaint or silly. How long will it be before they’re replaced?

A: Many old words die out, while others live on with new meanings. In horse-and-buggy days, for example, a “dashboard,” was a board or apron that prevented horses’ hooves from throwing mud onto passengers. But the word survived into the automobile era as the instrument panel on a car.

Will the old telephone terms “hang up” and “dial” survive in the age of smartphones? Perhaps.

The paper-editing terms “copy,” “paste,” and “carbon copy” (or “CC”) have lived on in the digital age, as has the analog phone term “ringtone” (originally, “ringing tone”). And if you work in an office with a telephone exchange, you’re familiar with the sound of a “dial tone.”

Most standard dictionaries now define the verb “dial” simply as to make a phone call, and “hang up” as to end a call.

However, it wouldn’t be hard to rewrite that doctor’s message (“If this is an emergency, hang up and dial 911″) without using the old terms or creating new ones: “If this is an emergency, call 911.”

The Collins English Dictionary reports a drop in the use of “dial” (both noun and verb) since 2002, though our googling indicates that the verb is still quite popular. The sentence “If this is an emergency, dial 911” is apparently more than three times as popular as “If this is an emergency, call 911.”

Even if English speakers eventually abandon the use of “dial” for making phone calls, we wouldn’t be surprised if the phrasal verb “dial down” survives in its figurative sense of to lower the intensity of something, as in “He needs to dial down his rage.”

(“Dial down” showed up in its literal sense in 1935, and figuratively in 1988, according to citations in the Oxford English Dictionary.)

The word “dial” has evolved since it showed up in English in the 15th century as a noun for an instrument used to measure time—an hourglass, a clock, a watch, and so on. It ultimately comes from diēs, classical Latin for “day” and the source of the English word “diurnal.”

The earliest example in the OED is from a 1410-12 nautical inventory in which the term “dyoll,” according to the dictionary, “is likely to refer to a sandglass.” (The Chambers Dictionary of Etymology cites a sundial for the earliest usage.)

When the verb showed up in the 17th century, it meant “to survey or lay out (land, a mine) with the aid of a miner’s or surveyor’s compass.”

The first OED citation is from a 1653 chronicle in verse about lead mining in Derbyshire: “To make inquiry, and to view the Rake, / To plum and dyal.” (A “rake” is a vein of ore.)

The use of the noun “dial” in reference to telephones showed up at the beginning of the 20th century. The earliest OED citation is from American Telephone Practice (1900), by K. B. Miller:

“The subscriber … places his finger in the slot numbered 6, and turns the dial until his finger strikes the stop on the lower edge of the dial, then he lets go and the dial returns to normal position.”

The dictionary’s first use of the verb “dial” in the telephone sense is from a 1918 congressional report about extending the telephone system in the District of Columbia: “Making it possible to dial from any station connected with the War Board to any other automatic station connected to that board.”

Oxford‘s earliest citation for “hang up” used for a telephone is from Modern American Telephony in All Its Branches (1912), by Arthur Bessey Smith: “When the subscribers are through talking, they hang up their receivers.”

In Origins of the Specious, our book about language myths and misconceptions, we discuss the history of “dashboard” and other old terms that are now used for the most part in new ways. Here’s an excerpt:

“Loophole. In the 1300s a ‘loupe,’ later a ‘loop hole,’ was a small vertical slit in a castle wall for spotting enemies and shooting arrows at them. It probably came from a Middle Dutch word, lupen, meaning to lie in wait, watch, or peer. So an archer trapped in a besieged tower would shoot through a loophole at the surrounding forces. Today a loophole is usually an omission or ambiguity that gives you an opening to evade a legal provision.

“Earmark. For centuries, farmers notched the ears of livestock as a means of identifying them, and many ranchers still do. The resulting noun, originally spelled ‘eare-marke,’ dates from 1523 and the verb from 1591, according to the OED. These days to ‘earmark’ usually means to set aside funds for a specific purpose, a metaphorical usage dear to the hearts of politicians since the mid-nineteenth century.

“Transfixed. It once meant pierced or stuck through with an arrow or a spear. The verb ‘transfix,’ according to the OED, first appeared in print in Edmund Spenser’s epic poem The Faerie Queene (1590), where Semiramis, the queen of Assyria, is ‘transfixt’ by her son’s own sword. Nowadays someone who’s ‘transfixed’ is fascinated or mesmerized, as if stuck to the spot.

“Tenterhooks. In the 1400s, tenterhooks were nails or pointed, L-shaped hooks set along the edges of a wooden frame (called a ‘tenter’) for stretching and drying newly woven woolen cloth. In the eighteenth century, people began using the word figuratively, and ‘to be on tenterhooks’ (no, not ‘tenderhooks’!) was to be tense or held in suspense. In today’s far from relaxing times, that’s the principal meaning.

“Bellwether. Once upon a time, everybody knew that a wether was a castrated ram, and a bellwether the sheep that wore a bell to lead the flock. The word today has a literal meaning only in sheep-raising circles. Most of us now regard a bellwether as something that signals future trends.

“Distaff. In the eleventh century a distaff (then spelled ‘distaef’) was a staff wound with unspun flax or wool. The ‘dis’ in ‘distaff’ was probably from a Low German word diesse, meaning a bunch of unspun flax. The staff, about a yard long, was held under the left arm, and wisps of material were pulled through the fingers of the left hand, then twisted with the fingers of the right and wound onto a spindle. The word ‘distaff’ came to be associated with women’s work, and it’s now a noun or adjective referring to the feminine side of things.

“Dashboard. Believe it or not, we had dashboards before we had cars. In the early nineteenth century, a dashboard was a barrier of wood or leather used as a mud guard at the front, and sometimes the sides, of a horse-drawn carriage. The dashboard kept mud from being ‘dashed’ into the interior by the horses’ hooves. When you go for a spin today, the horses under your hood don’t splatter mud on the passengers, but a dashboard is standard equipment.

“Deadline. The original deadline was a four-foot-high fence that defined the no-man’s-land inside the walls around the Confederate prisoner-of-war camp at Andersonville, Georgia, during the Civil War. Any captive Union soldiers who crossed the deadline were shot. The word first appeared in an inspection report written in August 1864 by a Confederate officer, Lieut. Col. D. T. Chandler: ‘A railing around the inside of the stockade and about 20 feet from it constitutes the “dead-line,” beyond which the prisoners are not allowed to pass.’ After the war ended in 1865, Capt. Henry Wirtz, the commandant of the infamous camp, was tried and hanged for war crimes. Not until the early twentieth century did ‘deadline’ come to mean a time limit. The OED’s first mention is in the title of a play about the newspaper business, Deadline at Eleven (1920). This usage may have been influenced by a somewhat earlier sense of the word: a guideline marked on the bed of a printing press. These days, as we all know, journalists aren’t the only ones with deadlines to meet.

“Linchpin. The word ‘linchpin,’ which dates back to the 1300s, began life as a pin inserted into an axle or a shaft to keep a wheel from falling off. It was used exclusively in that way from the days of horse-drawn carriages to the T-Birds and Coupe de Villes of the 1950s. The metaphorical use of ‘linchpin’ (as a vital person or thing) is relatively new—the OED’s first citation is a 1954 diary entry by the author Malcolm Muggeridge. But today only mechanics and hobbyists still use the word in its original sense.”

Some old words have needed a little help to survive in a changing world, as we wrote on the blog in 2012. What was once simply a “guitar,” for example, is now referred to as an “acoustic guitar” to distinguish it from the newer “electric guitar.”

The term “retronym,” which arrived on the scene in the 1980s, refers to such a new name coined to differentiate the original form of something from a more recent version. Other retronyms include “analog watch” (as opposed to a digital one), “conventional oven” (versus a microwave), and “skirt suit” (as opposed to a pantsuit).

Getting back to your question, will the verbs “dial” and “hang up” die out? Or will they be repurposed for the age of smartphones? Only time will tell.

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Q: In your “Phoo, pfui, and phooey” post, you reference a 1926 Lorenz Hart lyric from “A Melican Man.” I remember my mother singing such a song back in the ’50s (she was born in 1907). Can you tell me something more about the song?

A: “A Melican Man” was written for the musical Betsy (1926), which was a horrific flop for Rogers and Hart. The only good song in the musical, “Blue Skies,” was written at the last minute—by Irving Berlin.

We doubt that your mother was familiar with “A Melican Man.” Like several other songs, it was cut from the production before the musical’s New York opening. There’s more about the play on the musical database Ovrtur.

You can also find the song in The Complete Lyrics of Lorenz Hart (1995 expanded edition). Unfortunately it’s not online, but it may be at a library near you.

Something to keep in mind as you search for your mother’s song. Another old song, entitled “Melican Man” and set to a foxtrot, was published in the same year (1926) and is credited to Leland A. White, Mary Black, and Lucile Burton.

There was also a 1913 song, “Me Melican Man” (described as “A Pigtail Rag”), by Albert J. Weidt. We can’t tell you anything about the lyrics of those songs.

It may be that the song your mother sang had “Melican man” in the refrain or other lyrics, but not in the title.

The term “Melican man” showed up in the mid-19th century as a caricature of the pidgin spoken by Chinese immigrant laborers in the US.

A song called “Hay Sing, Come From China” was published anonymously in the 1860s and tells of a Chinese immigrant out West who wins the heart of an Irish girl, who later abandons him for a “Melican man”—that is, an “American man.”

The word is repeated several times, as in this verse:

Oh, my name Hay Sing, come from China.
Me likee Irish girl, she likee me.
Me from-a Hong Kong, Melican man come along,
Steal an Irish girl from a poor Chinee.

This song and others in a similar vein were popular on minstrel circuits, which caricatured Asians as well as blacks, and which toured well into the early 20th century. Chinese caricature songs were also popular on the vaudeville circuits.

The original “Hay Sing, Me From China” is anthologized in Songs of the American West (1968), by Richard E. Lingenfelter, Richard A. Dwyer, and David Cohen.  Again, it’s not online but it’s a prominent book and may be in a nearby library.

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Q: The fabrics in our lives assume multiple meanings, as in, “I didn’t cotton to him because he tried to pull the wool over my eyes.” A topic for the blog?

A: Fabric and sewing terms are often used figuratively. To borrow a cliché of book reviewing, English is a richly woven tapestry.

We’ve written several posts about these terms, including one in 2008 about “cotton,” a word of Arabic origin that has been used figuratively since the 1600s to mean “get on together” or “suit each other.”

The earliest example in the Oxford English Dictionary is from an anonymous Elizabethan play about the life of the 16th-century English mercenary Thomas Stukley (also spelled “Stukeley,” “Stuckley,” and “Stucley”):

“John a Nokes and John a Style and I cannot cotton.”

(From The Famous History of the Life and Death of Captain Thomas Stukeley, 1605. The play is in The School of Shakespeare, Richard Simpson’s 1878 collection of Shakespearian apocrypha and other works associated with Shakespeare.)

Here’s a later example from Lady Anna, an 1874 novel by Anthony Trollope: “You see, she had nobody else near her. A girl must cotton to somebody, and who was there?”

The OED says the source for this sense of “cotton” is uncertain, but it suggests that the usage may come from the original meaning of the verb when it showed up in the late 1400s: to “form a down or nap” on cloth.

The dictionary’s earliest citation for the original meaning is from a 1488 entry in the accounts of  the Lord High Treasurer of Scotland: “viii elne of cotonyt quhit clath” (“eight ells of cottoned white cloth”). An “ell” was roughly four feet; if a fabric “cottoned” properly, it was successfully finished.

In commenting on the evolution of “cotton,” the dictionary points the reader to a 1608 example from The Family of Love, a play by Thomas Middleton. The citation uses the verb figuratively to mean “prosper” or “get on well,” and at the same time harkens back to its original sense: “It cottens well, it cannot choose but beare A prety napp.”

In the early 20th century, the verbal phrase “to cotton on to” came to mean “to form a liking for” or “to  get to know about,” according to Oxford citations.

Here’s an example for the liking sense from “Children of the Bush,” a 1907 short story by the Australian writer Henry Lawson: “I s’pose the fact of the matter was that she didn’t cotton on to me, and wanted to let me down easy.”

And this is an example for the understanding sense from See How They Run, a 1936 novel by the Irish writer Jerrard Tickell: “I don’t seem to cotton on to German somehow.”

As you’d imagine, the word “wool” in its original sense (the “fine soft curly hair” of sheep and similar animals) is very old, dating from Anglo-Saxon times. The earliest citation in the OED is from a glossary, dated around 725, that translates lana, Latin for “wool,” as uul in Old English.

In the 16th century, English speakers began using the noun figuratively in the expression “against the wool” (the wrong way).

The earliest OED citation is from The Exposition of the First Epistle of St. John (1531), by William Tyndale: “He wresteth all the Scriptures & setteth them clean agaynst the woll, to destroy this article.”

In the 19th century, the noun showed up in the expression to “pull (or ‘draw’ or ‘spread’) the wool over someone’s eyes.” The dictionary’s earliest example is from the April 24, 1839, issue of the Jamestown (NY) Journal: “That lawyer has been trying to spread the wool over your eyes.”

And here’s a “pull” example from the Sept. 29, 1842, issue of Spirit of the Times, a short-lived Philadelphia daily newspaper: “Look sharp, or they’ll pull wool over your eyes.”

In a recent post, we noted that the verb “sew” is often used figuratively, especially in the expression “all sewed (or sewn) up,” which showed up in the early 1900s to describe a situation that’s brought to a conclusion.

The first OED citation is from True Bills (1904), a collection of sketches by the American humorist George Ade: “The Man with the Megaphone Voice cut no Ice whatsoever, for they had him sewed up.” (The loudmouth was prevented from speaking at a formal dinner.)

We wrote a post in 2015 that discusses several other fabric or sewing terms, including “yarn,” “weave,” “thread,” and “knit,” and one in 2014 that considers the use of “thread” in the online sense.

The “yarn” one tells and the “yarn” one knits with may be related, but the evidence is uncertain. One theory is that the expression “spinning a yarn” comes from sailors’ telling stories while making rope—that is, twisting yarn.

The verb “weave” has been used metaphorically (as in “a richly woven tapestry”) since the 1300s, while the noun “thread” has referred to a narrative train of thought since the 1600s, and a series of messages or posts on the same subject since the 1980s. The adjective “knit” has been used metaphorically to mean joined since the 1300s, as in “a close-knit family” or a “well-knit” novel.

Here are the OED‘s earliest known examples of those and some other figurative uses of textile terms.

“chiffon” (light and delicate, like the diaphanous fabric): “Chiffon pumpkin pie.” (From Fashions in Foods, a 1929 cookbook published by the Beverly Hills Women’s Club.)

“embroider” (to embellish rhetorically, often with fictions or exaggerations): “The Græcian Historians and Poets, imbroder and intermixe the tales of auncient times, with a world of fictions.” (From The History of the World, 1614, by Sir Walter Raleigh.)

“fleece” (to swindle or overcharge): “The cardinall knowing he was well prouided of monie, sought occasion to fleece him of part thereof.” (From The Chronicles of England, Scotlande, and Irelande, 1577-87, by Raphael Holinshed.)

“homespun” (homely and rustic, like the homemade yarn or cloth): “Lest my homespun verse obscure hir worth, sweet Spencer let me leaue this taske to thee.”  (From Thomas Watson’s Eglogue Vpon the Death of Walsingham, 1590.) “Eglogue” is an early spelling for “eclogue,” a short poem.

“knit” (joined, as in “a close-knit family”): “First body and saul togyder knyt.” (From the anonymous Middle English poem Pricke of Conscience, 1340.)

“plush” (luxurious, like the sumptuous fabric): “If one were to pass his life in moving in a palace car from one plush hotel to another.” (From the March 1890 issue of Harper’s Magazine.)

“tweedy” (casual, countrified, preppy): “Iris stood before them in tweedy brevity of skirt and pertness of tam-o-shanter.” (From Between Two Stools, a 1912 novel by Rhoda Broughton.)

“weave” (to create an intricate story or plan): “Wo! … seith the Lord, that ȝee [you] schulden do counseil, and not of me; and wefen [weave] a web, and not bi my spirit.” (From John Wycliffe’s 1382 translation of the Vulgate Latin Bible into Middle English.)

“yarn” (a story): “Yarning or spinning a yarn, signifying to relate their various adventures, exploits, and escapes to each other.” (From a glossary of criminal slang in The Memoirs of James Hardy Vaux, 1819.) Despite this citation, the OED says the usage originated as nautical slang.

“thread” (a narrative train of thought): “If one read skippingly and by snatches, and not take the threed of the story along, it must needs puzzle and distract the memory.” (From James Howell’s Instructions for Forreine Travell, 1642.)

“thread” (a linked group of posts or messages): “When following subject threads, the next article with the same subject is located while the last page of the previous article is being read.” (From a May 30, 1984, post on a Usenet group, net.news.)

“wooly” or “woolly” (hazy and confused): “It [a scene in a picture] looks woolly, undecided in shapes.” (From an 1815 issue of The Sporting Magazine.)

“tapestry” (a colorful and intricate mixture of things): “Nature neuer set forth the earth in so rich tapistry, as diuers Poets haue done.” (From An Apologie for Poetrie, written sometime before 1586 by Philip Sidney.)

We’ll end with the word “fabric,” which meant a building when it showed up in English in the 1400s. It didn’t come to mean a textile until the late 1700s.

English borrowed the term from French, but the Latin source is fabrica, the trade of a faber, a worker in metal, stone, wood, and so on (a carpenter, for example), according to the OED.

John Ayto’s Dictionary of Word Origins says the ultimate source is probably “a prehistoric Indo-European base meaning ‘fit things together.’ ”

The first example in the OED (as “an edifice, a building”) is from William Caxton’s 1483 translation from the Latin of Legenda Aurea (The Golden Legend), a collection of stories about medieval saints, by Jacobus de Voragine, the archbishop of Genoa: “He had neuer studye in newe fabrykes ne buyldynges.”

How did the English word for a “building” come to refer to cloth? As Ayto explains, “the underlying notion of ‘manufactured material’ gave rise to the word’s main present-day meaning ‘textile.’ ”

The first OED citation for this new sense is from An Historical Account of the British Trade Over the Caspian Sea (1753), by Jonas Hanway: “We are every day making new fabrics.… No nation can make such excellent cloth as this.” (We’ve expanded the citation to add the reference to “cloth.”)

The dictionary’s next example, which we’ve also expanded, is from An Historical Disquisition Concerning the Knowledge Which the Ancients Had of India (1791), by William Robertson:

“There they observed the labours of the Silkworm, and became acquainted with the art of working up its productions into a variety of elegant fabrics.”

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Q: Do you know when the phrase “to test the waters” came to mean “to float an idea”? I can’t help wondering if it once had something to do with “to take the waters,” as at a spa.

A: The expression “to test the waters” (or “water”) has been used literally since the 19th century in the sense of testing water for its purity, chemical content, and so on.

The earliest example we’ve found is from a report in the February 1881 issue of the Canada Medical Record about an outbreak of typhoid fever at Bishop’s College University (now Bishop’s University) in Lennoxville, Quebec:

“It appeared desirable to test the waters qualitatively as to their constitution, as to presence of ammonia or ammoniacal salts, chlorides, and organic matters, also for magnesia.”

The Oxford English Dictionary has a somewhat later citation from The Fatal Three, an 1888 novel by the English writer Mary Elizabeth Braddon: “I have tested the water in all the wells.”

In the 20th century, the expression “to test the waters” took on the figurative sense you’re asking about, which the Merriam-Webster Online Dictionary defines as “to make a preliminary test or survey (as of reaction or interest) before embarking on a course of action.”

The earliest OED citation for this sense is from A Little Murder Music, a 1972 mystery by Diana Ramsay: “ ‘If you’re attempting to establish a motive—’ ‘I’m just testing the water,’ Meredith said.”

And here’s an example from Judith Krantz’s 1980 novel Princess Daisy: “ ‘I guess it’s just a lucky thing that Supracorp’s such a big business,’ Kiki said, testing the waters.”

The OED doesn’t have an example for the expression used in the literal sense of testing the temperature of water, such as before going in for a swim or giving a baby a bath.

But we’ve found many examples in database searches, including this one from Building the Baby (1929), by Carolyn Conant Van Blarcom: “Test the water with a thermometer or your elbow before putting the baby in.”

You asked if “to test the waters” once had something to do with “to take the waters,” a much older usage that the OED defines as “to drink or bathe in the waters from a mineral spring or spa for reasons of health or well-being.”

As far as we can tell, the two expressions have nothing in common except the H₂O, which they refer to either literally or figuratively.

The earliest OED citation for the older “take the waters”  is from The Yorkshire Spaw, a 1652 treatise by John French on four medicinal wells: “I approve not of taking the waters too fast.”

However, we found an example from the 1980s that uses “test the waters” in the sense of “take the waters” at a spa. In Walter Lippmann and the American Century (1980), the biographer Ronald Steel writes:

“During the summer of 1898, when with his parents at the resort town of Saratoga Springs, where New Yorkers of all classes retired to test the waters and bet on the horses, he met his first authentic hero.” (The hero was Admiral George Dewey, whose squadron had just defeated the Spanish fleet in the Battle of Manila.)

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Q: Several educated people I know use “tract” when they mean “track,” as in “The political science tract is one path to law school.” My desultory search of reference works finds nothing on this usage. Do you condone it?

A: No, “tract” and “track” are not synonyms. They mean different things and are not interchangeable.

As a general rule, the word for an extent or expanse of something (like a plot of land), or for a system of organs, is “tract.” The word for a trail, path, line, or course (academic or otherwise) is “track.”

However, people quite often confuse these words.

Sometimes they mistakenly use “track” in place of “tract,” as in this citation from Merriam-Webster’s Dictionary of English Usage: “SCAAP skirted those obstacles by buying tracks of undeveloped land.”

Or this Fox News headline from 2014: “Have digestive problems? Tips, tricks to get your digestive track in check.”

In both cases, the correct word is “tract,” meaning an area of land in the first example and a bodily system in the second.

Less often, people use “tract” where “track” is called for, as in this example from Garner’s Modern English Usage (4th ed.): “to help you keep tract [read track] of where you are in the filing system.”

Or on the academic websites that offer “advance tract” or “college pre-med tract” or “pre-law tract” programs.

In those cases the correct word is “track.” In the Garner’s example, to “keep track of” means to mentally follow the course of something. In the school examples, it means a course of study.

Despite their similar sounds, “tract” and “track” come from different sources, “tract” from Latin and “track” from Germanic.

But as we’ll explain, both of these words, first recorded in English in the 15th century, ultimately have to do with pulling, dragging, or drawing out. So over the centuries they’ve occasionally overlapped.

We’ll start with the more limited word, “tract.”

As the Oxford English Dictionary explains, it comes from the noun tractus, which in Latin means “a drawing, dragging, pulling, trailing,” derived from the verb trahĕre (to draw, drag).

The more distant ancestor is a prehistoric Indo-European root reconstructed as tragh– (pull, move, run), which is a “rhyming variant” of dhragh– (drag), according to The American Heritage Dictionary of Indo-European Roots.

The first example in writing is far off the beaten path. In 1486, it appeared as an obscure term in heraldry for a longitudinal division of a field within a coat of arms.

The OED’s earliest example is from a Middle English work, The Book of St. Albans, which has a passage devoted to the subject: “Off tractys in armys” (“Of tracts in arms”). This sense of “tract” is now obsolete.

The principal meanings of “tract” all have to do with the extent or duration of something, senses that began showing up around 1500 in relation to time.

These senses of the word, and the dates when they first appeared, include a time delay or deferral (1503-04); a period of time, as in a “longe tracte of tyme” (sometime before 1513); a stretch of territory or an expanse of space, air, water, etc. (1533); an anatomical structure, usually extending lengthwise, in a plant or animal, such as the “alimentary tract” (1681); a bounded parcel of land, especially one slated for development (1912).

The OED notes, though, that over the years “tract” was sometimes used in the senses of “track” and “trace,” but later on, the words diverged again.

For instance, during the 16th to 19th centuries “tract” was sometimes used to mean a path, route, or course of action. This usage is now rare or obsolete, the OED says, and the meaning is “usually expressed by track.”

And during the same period “tract” was sometimes used to mean a mark left behind, like a footprint or trail. This usage, too, is now rare or obsolete, and Oxford says the usual word is “trace.”

Another, unrelated meaning of “tract” should be mentioned here. The noun for a piece of writing, as in a book or pamphlet, showed up in the 1400s, an apparent abbreviation of tractātus, a Latin noun meaning “a handling, treatment, discussion, treatise,” the OED says.

The dictionary’s earliest examples, “tractes of God” and “a generalle tracte,” are from 15th-century documents that are perhaps as early as 1425 or as late as 1475.

When “track” entered English in the 1400s, it meant pretty much what it means today, if you add in the later figurative uses.

This is the OED’s earliest definition: “The mark, or series of marks, left by the passage of anything; a trail; a wheel-rut; the wake of a ship; a series of footprints; the scent followed by hounds.”

The dictionary’s first written example is dated 1470-85: “Myght I fynde the trak of his hors I shold not fayle to fynde that Knyghte” (from Sir Thomas Malory’s Le Morte d’Arthur).

Unlike “tract,” as we mentioned earlier, the noun “track” did not come from Latin, according to etymologists.

“Track” entered English through Old French (trac), but language scholars generally think the French borrowed it from Germanic sources, the OED explains.

The dictionary says that it may have entered French by way of the Middle Low German and Middle Dutch noun trek (a pull or a haul). In both Germanic languages, the verb trekken means to draw, pull, tug, drag, or haul.

How did an English word derived from Germanic sources for dragging and pulling come to mean a trail?

The OED explains that “the original sense would appear to have been the line or mark made on the ground by anything hauled or dragged, whence also the mark made or path beaten by the feet of man or beast.”

Though etymologists don’t link “track” to ancient Indo-European, it seems likely that the Germanic trekken has prehistoric origins that would connect it to “tract.” But the evidence, if it exists, apparently hasn’t been found.

Some later senses of the word, and the dates when they were first recorded in writing, include a route of travel (1576); a course of action or conduct (1638); a path or rough road (1643); a railway line (1806); a race course (1836); a branch of athletics (1905); a set of grooves on a record album, hence a recorded piece of music (1904); an educational stream (1959).

The word has given us many catchphrases and figurative expressions, including to shoot someone “dead in his tracks” (1824); to “make tracks” (1835-40); to be on a “false track” (1871); “covering up his tracks” (1878); “to keep track of” (1873); “on the right track” (1886); “on a wrong track” (1889); “one loses all track of” (1894); “kept close track of” (1902); “from the wrong side of the railroad tracks” (1945, later with “railroad” omitted); “made me stop dead in my tracks” (1954); “keep us on track” (1978).

With that, we’ll stop in our tracks.

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Q: When an indeterminate number of dice are rolled, does one say “die roll” or “dice roll”? I play a lot of tabletop role-playing games and some authors tend towards one usage, some the other. I would like to be correct in my own usage. (I favor “die roll.”)

A: Traditionally, the word “dice” refers to either a game played with dice, or to more than one of the cubes used in such a game.

While traditionalists still prefer “die” for just one of the cubes, many usage authorities now define “dice” as one or more.

If an indeterminate number of dice are to be rolled, you ask, is it a “die roll” or a “dice roll”? We would say “dice roll.”

In the phrase “dice roll,” the noun “dice” is being used attributively—that is, adjectivally—to modify the noun “roll.” We think the word “dice” in that phrase can be viewed two ways: either as a game played with dice or as one or more of the cubes used in the game.

The phrase “die roll,” in our opinion, is a legitimate but stuffy way of referring to the roll of a single cube.

However, the popular online dictionary Wiktionary notes that “die” is “predominant among tabletop gamers.” If the phrase “die roll” is part of the specialized language used by the gamers you play with, then feel free to use it yourself.

We haven’t used the singular “die” ourselves in this post because we use “dice” for both the singular and plural in the gaming sense. We’ll explain our thinking later, but let’s look first at the history of these words.

When the term showed up in early Middle English, the singular was “die” (originally spelled “dē” or “dee”), and the plural was “dice” (originally, “dēs” or “dees”), according to the Oxford English Dictionary.

The plural showed up first in writing. The earliest OED citation is from Robert Mannyng’s Middle English translation (circa 1330) of Roman de Brut, a verse history of Britain by the Norman poet Wace:

“Somme pleide wyþ des and tables” (“Some played with dice and tables”). Backgammon was once referred to as “tables.”

The dictionary’s first citation for the singular is from Confessio Amantis (circa 1393), a Middle English poem by John Gower: “The chaunce is cast upon a dee, / But yet full oft a man may see.”

However, the OED also has citations dating from the late 1300s for a Middle English version of “dice” used in the singular.

The first example, from a 1388 act of Parliament, uses the plural “dyces,” suggesting the existence of a singular “dyce.”

The next example, a Latin-English translation from around 1425, is clearer: “Hic talus, dyse.” (Talus means “ankle bone” as well as “dice.” The Romans made dice from the tali, or ankle bones, of animals.)

So is “die” or “dice” the singular today when used in the gaming sense? The OED, an etymological dictionary based on historical principles, says “dice” is by far the dominant singular.

“The form dice (used as pl. and sing.) is of much more frequent occurrence in gaming and related senses than the singular die,” the dictionary says.

Oxford Dictionaries online, a standard (or general) dictionary, says this in a usage note:

“Historically, dice is the plural of die, but in modern standard English, dice is both the singular and the plural: throw the dice could mean a reference to two or more dice, or to just one. In fact, the singular die (rather than dice) is increasingly uncommon.”

However, other standard dictionaries are divided about the oneness of “dice” when the term is used in games. The American Heritage Dictionary of the English Language (5th ed.), for example, says “die” is the singular and “dice” the plural. But Merriam-Webster’s Collegiate Dictionary (11th ed.) says either “die” or “dice” can be singular.

Usage guides are also divided. Garner’s Modern English Usage (4th ed.) rejects “dice” as “a false singular,” but Fowler’s Modern English Usage (rev. 3rd ed.) says: “The small cubes with faces bearing 1-6 spots used in games of chance are the dice (pl.); and one of them is called a dice.”

The Cambridge Grammar of the English Language sides with Fowler’s: “Dice is etymologically the plural of die, but the latter is virtually no longer in use (outside the fixed phrase The die is cast), with dice reanalyzed as the lexical base: another dice ~ a pair of dice.”

We agree with the OED, Oxford Dictionaries, Fowler’s, and Cambridge that “dice” now is both singular and plural. However, we also believe that when at the gaming table, do as the gamers do.

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Q: Why do people refer to a deceased person as “late”? I googled the question, but found no satisfactory answers.

A: To begin at the beginning, the adjective “late” meant “slow,” “sluggish,” “idle,” or “negligent” when it showed up in Old English and other Germanic languages, including Old Norse, Old Icelandic, and Old High German.

It ultimately comes from lad-, an ancient Indo-European base that gave Latin lassus (weary), source of the English words “lassitude” and “alas,” according to John Ayto’s Dictionary of Word Origins.

The earliest example of “late” in the Oxford English Dictionary is from Pastoral Care (circa 897), King Ælfred’s translation of a sixth-century Latin treatise by Pope Gregory I:

“Sie æghwelc mon suiðe hræd & suiðe geornful to gehieranne, & suiðe læt to sprecenne” (“Let every man be very ready and eager to hear, and very late [that is, “slow”] to speak.”

The OED’s first example for the usual modern sense of “late” (“that occurs, comes, or happens after the proper, right, or expected time”) is from the Catholic Homilies of the Benedictine monk and scholar Ælfric of Eynsham, probably written between 990 and 995:

“Hi behreowsodon þæt hi ele næfdon, ac heora behreowsung wæs to lætt” (“They repented that they had no oil, but their repentance was too late”).

Since then, the adjective “late” has taken on many other senses, as in “a late winning goal,” “the late Elizabethan era,” “my late profession,” “sorry to call so late,” “it comes late in Hamlet,” “a late flowering perennial,” and so on.

The sense you’re asking about (“designating a person recently deceased”) showed up in the early 15th century, according to the OED. The first known example in writing is from a petition dated sometime before 1422: “Elizabeth, ye Wyfe of ye seid late Erle.”

The dictionary’s next example is from William Caxton’s 1490 Middle English translation (by way of French) of Virgil’s Aeneid: “Her swete and late amyable husbonde.”

The OED says the “recently dead” sense of “late” was apparently influenced by the use of the adverb “late” to mean “not long ago (but not now); recently, but no longer.”

Here’s an adverbial example, from a 1435 will, that hints at the adjectival usage: “Thys is the will o Isabell Dove, lat [that is, “formerly”] the wyf of Thomas Dove.”

The adverb also apparently led to the use of the adjective “late” to mean “former,” as in “my late profession” or “his late residence.”

The OED’s earliest citation for this sense is from a 1446 document about the finances at the Cistercian abbey in Cupar-Angus, Scotland:

“Item the … altarage of the Kyrk of South Alveth to our laeyt tenand Johne Wil[ȝ]amson for all the dayis of hys lyfe.” (The term “altarage,” which is now historical, refers here to the former tenant’s income from the offerings at a church altar.)

We’ll end with the use of the expression “the late lamented” in reference to someone who has recently died. The first OED example is from Uncle Silas, an 1864 thriller by the Irish writer Joseph Sheridan Le Fanu. Here’s an expanded version:

“I beg pardon, Miss Ruthyn; perhaps you would be so good as to show to which of the cabinets in this room your late lamented father pointed out as that to which this key belongs.”

Note: We wrote a post in 2012 on an unusual use of “late” for “deceased” in Alexander McCall Smith’s No. 1 Ladies’ Detective Agency novels.

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Q: What is the origin of the expression “to make no bones about it,” and what are these “bones” supposed to be?

A: The expression evolved from a 15th-century saying, “to find no bones” (that is, difficulties) in one’s figurative soup. So in the 1400s, “to find no bones” in a situation meant to see no obstacles or problems.

Today, to “make no bones” about something means to speak clearly and unhesitatingly about it, no matter how awkward or distasteful the subject is.

Oxford Dictionaries online, a standard, or general, dictionary, has this example: “Definitely not for the squeamish, the article makes no bones about where the responsibility for the massacre lay.”

The Oxford English Dictionary, an etymological dictionary based on historical evidence, says “to make bones” means “to make objections or scruples about, find difficulty in, have hesitation in or about” something.

However, the OED says, the expression is generally used with a negative (“no,” “never,” “without,” and so on).

As the OED explains, “to make bones,” which first appeared in the mid-16th century, was originally “to find bones.”

The earlier, 15th-century expression referred figuratively “to the occurrence of bones in soup, etc., as an obstacle to its being easily swallowed.”

The earliest citation in the OED is from a letter written in 1459 to a Norfolk squire, John Paston I, by his chaplain, Friar John Brackley:

“And fond that tyme no bonys in the matere” (“And found that time no bones in the matter”).

The next citation uses the metaphor in the sense of having no complaints about a cup of ale:

“Supped it up at once; / She founde therein no bones.” (From John Skelton’s humorous poem The Tunnyng of Elynour Rummyng, which some scholars date at about 1516.)

No long afterward, in the mid-1500s, the more familiar formula “make no bones” first appeared in English writing.

In the OED’s earliest example, from a 1548 English translation of Erasmus’s Paraphrases (retellings of the Gospels), the expression conveys Abraham’s willingness to kill his son without hesitation:

“He made no manier bones ne stickyng, but went in hande to offer up his only son Isaac.” (“He made no sorts of bones at stabbing, but proceeded to offer up his only son Isaac.”)

While today the expression is followed by “about,” this wasn’t the case early on. For the first few centuries, people “made no bones at” (or of or in or to) before finally arriving in the late 19th century at “make no bones about.”

Here’s a selection of the OED’s other examples (note the various prepositions):

“As for mans hand, they make no bones at it.” (From a 1571 translation of John Calvin’s The Psalmes of Dauid and Others.)

“What matter soever is intreated of, they never make bones in it.” (From John Marbeck’s A Booke of Notes and Common Places, 1581.)

“Who make no bones of the Lords promises, but devoure them all.” (From Daniel Rogers’s Naaman the Syrian: His Disease and Cure, 1642.)

“The Pope makes no bones to break … the Decrees.” (From a 1670 translation of Gregorio Leti’s history Il Cardinalismo di Santa Chiesa.)

“Do you think that the Government or the Opposition would make any bones about accepting the seat if he offered it to them?” (From William Makepeace Thackeray’s novel Pendennis, 1850.)

The first known example with the specific wording “make no bones about” is from a late Victorian novel, and here the phrase conveys the sense of speaking forthrightly:

“I didn’t quite like to draw out my money so long as Pilkington held on; but I shall make no bones about it with this fellow.” (From William Edward Norris’s Adrian Vidal, 1885.)

That is the sense the phrase usually has today, as in this mid-20th-century example from the OED:

“On the other hand, Dr. Libby makes no bones about the catastrophe of a nuclear war.” (From a 1955 issue of the Bulletin of the Atomic Scientists.)

Several other catch phrases involving bones are a familiar part of English, like “a bone to pick” and “bone of contention.” Both of these, as we’ve written before on the blog, date from the 16th century and are derived from the notion of dogs gnawing on bones.

Then there’s the 19th-century phrase, still sometimes heard today, “to make old bones,” meaning to live to a ripe old age.

The OED’s earliest citation for “make old bones” is from 1872, but we found an earlier one. It’s from the Jan. 3, 1863, issue of the journal Once a Week, in a serial installment of Mrs. Henry Wood’s novel Verner’s Pride:

“Barring getting shot, or run over by a railway train, you’ll make old bones, you will.”

The noun “bone” is Germanic in origin and, as you might suspect, it’s extremely old. The earliest known example is from the Erfurt Glossary, believed to have been written during the last quarter of the seventh century.

Here the manuscript translates the Latin word for “ivory” into Old English: “Ebor, elpendes ban [elephant’s bone].”

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