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Slash talk

Q: What is your take on using the word “slash” when speaking of something with various attributes, as in “He is a husband slash father”? We don’t usually pronounce symbols, but it seems as if I hear “slash” spoken more often than I used to, maybe due to its use in Internet addresses.

A: Is “slash” in that example merely a lexical rendering of the / symbol? Or does it have a life of its own apart from the symbol? Or has the symbol itself come to represent an actual word, as the ampersand is a stand-in for “and”?

We’ve checked eight standard dictionaries and all but one of them describe the word “slash” as a lexical rendering of the diagonal symbol. Oxford Dictionaries online, for example, defines the noun this way:

“An oblique stroke (/) in print or writing, used between alternatives (e.g., and/or), in fractions (e.g., 3/4), in ratios (e.g., miles/day), or between separate elements of a text.”

The Oxford Guide to Style says the most common use for the symbol is “as shorthand to denote alternatives,” but adds that the symbol is “sometimes misused for and rather than or.”

The sentence you cite (“He is a husband slash father”) is an example of “slash” used for “and” rather than “or.”

Is the term, as the style manual suggests, “misused” in your example?

Well, most standard dictionaries don’t recognize this use of the term—or, for that matter, this use of the symbol itself. An exception is The American Heritage Dictionary of the English Language (5th ed.).

American Heritage describes a “slash” as either a symbol used in the traditional way or an informal conjunction (represented by word or symbol) meaning “as well as” or “and.”

The dictionary gives these examples of the conjunction: “an actor-slash-writer; a waiter/dancer.” It adds that the symbol is often used in print.

We suspect that the appearance of “slash” in American Heritage is a sign of things to come. In fact, the usage isn’t all that new. The word has been used this way for more than a dozen years.

The linguist Brett Reynolds, who blogs about language at English, Jack, has found a couple of examples from the 1990s.

This one is from the Sept. 28, 1992, issue of Time magazine: “Meet urban planner Campbell Scott (‘a realist slash dreamer’).” And this one is from the script for the 1999 movie Mumford: “sexual surrogate slash companion.”

In an Aug. 27, 2010, posting, Reynolds compares “slash” to “cum” (a Latin preposition meaning “with” that is often used in the sense of “and” or “along with”).

Although most standard dictionaries still consider “cum” a preposition, Merriam-Webster’s Collegiate Dictionary (11th ed.) recognizes it as a conjunction and has this example from George Bernard Shaw: “a credible mining camp elder-cum-publican.”

In an Aug. 27, 2010, post on the Language Log, the linguist Geoffrey K. Pullum discusses the use of “slash” in two sentences like yours: “There is also a study slash guest bedroom” and “We need a corkscrew slash bottle opener.”

In considering which part of speech this use of “flash” falls into, Pullum concludes that it’s a coordinator (also known as a coordinating conjunction) like “and” or “but.”

“We seem to have actually added a coordinator to the language,” says Pullum, the co-author (with Rodney Huddleston) of The Cambridge Grammar of the English Language.

(The scholarly Cambridge Grammar lists the parts of speech as noun, verb, adjective, adverb, preposition, determinative, subordinator, coordinator, and interjection. Cambridge includes what most people would call conjunctions among coordinators and subordinators.)

Pullum describes the coordinator use of “slash” as “a new discovery about English” and “a fairly surprising one.”

He points out that “the class of coordinators is thought of as an extremely small, closed category that has hardly ever expanded since the Middle Ages (when at some point the preposition buton, meaning ‘outside,’ turned into the modern-day coordinator but).”

As for the etymology of “slash,” it showed up as a noun in the 1500s, when the word meant a cutting stroke with a sword or whip, according to the Oxford English Dictionary.

The earliest OED example for the noun is from A Panoplie of Epistles, a 1576 letter-writing manual in which Abraham Fleming translates works by Cicero, Pliny, and others into English:

“Because euery one was ready to cutte his throte as to haue a slash at his fleshe.”

English adopted “slash”—the noun as well as the verb—from esclachier, an Old French verb meaning to break.

The noun didn’t become a term for the symbol / until well into the 20th century. The OED’s earliest example is from a 1961 entry in Webster’s New International Dictionary of the English Language (3rd ed.).

Webster’s Third says “slash” and “slash mark” mean the same as a similar sense of the noun “diagonal,” which it defines as “the symbol / used especially to denote ‘or’ (as in and/or), ‘and or’ (as in straggler/deserter form), ‘per’ (as in feet/second), ‘in’ or ‘of’ (as in U.S. Embassy/Paris), ‘shilling’ (as in 6/8d),” and several other uses.

Of the various terms for the / symbol (“solidus,” “slash,” “slash mark,” “stroke,” “oblique,” “virgule,” “diagonal,” and “shilling mark”) the oldest is “solidus,” which dates from the late 1800s. (Some of the other terms appeared earlier, but not in the symbol sense.)

Here’s a 19th-century example for “solidus” from George Chrystal’s Introduction to Algebra (1898): “The symbols / (solidus notation) and : (ratio notation) are equivalent to ÷.”

The OED doesn’t have an entry for the word “slash” used as a coordinator. It has entries only for the noun or verb.

However, the lexicographer Jesse Sheidlower, a former OED editor, has cited several examples of the usage from the dictionary’s files.

In commenting on Pullum’s Language Log post, Sheidlower listed these examples with multiple slashes:

“I’m a dishwasher slash cake maker slash cookie scooper slash and whatever else they want me to do,” from the Dec. 15, 2002, issue of the New York Times.

“Halcyon, the café-slash-restaurant-slash-record store, is closing its doors in April,” from the Feb. 25, 2004, issue of the Village Voice.

“I’m an actress-slash-model-slash-hostess,” from Beth Kendrick’s 2005 novel Fashionably Late.

Getting back to your question, we believe that “slash” is evolving as a part of speech—in writing as well as speech. In our opinion, it’s only a matter of time before more standard dictionaries accept its use as a coordinator/coordinating conjunction/conjunction.

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Is a ranking a rating?

Q: I teach a class in how to use a risk-mitigation tool that assigns a number between 1 and 10 to potential problems. The documentation refers to this number as a “ranking.” I think a “ranking” is a position on a list, and use the less specific term “rating” in my class. Am I causing needless confusion over a picayune statistical distinction?

A: Standard dictionaries generally agree with you that a “ranking” is a position on a list or scale based on achievement, as in “a number-three tennis ranking,” while a “rating” is merely a classification based on quality, as in “a four-star restaurant rating.”

Although some of these dictionaries use the word “rating” in defining “ranking” and “ranking” in defining “rating,” the examples given fall into the two categories above.

Oxford Dictionaries online, for example, defines a “ranking” as a “position in a scale of achievement or status,” and gives this example: “Victory at the Deutsche Bank championship lifts Singh to number one in the world rankings.”

Oxford defines “rating” as a “classification or ranking of someone or something based on a comparative assessment of their quality, standard, or performance,” and offers this example: “The hotel regained its five-star rating.”

Yes, the difference is subtle, but there is a difference. Vijay Sing was the best of the best golfers in the world, while the hotel was one of those with five stars.

Are you causing needless confusion over a picayune statistical distinction?

Well, you may be causing confusion and the distinction may be something less than earth-shattering. But you’re the teacher and it’s your call.

If you think it’s important enough to maintain this distinction in your class, then maintain it. You have the lexicographers at most standard dictionaries on your side.

Both nouns showed up in English in the 1500s, according to citations in the Oxford English Dictionary. “Ranking” then referred to the act of classifying people or things, and “rating” meant assessing for taxation.

It wasn’t until several hundred years later that the two terms developed the meanings you’re asking about.

In the early 1800s, “ranking” came to mean a position on a scale of comparison, OED citations indicate, and in the early 1900s, “rating” took on the sense of a measurement of one’s achievement. Here are the first examples for each usage.

● “A preparation too well known to require describing, except in regard to its mode of formation, which the preparer, in spite of his ranking as a scientific druggist, has hitherto kept a profound secret” (from the April 1836 issue of the American Journal of Pharmacy).

● “He has been elected President of the Blanker Banking Co., which means that his rating is first-class in the business world” (from Out of the Ashes: A Possible Solution to the Social Problem of Divorce, by Harney Rennolds, 1906).

The word “ranking” is an offspring of “rank,” which in turn comes from ranc, Old French for row or rank, but the ultimate source is khrengaz, a prehistoric Germanic root meaning circle or ring, and source of the English word “ring.”

How did that prehistoric Germanic word give English both “ring” and “rank”?

The OED suggests that “the sense of the French word apparently arose from application originally to a circular or cross-shaped disposition of forces in battle.” So a rank of soldiers may once have been in a circle, not in a row.

The ultimate source of “rating” is the Latin phrase pro rata parte (according to a fixed part, or proportionately), John Ayto writes in his Dictionary of Word Origins.

Ayto notes that rata is the feminine form of ratus, past participle of reri (to think or calculate), which has given English “ratio,” “ration,” “reason,” and similar words.

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Had I but known …

Q: Ogden Nash named a category of mystery stories “HIBK” (for “Had I But Known”). The heroine (it’s almost always a woman), says something like, “Had I but known the killer escaped, I would not have gone for a walk in the woods.” The “but” changes a reasonable statement into one that’s melodramatic. How does it do that?

A: You bring up an interesting use of “but,” and one that’s often found in older literature.

Here, “but” means something like “only,” so “had I but known” is another way of saying “had I only known” or “if I had only known.”

Yes, the “but” could be dispensed with (“had I known”). However, its presence tightens the screw and adds a hand-wringing portent of doom.

This “had I but” formula is used with other verbs too: “had we but stayed,” “had she but gone,” “had they but seen,” and so on.

The construction uses elements of the past perfect tense (“I had known,” “they had seen,” and so on), rearranged and with “but” inserted.

Shakespeare’s plays have quite a few examples of the “had I but + verb” construction. We’ll quote only a couple:

“Had I but served my God with half the zeal / I served my king, he would not in mine age / Have left me naked to mine enemies” (Henry VIII, 1613).

“Had I but died an hour before this chance, I had lived a blessed time” (Macbeth, 1606).

And you’ll find the same construction in Jane Austen’s Pride and Prejudice (1813): “Had I but explained some part of it only—some part of what I learnt, to my own family! … But it is all, all too late now.”

Perhaps the best-known of these formulations is “had I but known.” The expression has its own Wikipedia entry and, as you mention, Ogden Nash poked fun at what he referred to as “the H.I.B.K. school” of 20th-century mystery fiction.

However, this didn’t start with the 20th century. There are many examples of “had I but known” in the literature of the 17th, 18th, and 19th centuries.

The earliest we’ve been able to find is from William Haughton’s comedy Englishmen for My Money: Or, A Woman Will Have Her Will (1616):

“O God, had I but known him; if I had, / I would have writ such letters with my sword / Upon the bald skin of his parching pate, / That he should ne’er have lived to cross us more.”

John Dryden used the device in his play The Spanish Fryar: Or, The Double Discovery (1680): “Had I but known that Sancho was his Father, / I would have pour’d a Deluge of my Bloud / To save one drop of his.”

And the playwright William Mountfort used it in his tragedy The Injur’d Lovers (1688):  “Had I but known / The evil Meanings of his Soul.”

There’s even more melodrama in these lines from Bussy D’Ambois: Or, The Husbands Revenge (1691), by Thomas D’Urfey: “Oh! Curs’d, Curs’d, Fate, had I but known the Fiends, / Not all the Powers of Heaven and Earth had sav’d ’em.”

In the 18th century, “had I but known” became quite common, appearing in the works of many prominent English writers.

In his erotic poem “The Delights of Venus” (1702) the Earl of Rochester writes: “Had I but known the Bliss, or had I guess’d / At the Delights with which I’m now posses’d, / I had not staid [waited] for Marriage.”

And here’s a sighting from Henry Fielding’s comedy The Wedding Day (written in the 1720s but not produced until 1743):

“Oh! Plotwel, had I but known thee sooner! had I but known a Friend like you, who could have armed my unexperienced Soul against the wicked Arts of this deceitful Man.”

Samuel Richardson’s novel Clarissa (1748) has this passage: “Had I but known that your ladyship was not married, I would have eat my own flesh, before—before—before” (much sobbing and weeping ensues).

The rest is history. By now, “had I but known” has become a literary cliché, especially in potboiler mysteries.

In case you’re wondering about the grammar here, we won’t leave you hanging.

The “had known” construction, as we said above, is identical to the past perfect tense. But in clauses like “had I but known,” “had I known,” and “if I had known,” the formulation is being used in a hypothetical way, so the mood is subjunctive—specifically, the past perfect subjunctive.

This isn’t as intimidating as it sounds, so stay tuned.

“Had I known” (or “had I but known”) is a conditional clause—it expresses a supposition. And as we’ve written before on the  blog, we use the subjunctive with some conditional clauses of an “iffy” or hypothetical kind: those that are contrary to fact (as in “if I were you”).

Well, “had I known” (or “had I but known”) is similarly a conditional clause that’s contrary to fact. But in this case, the subject and verb are reversed and there’s no “if.”

Take this sentence, for example: “Had I (but) known, I would never have opened the door to the laboratory.”

Within its entry for the verb “have,” the OED discusses sentences like that under “specialized uses of the past perfect subjunctive” (that is, “had”).

The OED would call that example “a counterfactual conditional sentence, with inversion of subject and verb instead of an if-clause.”

This is nothing new. The OED has many citations, beginning in late Old English and ending with this one from the November 2010 issue of Time Out New York:

“Had the show opened out of town, many of its narrative troubles might have been fixable.”

We should note that “but” conveys a sense of “only” in a similar construction, one in which it precedes a noun or noun phrase instead of a verb.

Here, the OED says, the conjunction “but passes into the adverbial sense of: Nought but, no more than, only, merely.” Oxford has several examples, including these:

“Premature consolation is but the remembrancer of sorrow” (Oliver Goldsmith’s novel The Vicar of Wakefield, 1766).

“My Love She’s but a Lassie Yet” (the title of a poem by Robert Burns, 1794).

“In arms the kingdom had but a single rival” (John Richard Green’s A Short History of the English People, 1876).

We might add an old chestnut that’s a favorite of Pat’s, “it was but the work of a moment,” an expression found in dozens of melodramatic 19th-century novels.

We’ll end with a few lines from Ogden Nash’s poem “Don’t Guess, Let Me Tell You,” which appeared in the April 20, 1940, issue of the New Yorker:

Personally, I don’t care whether a detective-story writer was educated in night school or day school
So long as he doesn’t belong to the H.I.B.K. school,
The H.I.B.K. being a device to which too many detective-story writers are prone;
Namely the Had-I-But-Known.

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They sore what they seen

Q: Is there a reason people use the pronunciation “sore” for “saw” or use “seen” instead of “saw,” as in “I sore her yesterday” or “I seen her last week”?

A: These are two entirely different issues, and they have different causes.

The use of what sounds like “sore” for “saw” is merely a regional pronunciation.

The speaker here is being grammatically correct, since he or she is actually using the word “saw” (and would write it that way), but is pronouncing it with a regional accent.

In this case, the accent represents a speech pattern often heard on the East Coast, and one that we’ve written about before on our blog.

As we wrote in 2008, the speaker inserts an “r” sound, sometimes called the intrusive “r.”

This “r” is sometimes inserted just before a word beginning with a vowel sound. So, for instance, the speaker would say, “That’s a bad idea” (normal pronunciation), but “That idear annoys me” (intrusive “r”).

As we’ve said, this pronunciation should not be considered a mistake, merely a regionalism.

The use of “I seen,” on the other hand, isn’t standard English; it’s a grammatical error.

The mistake is using the past participle (“seen,” the form used with “have” or “had”) instead of the simple past tense (“saw”).

The basic tense forms for the verb “see” are “I see” (present), “I saw” (past), “I have seen” (present perfect), and “I had seen” (past perfect).

Interestingly, “saw” has been spelled may different ways since it showed up in Old English, suggesting that its pronunciation has varied too.

The word is spelled “saeh” in the Lindisfarne Gospel of John, which is believed to date from the early 700s. Some other early spellings in the Oxford English Dictionary are “seah,” “sauh,” “saue,” and “sawhe.”

The use of “I seen” for “I saw” may not be standard English (the OED describes it as colloquial and dialectal), but it’s been around for quite a while.

The earliest Oxford example of the usage is from the Sept. 30, 1796, issue of the Philadelphia Aurora newspaper: “So fine a sight (says Yankee to his friend) I swear I never seen—you may depend.”

And here’s an 1861 example from Tom Brown at Oxford, a sequel to the better-known Thomas Hughes novel Tom Brown’s School Days: “ ‘Hev’ee seed aught o’ my bees?’ … ‘E’es, I seen ’em.’ ”

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A forbidden usage?

Q: ​I have an ongoing dispute with the blogger Eugene Volokh​ over his use of “forbid from,” as in “You are forbidden from selling marijuana.” To me, the acceptable formulation is “You are forbidden to sell marijuana.” That seems to concord with the KJV Bible.

A: In her grammar and usage book Woe Is I (3rd ed.), Pat takes your side. But usage here is shifting, and she intends to reconsider it in any further editions of the book.

Writers have been using “forbid” with “from” plus a gerund since the early 1500s, though the use of an infinitive construction has been much more common, according to citations in the Oxford English Dictionary.

The first example of the “from” usage in the OED is in The Pylgrimage of Perfection, a 1526 religious treatise by the English monk William Bonde: “I forbede all singular persons from the studyeng of this treatise.”

(For what it’s worth, Bonde’s Pylgrimage was written nearly a century before the King James Version, begun in 1604 and completed in 1611.)

And here’s an Oxford example from Edward William Lane’s 1841 translation from Arabic of One Thousand and One Nights: “He forbade both men and women from entering them.”

Merriam-Webster’s Dictionary of English cites several 20th-century examples of the usage, including this one from a February 1971 paper published by the Center for the Study of Democratic Institutions:

“The Vatican issued an order forbidding all Catholic clergy from participating in Illich’s Center.” (The reference here is to a research center set up by Ivan Illich, an Austrian priest and social critic.)

Finally, we found this more recent example in the July 23, 2015, issue of Newsweek: “Surely no one really thought the Iranians were going to agree to a deal that would forbid them from enriching uranium indefinitely.”

OK, the usage has a history, but is it legit?

Henry W. Fowler, writing in the first edition of A Dictionary of Modern English Usage (1926), called it “an unidiomatic construction,” perhaps influenced by “prevent from” or “prohibit from,” two standard usages.

Ernest Gowers, who edited the 1965 second edition of Fowler’s usage guide, agreed. But R. W. Burchfield, editor of the revised third edition (2004), said “the tide seems to turning in favor” of using “forbid” in a “construction with from + verbal form in –ing.”

“While the matter is unresolved, however, it is probably sensible to use alternative constructions or the verb prohibit instead,” Burchfield recommended.

We think the tide has turned even more in favor of the “forbid from” construction since Burchfield (who died in 2004) published the revised third edition.

Although “forbid to” is still more popular, “forbid from” seems to be closing the gap. Here are the results of two Google searches: “forbid you to,” 347,000 hits, versus “forbid you from,” 175,000.

Of the seven standard dictionaries we’ve checked, four include examples of the “forbid from” construction without comment, indicating it’s considered a standard usage.

In fact, Oxford Dictionaries online uses this construction in all but one of the five examples it gives for “forbid” in the sense of prohibit. Here’s an example: “I was forbidden from leaving Russia.”

What do we think? Well, we generally use the infinitive construction, but who are we to forbid someone from using a construction accepted by so many standard dictionaries?

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Publicly vs. publically

Q: In a recent post, you used the word “publically” (a typo, I hope). It got me wondering why “publicly” is the only adverb formed from an adjective ending in “-ic” that doesn’t use “-ally” (at least it’s the only one I can think of). Is there a historical reason?

A: Well, some standard dictionaries do include “publically” as a variant spelling, but it’s described as less popular than “publicly.” In fact, “publicly” outnumbers “publically” by more than 100 to 1 in Google searches.

More to the point, we prefer “publicly” to “publically,” and we’ve changed that post. We should have known better, since our blog once touched on this subject.

As we wrote in 2010, the adverb form of an adjective ending in “-ic” almost always ends in “-ically.” The notable exception is “publicly.”

As we’ve said, some dictionaries recognize “publically” as a variant, but its acceptability depends on which dictionary you consult.

The American Heritage Dictionary of the English Language (5th ed.), for example, labels “publically” a “nonstandard variant of publicly.”

But the entry in Merriam-Webster’s Collegiate Dictionary (11th ed.) recognizes “publicly, also publically.” This use of “also” means that M-W considers the variant standard English though it “occurs appreciably less often.”

As Merriam-Webster’s Dictionary of English Usage explains, “Publically is an occasionally used variant spelling of publicly. It is either based on the obsolete publical or, more likely, simply on analogy with many other –ically adverbs.”

The mention of “publical” is significant, because obviously any adjective ending in “-ical” will have the “-ically” ending when it becomes an adverb.

And as the Oxford English Dictionary says, “it can frequently be unclear” how an “-ically” adverb was formed.

Was “-ly” added to an adjective ending in “-ical,” like the rare “publical”? Or was “-ally” added to an adjective ending in “-ic,” like “public”?

The question is relevant because at one time many adjectives had both “-ical” and “-ic” forms, as with “rustical/rustic,” “romantical/romantic,” “athletical/athletic,” “optimistical/optimistic,” “scenical/scenic.”

Sometimes there were briefly two corresponding adverbs, as with “rustically/rusticly,” “romantically/romanticly,” “phlegmatically/phlegmaticly.” But generally the “-ically” adverbs were more common.

Today, many of the “-ical” adjective forms have died out, but despite that, the surviving adverb forms “almost always” end in “-ically,” the OED says.

This is true even when only the adjective ending in “-ic” is currently used, Oxford adds, “as in athletically, hypnotically, phlegmatically, rustically, scenically.”

And where both adjectives (“-ical” and “-ic”) exist today, the corresponding adverb ends in “-ically,” as with “comically” (for “comical” and “comic”), “poetically” (for “poetical/poetic”), and “historically” (for “historical/historic”).

The elephant in the room is “publicly.” And that’s the form we generally use on the Grammarphobia Blog—except when we forget.

It’s always been the predominant form, and it’s much older. It was first recorded, according to the OED, in 1534, more than 250 years before “publically” showed up in writing in the late 18th century.

The Merriam-Webster’s usage guide concludes its entry on “publically” with this advice: “You can use it if you like, but we do not really recommend it, because it will look unfamiliar to many who encounter it.”

Note: Some dictionaries include “franticly” as an acceptable variant, but the usual adverb is “frantically.”

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Smart talk

Q: I’m curious about how “smart” came to mean intelligent as well as stylish. Which came first?

A: The adjective “smart” has meant fashionable since the 1700s and intelligent since the 1500s, but it’s meant painful much, much longer—since Anglo-Saxon days.

When the adjective first showed up, according to the Oxford English Dictionary, it meant biting or stinging, like the pain from a rod or whip. The verb “smart” (to hurt or sting) appeared about the same time.

The earliest example of the adjective in the OED is from Sermo ad Populum Dominicis Diebus, an Old English homily: “Ic wylle swingan eow mid þam smeartestum swipum” (in Modern English, “I want to beat you with that smart whip”).

Although “smart” can still mean painful (“a smart slap in the face”), it’s used more often these days in the sense of intelligent, fashionable, neat, impertinent, or technically advanced (like a smart phone or a smart missile).

Some standard dictionaries describe the intelligent sense as chiefly American and the neat sense as chiefly British, though both usages can be heard on either side of the Atlantic.

Middle English writers widened the original painful sense of the adjective to include mental as well as physical pain.

In The Book of the Duchess (1369), for example, Chaucer writes: “Hym thought hys sorwes were so smerte” (“He thought his sorrows were so smart”).

Around the same time, the adjective took on a new sense—fast, rapid, brisk. Why? We haven’t seen an explanation, but it could be because the sting of a whip prompts a riding horse or a draft animal to speed up.

The earliest OED example of this speedy sense is from an English law, written sometime before 1325, that discusses novel disseisin, an old legal remedy to recover dispossessed lands:

“Þer nis no writ … ware-þoru þe plaintifs habbez smarttere riȝt þane þoru þe writ of nouele disseisine” (“There is no writ through which plaintiffs have faster justice than through the writ of novel disseisin”).

Later in the 1300s, the adjective “smart” came to mean lively, active, or prompt. And by the start of the 1400s, it meant forward, impudent, cheeky, or pert.

As you can see, the sense of being quick of foot was quickly evolving to mean quick of mind. By the 1570s, according to OED citations, the evolution was complete.

The dictionary’s first example of “smart” used to mean intelligent is from a 1571 poem by the Scottish ballad writer Robert Sempill: “Smart in my schuitting [shooting] & singular in my Science.”

This later example is from Argenis, a 1628 book by the Scottish satirist John Barclay: “For he, a smart young man, and of great iudgement … held vp the Kings side.”

In the early 1700s, the adjective took on the sense of neat and stylish. The OED’s first citation, referring to a stylish wig, is from The Lying Lover, a 1704 comedy by the Irish writer Richard Steele: “What shall I do for Powder for this smart Bob.”

In a few years, “smart” was being used in the sense of fashionable, elegant, and sophisticated. The first example in the OED is from a description of a painting in the March 27, 1719, issue of the Free-Thinker:

“In the rising Scale is a Cluster of smart Men, in tawdry Dresses, with little Rapiers, cocked Hats, and tied Wigs; holding divers Sorts of Mathematical instruments.”

In this better-known example, from Jane Austen’s novel Sense and Sensibility (1811), Edward Ferrars is speaking to Mrs. Dashwood:

“I always preferred the church as I still do. But that was not smart enough for my family. They recommended the army. That was a great deal too smart for me.”

So how did an adjective meaning painful and intelligent come to mean fashionable?

Our guess is that it might have evolved along the lines of “cute,” an abbreviated version of “acute” that progressed from clever, sharp, and shrewd to attractive, pretty, and charming.

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A usage to hate on?

Q: An MSNBC host used “hate on” the other day. My teen-age son and daughter use it too. This seems to be a recent thing—a clunky product of social media, I think. Is it grammatically sound?

A: You ask whether the verbal phrase “hate on” is grammatically sound. A better question might be whether it’s standard English.

The editors at the few standard dictionaries that include “hate on” disagree on how standard the phrase is.

The American Heritage Dictionary of the English Language (5th ed.) describes the usage as “slang,” which it defines as “coinages and figures of speech that are deliberately used in place of standard terms.”

The online Cambridge and Oxford dictionaries describe the usage as “informal,” which they define as conversational or relaxed language. Neither one suggests that it’s nonstandard.

There isn’t much written evidence for “hate on” before the late 1990s, though contributors to discussion groups say they recall hearing it in the early ’90s in Black English.

The phrase began cropping up in the late ’90s in hip-hop lyrics. The 1999 single “Hate Me Now,” recorded by the rapper Nas, has the lines “Hate on me … but I’m still the same ol’ G.”

Some academics have taken note, suggesting that the usage may involve complaining publicly rather than stewing in silence, and that it may include an element of envy.

Todd Boyd, a professor at the University of Southern California, discusses “hate on” in his book The New H.N.I.C.: The Death of Civil Rights and the Reign of Hip Hop (2003).

“In hip hop, verbs often function in a very active way,” Boyd writes. “To ‘hate’ on someone is to use the expressive powers of negativity to cast an aspersion on those who are visibly successful.”

The form “hate on,” Boyd suggests, “becomes more than simply an attitude or silently held feeling of contempt. It is the active usage of that word. It is now common to hear people talk about someone hatin’ on them.”

The anthropologist Marcyliena Morgan, in her book Language, Discourse and Power in African American Culture (2002), says that in Black English the phrasal verb “hate on” carries an element of envy, “as in Don’t be hatin’ on my hair.”

More than a decade later, the usage is no longer limited to what linguists often refer to as African American Vernacular English, and has apparently become a general slang term among younger Americans.

Keep in mind, too, that English has always made liberal use of prepositions and adverbs to form new versions of old verbs.

This is how the 17th-century phrase for changing one’s habits, “turne the leafe,” eventually became “turn over a new leaf.” (The “leaf” here, by the way, means a page in a book, not a tree leaf.)

Getting back to “hate on,” here are two examples of the usage from the standard dictionaries that discuss it.

Cambridge: “These kids get hated on for no good reason at all.”

Oxford: “I can’t hate on them for trying something new.”

The expression reminds us of “brag on,” which we wrote about on the blog last March and which means to praise or boast about.

While the verbal phrase “hate on” is fairly recent, a similar usage in which “hate” is a noun existed in the 1940s—to “have (or take) a hate on” someone. The Random House Historical Dictionary of American Slang defines it as “to dislike intensely; hate.”

The slang dictionary’s earliest sighting is from the Jan. 22, 1949, issue of the Saturday Evening Post: “The brightest boy in the class cannot get by forever if everyone takes a hate on him.”

However, the Oxford English Dictionary has an example from earlier in the ’40s of a similar usage in Australian slang: to “have a hate against” someone or something.

The OED cites this entry from A Popular Dictionary of Australian Slang (1941), by Sidney John Baker: “Have a hate against, actively to dislike a person or thing.”

Random House’s latest citation for the usage is from a 1992 episode of the television crime drama Likely Suspects: “He had a hate on for Breen.”

But the expression “to have a hate on” is still with us today. This headline ran on the BloombergBusiness website in 2014: “Does Bill Ackman Have a ‘Hate-On’ for Allergan?”

And here’s an example from the June 22, 2015, issue of the Toronto Star: “Twenty per cent of Canadians are peeved by tailgaters while 19 per cent have a hate on for those who drive too slowly.”

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Miser, miserly, and miserable

Q: I assume that “miser” and “miserly” are relations of “miserable,” but how exactly are they related?

A: All three are ultimately derived from miser, a Latin adjective meaning wretched or unfortunate.

The use of the “adjective in the sense ‘miserly’ is not recorded in Latin, but may have existed,” according to the Oxford English Dictionary.

In fact, the OED says, the Romans sometimes used miser in the sense of “wretched in one’s social or financial circumstances.” Could those “financial circumstances” have sometimes been “miserly”?

The words “miserable” and “miser” both showed up in English around the same time in the 15th century.

The OED’s earliest example of “miserable,” meaning living in a wretched condition, is from a poem by Thomas Hoccleve written around 1422: “To helle goon tho soules miserable.”

However, the dictionary has a question mark in front of the Hoccleve citation, indicating that it’s not sure of the exact meaning of “miserable” here.

The OED’s first definite example—written sometime in the 1400s and cited in Liber Pluscardensis, a history of Scotland—refers to the “mynd of miserabile humanite.”

When “miser” first showed up in English, according to Oxford, it was as an adjective meaning miserly or parsimonious, but that sense of the word is primarily heard now in Scottish.

The dictionary’s first example, also from the 1400s, is a citation in the Archiv für das Studium der neueren Sprachen und Literaturen, a German literary and linguistic journal:

“Of his plentevous bloode he was not misser, / For he sufferd his manhod to be slayne.”

When “miser” showed up as a noun in the 16th century, it referred to “a miserable or wretched person,” but that sense is now obsolete, according to the OED.

The dictionary’s first example is from Nicholas Udall’s 1542 translation of Apophthegmes of Erasmus: “So did the philosophier call hym a miser, that had no qualitee aboue the commen rate of manne.”

It wasn’t until the late 16th or early 17th century that the noun took on its modern meaning of someone who hoards his wealth or is stingy.

The earliest Oxford example is from Shakespeare’s Henry V. In the play, written around 1600, the King of France’s son says stinting on defense “Doth like a Miser spoyle his Coat, with scanting / A little Cloth.”

Finally, the adjective “miserly” meant stingy and parsimonious from the moment it first showed up in print, according to the dictionary’s citations.

The OED’s earliest example is from Christ’s Teares Ouer Ierusalem, a 1593 work by the Elizabethan pamphleteer Thomas Nashe:

”If there were any that had dudgen-olde coughing miserly Fathers they could not endure.”

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This usage is legit, no?

Q: Is there any grammar rule that forbids using the word “no” at the end of a question?

A: No! English speakers often end a sentence with “no?” to make it a question, especially in casual speech.

One might say, for example, “You enjoyed it, no?” to mean “You enjoyed it, didn’t you?” Notice how the addition of “no?” turns an ordinary declarative sentence into a casual question. (In fact, “yes?” is sometimes used in the same way.)

The Oxford English Dictionary says the adverb “no” is being used here as a “question tag” to mean something like “is that not so?” or “am I not correct?”

The OED labels this usage “colloquial,” meaning it’s more characteristic of everyday speech than more formal language.

Oxford’s examples of the usage are all fairly recent, dating from the 1930s. The first is from a British novel, Louis Golding’s Magnolia Street (1932):

“He was at one of those big schools, where they all live together. A public school they call it, no?”

This more contemporary example is from a 1998 article in the Independent (London): “The people who make Watchdog and Esther will now also be in charge of all the features at Radio 4—inspires you with confidence, no?”

The OED’s latest citation is from a Canadian novel, Anil’s Ghost (2000), by Michael Ondaatje: “Look—the rubbish here in the halls. This is a hospital, no?”

Sometimes, Oxford says, this “no” is used “in representations of the speech of those for whom English is not a first language, corresponding to French n’est-ce pas?, Spanish no?, etc.”

This citation, from E. G. Webber’s comic novel Johnny Enzed in Italy (1945), is an example of the dialectal use: “All this us der merry laugh gives, no?”

But many native speakers of English use this question-tag “no” routinely, so if it was ever considered broken English, it is no longer.

As we mentioned, the adverb “no” at the end of a sentence is a relatively recent usage, according to the OED.

But “no” at the front is many centuries old, and dates back to Middle English. (Again, we’re talking about the adverb, not the adjective, as in “No dessert for you, young man!”)

Oxford’s earliest written citation is from “The Clerk’s Tale” (circa 1395), by Geoffrey Chaucer: “I ne heeld me neuere digne in no manere / To be youre wyf. No, ne youre chambrere.” (I never held me worthy in any way / To be your wife. No, nor your chambermaid.)

John Keats used this “no” in his obscure drama “Otho the Great,” written around 1819: “No, not a thousand foughten fields could sponge / Those days paternal from my memory.”

By now this construction is so common that it’s unremarkable. One of its more familiar variations is in the expression “No you don’t.”

The OED’s examples begin with this stagey citation from Frederic Reynolds’s comedy Fortune’s Fool (1796): “No—you don’t—you shan’t quit the room.”

We’ll conclude with the most recent OED citation, a scrap of dialog from the film script of South Park (1999), by Trey Parker and others:

Satan: I am the dark master! Kyle’s mother: Oh no you don’t!”

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This boot’s not made for walkin’

Q: Your recent post about “my foot” has left me wondering about another expression involving feet: “to boot.” Your thoughts?

A: The “boot” in the phrase “to boot” has nothing to do with footwear or feet. It’s entirely unrelated to the more recent English word “boot,” the one that may give you blisters.

The original “boot” is an extremely old noun that was used in Anglo-Saxon times to mean “advantage,” “good,” “profit,” or “remedy,” according to citations in the Oxford English Dictionary.

The word is long dead, for the most part. It survives in the adjective “bootless” (helpless or ineffectual) and the phrase “to boot,” which the OED defines as “to the good,” “to advantage,” “into the bargain,” “in addition,” “besides,” and “moreover.”

“Boot” appears in many Old English manuscripts and may date from as far back as the early 700s. But its ultimate source is older than written language.

John Ayto’s Dictionary of Word Origins says this “boot” can be traced to a prehistoric Germanic root, reconstructed as bat-, which is also the source of the Old English betera (“better”) and betest (“best”).

That same ancient root is also the source, the OED says, of the obsolete verb “beet,” which once meant to make good or make amends, and of the old noun “bot,” meaning compensation.

From earliest times, this “boot” was used alone as well as in the phrase “to boot.”

The word is used alone (written bote) to mean a medicinal cure or remedy in the Old English poem Elene, written by Cynewulf sometime between 750 and the late 800s, the OED says.

And it appears (as bot) in Beowulf, which may date from 725, in the sense of compensation paid for injury or wrongdoing.

The earliest citation in the OED for “to boot” (spelled to bote) is from Daniel, an anonymous and undated Old English poem inspired by the biblical Book of Daniel. But these later citations are easier to understand:

“A hundreth knyghtes mo … and four hundreth to bote, squieres of gode aray.” (From the Chronicle of Robert Mannyng, 1330.)

“Bi assent of sondry partyes and syluer to bote.” (From Piers Plowman, by William Langland, 1377.)

“For two books that I had and 6s. 6d to boot, I had my great book of songs.” (From Samuel Pepys’s Diary, 1660.)

As we mentioned above, the comparative and superlative forms of the adjective “good”—that is, “better” and “best”—are derived from the same source as the nearly defunct “boot.”

So while English virtually abandoned the old “boot,” it kept relatives of that word for the comparative and superlative forms of “good.”

That raises a question. Why didn’t English simply adopt “gooder” and “goodest” instead of “better” and “best”? Again, the OED has the answer.

The adjective “good” never did have “regular comparative or superlative” forms in the Germanic languages, Oxford says.

“These were supplied,” the dictionary says, “by formations from the common base of better adj. and best adj.”—in other words, from the ancient Germanic root bat-.

Similar irregular patterns, the OED adds, show up in “adjectives of comparable meaning in other Indo-European languages.” Oxford mentions one such sequence—the classical Latin bonus (good), melior (better) and optimus (best).

In short,“gooder” and “goodest” were never standard in English. However, Oxford says, they did “occasionally occur from early modern English onwards, often in jocular or playful language.”

Now that we’ve gotten to the bottom of “to boot,” you’re probably wondering about the other “boot,” the one that is made for walking.

This “boot” dates from the early 14th century, when it was borrowed from Old French (bote) and meant a sort of shoe, usually of leather, extending above the ankle.

The origins of the French word are uncertain, according to several etymological dictionaries, though there were similar forms in other languages—bota (Provençal, Portuguese, Spanish), and botta (medieval Latin).

A related sense of “boot”—it now means the trunk of a car in British English—is older than you might think.

Since as far back as 1608, according to OED citations, “boot” has been used to mean part of a horse-drawn coach. And since 1781 it’s meant a place to store luggage and cargo.

One final note. The 19th-century noun “bootstrap” is self-explanatory—a strap for pulling a boot on.

What’s interesting is that this noun was used in the early 1950s in computing to mean a fixed sequence of instructions that would initiate the loading of an operating system.

The term was first recorded, according to OED citations, in 1953 in Proceedings of the Institute of Radio Engineers:

“A technique sometimes called the ‘bootstrap technique.’ Pushing the load button … causes one full word to be loaded into a memory address previously set up … after which the program control is directed to that memory address and the computer starts automatically.”

(The computer usage was probably influenced by the expression “pull oneself up by one’s own bootstraps” or more directly perhaps by Robert Heinlein’s 1941 time-travel short story By His Bootstraps.)

In the 1970s and ’80s the word was eventually shortened to “boot” (both noun and verb), and today it’s a household word—at least in houses that have computers.

If you’d like to read more, we had a post last year that discusses the history of the word “booty” in its various incarnations. One would assume that pirates’ “booty” would be related to the “boot” that means profit, but so far no connection has been proved.

[Update. A reader writes on August 26, 2015: “Thought you might be interested to know that the term ‘boot’ is very much alive in the tax accounting field. When two parties exchange property, ‘boot’ is the additional amount of cash or property one party receives to make the value of the exchange equal.”]

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A kiss, a slap, and a padiddle

Q: When I was growing up in Philadelphia, we used to call a car with only one headlight a “padoodle.” I can’t find it in my Webster’s dictionary. Could this have been some highly local slang?

A: The word you’re thinking of is usually spelled “padiddle,” though it’s sometimes seen as “bediddle,” “padungle,” “perdiddle,” “perdiddo,” and “padoodle,” according to the Dictionary of American Regional English.

The slang term, which refers to a car with only one working headlight, is also an exclamation shouted in a courting game played by young couples out for a drive.

DARE has examples of the usage from the Midwest, the West, and the East, though we hadn’t heard of the word before you wrote (Pat grew up in Iowa, Stewart in New York).

The regional dictionary has this 1959 explanation of the usage cited in Folklore From Kansas (1980), edited by William E. Koch:

“If a fellow sees a car coming with only one light and says ‘padiddle,’ he may kiss his girl. If she sees it first and says ‘padiddle,’ she may slap the boy.”

DARE also has examples from California, Washington, Indiana, Wisconsin, Minnesota, North Dakota, Montana, New Jersey, and Long Island, NY.

The usage seems to have originated in the 1940s. The Oxford English Dictionary describes it as a US colloquialism of unknown origin.

The OED’s earliest example is from an “Archie” comic strip in the May 23, 1948, issue of the Nevada State Journal:

“Let’s play ‘padiddle.’ … When a car goes by with one headlight if I say padiddle you have to give me a kiss!”

However, we’ve found a Library of Congress catalog that lists the Feb. 10, 1940, copyright for an unpublished song, “Let’s play padiddle; w Donna Mae Carlson,” suggesting that the usage dates at least as far back as the early ’40s.

The word sleuth Grant Barrett has described a less romantic version of the game played by children. In this version, according to an April 16, 2008, post on his blog, “If you shout first, you get the right to punch another passenger on the arm.”

Finally, DARE cites a third version of what happens when a padiddle comes into view, from an unpublished letter to the Newsletter of the American Dialect Society:

“If you see one coming, you’re supposed to kiss any handy members of the opposite sex and pinch any of the same sex.”

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A blindingly obvious oxymoron?

Q: I was reading an article about Edward Snowden in the New Yorker the other day and stopped at the phrase “blindingly obvious.” My first reaction was that the combination of “blindingly” and “obvious” was an oxymoron. But then I thought that maybe “blindingly” was there to emphasize the obviousness. So, what do you think?

A: In discussing the former government contractor who leaked numerous classified documents, the article in the June 3, 2015, issue of the New Yorker says:

“The President and others have praised the U.S.A. Freedom Act, but haven’t mentioned the blindingly obvious fact that without Edward Snowden the law wouldn’t exist.”

No, the phrase “blindingly obvious” isn’t an oxymoron, a combination of contradictory or incongruous words. The word “blindingly” is being used here, as you suspect, as an intensifier.

The word “blind” has had many uses since it showed up in the West Saxon Gospels in the late 10th century as an adjective meaning sightless.

In addition to indicating sightlessness, it’s meant unguarded (as in “blind side”), reckless (“blind fury”), closed at one end (“blind alley”), flying by means of instruments (“blind flying” or “flying blind”), unquestioning (“blind loyalty”), unrevealed (“blind copy”), and so on.

The adverbs “blind,” “blindly” and “blindingly” have similarly strayed in varying degrees from the original sightless meaning of the adjective, giving us such phrases as “blind drunk,” “blindly accept,” and the one you’re asking about, “blindingly obvious.”

Cambridge Dictionaries Online says “blindingly” means extremely in the expression “blindingly obvious,” and Cambridge gives this example: “It’s blindingly obvious that she’s not happy at school.”

The online Macmillan Dictionary defines “blindingly obvious” as completely obvious, and includes this example: “Isn’t it blindingly obvious he’s in love with you?”

The Oxford English Dictionary has an entry for “blindingly,” but it hasn’t been updated since 1887, when the OED was the NED (the New English Dictionary).

The earliest example, from an 1849 sermon by the English theologian Julius Charles Hare, uses the adverb loosely to mean in a blinding manner: “The darkness which lay blindingly on the hearts and souls of mankind.”

Although the OED doesn’t have any citations for “blindingly” used as an intensifier, we’ve found quite a few 19th-century examples in searches of literary databases.

This is from an 1892 article in the New Review, a British literary magazine, about Barrack-Room Ballads, a collection of songs and poems by Rudyard Kipling:

“Only a man of the most blindingly original genius could have written them, and I hope they may win the ear and heart of England, and make England more careful of her gallant children and defenders.”

And here’s an example from Harper’s Chicago and the World’s Fair (1893): “It was frightfully hot in Chicago, it was blindingly hot in the car, and it was hotter still in the country.”

And here’s another, from an 1898 article in the Bookman, a New York literary journal, commenting on the works of the American novelist and short-story writer John Fox Jr.:

“While ‘A Cumberland Vendetta’ is blindingly illiterate, ‘A Mountain Europa,’ truly the best thing he has written, is not.”

The earliest example we’ve found for the exact phrase “blindingly obvious” is from the June 14, 1919, issue of the New Statesman:

“Compared with this terrible and blindingly obvious fact, even the tale of German atrocities sinks into the position of an irrelevancy.”

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A pronouncing primer

Q: I pronounce “primer,” the textbook, to rhyme with “trimmer.” But people I otherwise admire pronounce it to rhyme with “timer.” May I harbor ill will against them? Or are they simply using an acceptable alternate pronunciation?

A: The short answer is that “primer,” when it means an elementary textbook, is pronounced one way in the US and another in the UK.

It was pronounced with a short “i” (rhyming with “trimmer”) when it first showed up in English in the 14th century. Americans still pronounce it that way.

But in the late 19th century, the British began pronouncing it with a long “i” (rhyming with “timer”) and that’s now the usual pronunciation in the UK, according to the Oxford English Dictionary.

The OED notes that the long “i” pronunciation for the textbook “is the primary one given in all editions of D. Jones Eng. Pronouncing Dict.” (In 1917, the British phonetician Daniel Jones published the first edition of his English Pronouncing Dictionary, which has remained in print in various editions.)

We’ve checked the pronunciation of “primer” (used in the textbook sense) in ten standard dictionaries, five American and five British.

Eight of them say the word has a short “i” in American English and a long “i” in British English. The other two, one published in the US and the other in the UK, give only the short “i” pronunciation, with the UK dictionary labeling the word “old-fashioned US.” [Note: We updated the dictionary findings on Jan. 21, 2022.]

So which pronunciation is correct? Apparently that depends largely on which side of the pond you call home.

However, English speakers on both sides pronounce “primer” with a long “i” (as in “timer”) when it’s used in other senses (such as an undercoat of paint or a cap used to ignite an explosive). We wrote a post in 2012 about the use of “primer” in painting.

English adopted “primer” in its learning sense from primarium, medieval Latin for a prayer book. In classical Latin, primarius was an adjective meaning primary.

Such devotional books were often used to teach children to read, which soon led to the use of “primer” for a beginning (or first) school book, according to the Chambers Dictionary of Etymology.

The earliest OED example of the word used in its prayer-book sense is a 1378 reference to one red “primer,” recorded in M. T. Löfvenberg’s Contributions to Middle English Lexicography and Etymology (1946).

The earliest example for the textbook sense is from “The Prioress’s Tale” in Chaucer’s Canterbury Tales (circa 1390): “This litel child his litel book lernynge, / As he sat in the scole at his prymer.”

An interesting aside: Daniel Jones, whose pronouncing dictionary we cited earlier, may have been the inspiration for Henry Higgins in George Bernard Shaw’s play Pygmalion. Henry Sweet, a mentor of Jones, has also been mentioned.

[Note: This item updates and expands on an April 4, 2008, post about the pronunciation of “primer.”]

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When “mow” rhymes with “cow”

Q: I believe Pat misspoke on Iowa Public Radio the other day when she said the noun “mow,” as in “hay mow,” is pronounced the same as the verb. My family on my dad’s side are farmers from Wisconsin, and I’ve always heard it pronounced MAU, rhyming with “cow.” I’ve never heard it pronounced MOE, as in “Mow your yard.”

A: You’re right! Pat mistakenly pronounced the noun, a place for storing hay, as MOE, rather than MAU when she appeared on Talk of Iowa on July 8, 2015. Apologies are in order.

Despite similar spellings, the noun and the verb are pronounced differently. The noun rhymes with “plow” while the verb rhymes with “hoe.” Pat, who comes from Iowa, should have known better.

Why don’t these words sound alike? As it happens, they’ve been different for a very long time, because they come from different sources reaching far back into prehistory.

The “mow” where hay or straw or grain is stored can be traced to an Old English word, muha, dating from before 800, that meant a heap or pile.

The word’s cousins in old Germanic languages meant “crowd,” “flock,” and “common people,” the Oxford English Dictionary says.

Ultimately, however, the word goes even further back, to an ancient Indo-European root reconstructed as muk- (heap, pile), according to the Chambers Dictionary of Etymology.

The other “mow,” the one that means to cut down, has its distant beginnings in another Indo-European root, reconstructed as me– (to cut down grass or grain with a scythe).

According to The American Heritage Dictionary of Indo-European Roots, this prehistoric me– gave us three strains of English words:

(1) our verb “mow” (as in reap), which started out as mawan in Old English;

(2) “mead” and “meadow,” which come from words for a mown field;

(3) “math,” a nearly defunct agricultural word for a mowing (it survives today in the word “aftermath,” literally “after mowing”).

The archaic “math,” by the way, has nothing to do with numbers. We wrote about the two words spelled “math” in a 2012 post on the blog.

Given that both versions of “mow”—the noun and the verb—are so strongly associated with farming, one would assume their two pronunciations would have merged into one by now.

But it hasn’t happened. All modern dictionaries, as Pat has learned to her embarrassment, give MAU for one and MOE for the other. Live and learn.

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Nonplussed about “nonplussed”

Q: I’m troubled by the word “nonplussed.” It still means perplexed here in Australia (as it does in England). But in the USA, it’s evolved to have two incompatible meanings. Does this ambiguity render it less usable?

A: The participial adjective “nonplussed” has meant perplexed or disconcerted since it showed up in written English in the early 1600s, but a lot of people—and not just Americans—now think it means the opposite: unfazed or indifferent.

We’ve checked six standard dictionaries—three American, three British—and none of them consider the new usage standard English.

In fact, only two of them (Oxford Dictionaries online and The American Heritage Dictionary of the English Language, 5th ed.) take note of the recent usage, which began showing up in print half a century ago.

Oxford labels this unperturbed sense as “North American informal,” and adds in a usage note, “It is not considered part of standard English.”

American Heritage lists the indifferent sense as a “usage problem,” and notes, “This usage is still controversial and should probably be avoided, since it may well be viewed as a mistake.” In a 2013 survey, a majority of AH’s usage panel rejected this sense.

“Nonplus” began life in the late 1500s as a noun meaning a state of perplexity in which no more can be said or done. In classical Latin, non plus means no more.

The earliest example in the Oxford English Dictionary is from a 1582 treatise by the English Jesuit priest Robert Parsons: “Beynge now brought to a non plus in argueing.”

An adjectival version of “nonplus” (probably short for “at a nonplus,” according to the OED) showed up in 1589 in Albion’s England, a historical poem by William Warner: “Soone his wits were Non plus, for his wooing could but spell.”

When the term is used adjectivally today, however, it’s usually in the form of the participial adjective “nonplussed.”

The verb “nonplus,” meaning to perplex or confound, first showed up (as a past participle) in Joshua Sylvester’s 1605 translation of the poetry of Guillaume de Salluste Du Bartas, according to OED citations.

We’ll skip ahead, however, to a clearer example from The Historie of the Holy Warre (1639), by Thomas Fuller: “I know it will non-plus his power to work a true miracle.”

The first appearance of the participial adjective “nonplussed” in OED citations is from A Continuance of Albion’s England, a 1606 addition to Warner’s lengthy historical poem: “As lastly did the non-plust Nunne vnto her Charmes agree.”

The OED describes the recent use of “nonplussed” to mean unperturbed rather than perturbed as “orig. and chiefly U.S.” It suggests that the usage probably arose because of confusion with other “non-” words.

The earliest example of the usage in the dictionary is from the Aug. 2, 1960, issue of the Oakland (Calif.) Tribune: “The Rev. Dr. Braddeley remained nonplussed. ‘I don’t intend to make a habit of going to the races.’ ”

And here’s an example, from Flying (1974), by Kate Millett: “He is nonplussed. Has probably been in this bind a hundred times.”

Although the OED and Oxford Dictionaries online consider the recent usage American (or chiefly American), we’ve found many examples in the British news media.

The website of The Independent, for example, used the term in a recent story about an explosion during the destruction of 10 tons of confiscated beer in Kenya.

As politicians hurry from the scene, the report says, the sign-language interpreter “appears nonplussed by the explosion and barely reacts.”

We’ve even found some examples from Down Under, including a recent report on Nine News Australia about a Canadian pilot who took his four-year-old daughter on a flight of aerial gymnastics.

“Nonplussed at first as she sits strapped in behind her dad, the young girl begins squealing and laughing uncontrollably when her dad guides the aircraft through the sky in thick, undulating loops.”

Why are so many English speakers using “nonplussed” to mean the opposite of the traditional sense?

The linguist Mark Liberman suggested in an Aug. 6, 2008, post on the Language Log that the recent usage may have been influenced by words with meanings similar to those of the traditional and newer senses.

“The other words that mean something similar to the traditional sense of nonplussedperplexed, confounded, confused, addled, befuddled, bewildered, muddled, etc.—are generally un-negated, while there are quite a few words with a sense similar to the new meaning of nonplussed that include a negative element: impassive, unperturbed, nonchalant, unfazed.”

Getting back to your question, is the recent usage making “nonplussed” unusable? Not yet. As we’ve said, we couldn’t find a single standard dictionary that accepts the new sense of “nonplussed” as standard English.

But stay tuned. English is a living language. And words have a way of surprising us.

(Note: This expands and updates a Feb. 2, 2007, post on the Grammarphobia Blog.)

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A hamlet by any other name

Q: Did the word “hamlet” mean a town in Shakespeare’s day?

A: The noun “hamlet” referred to a small village in Elizabethan times. But that sense of the word probably had nothing to do with Shakespeare’s naming of the title character in The Tragedy of Hamlet, Prince of Denmark.

English adopted “hamlet” in the 1300s from Old French, where hamelet was a diminutive of hamel (village), according to the Chambers Dictionary of Etymology.

Chambers notes that hamel itself was a diminutive of ham, a word for home in many old Germanic languages, including Old English. (No, it’s not related to the cut of meat.)

Interestingly, the Old English sense of ham as home survives in such place names as Birmingham and Nottingham, where the term originally referred to a manor.

The two earliest examples of “hamlet” in the Oxford English Dictionary are from a chronicle written around 1330 by the English monk Robert Mannyng. Here’s one citation: “He died at a hamelette, men calle it Burgh bisandaes.”

And here’s an example written in Shakespeare’s day (from The View of Fraunce, 1604, by the travel writer Robert Dallington): “One hundred thirtie two thousand of Parish Churches, Hamlets, and Villages of all sorts.”

As for the title character of Shakespeare’s play Hamlet, scholars believe it’s ultimately derived from a legend in Gesta Danorum, a history of the Danes composed in Latin around 1200 AD by the Danish author Saxo Grammaticus.

The protagonist of the legend is Amleth, whose father and uncle are joint rulers of Jutland, the peninsula that forms the mainland portion of Denmark.

In Saxo’s tale, Amleth’s father is killed by his uncle, who then marries the prince’s mother. Amleth feigns madness to keep from being murdered by his uncle, but he eventually avenges his father’s killing and becomes king of the Jutes.

Saxo’s Latin version of Hamlet was printed in Paris in 1514. François de Belleforest translated it into French in 1570 as part of his collection Histoires Tragiques. Both works were available when Shakespeare wrote Hamlet around 1600.

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Full, fuller, fullest

Q: I heard a comment on WNYC about helping students reach their “fullest” potential. How can this be correct?  If I pour water into a glass until it’s “full,” how can I make it “fuller” or “fullest”? There’s no entry for “fuller” or “fullest” as an adjective in my old Webster’s Second (my back still hurts from lifting it). What’s up?

A: We don’t want you to get a hernia, but if you check the entry for the adjective “full” in your unabridged Webster’s Second, you’ll find that the comparative “fuller” and the superlative “fullest” are listed as inflected forms.

You apparently think that “full” is an “absolute adjective,” which is what some usage writers call a modifier that shouldn’t be used in the comparative (“fuller”) or the superlative (“fullest”), or with other qualifiers (“very full”).

So something can be “full,” in your opinion, but not “fuller” or “fullest.” However, some so-called absolute adjectives are routinely used as comparatives and superlatives, and “full” is a good example.

A glass that’s half full, for example, is obviously “fuller” than one that’s a third full. And a glass that’s filled to the brim is the “fullest” of the three.

Yes, “full” generally means containing as much as possible, but the adjective has many other senses, as in “full of energy,” “full of himself,” “full-fledged,” “a full heart,” and so on.

And some standard dictionaries define “full” in its primary sense as something less than full. Cambridge Dictionaries Online, for example, says it means “holding or containing as much as possible or a lot.”

We’ve written several times on the blog about absolute adjectives, including a post in 2008 that briefly discusses such phrases as “a more just society” and “a more perfect union.”

Getting back to your question, we see nothing wrong with that comment on WNYC about helping students reach their “fullest” potential.

Technically, “full” would be the proper adjective. The comparative “fuller” would be used to compare two things of varying degrees of fullness, and the superlative “fullest” to compare three or more.

But “fullest” is often used idiomatically as an emphatic version of “full.” The expression “to the fullest extent of the law,” for example, is notably more popular than “to the full extent of the law,” according to Google searches.

In fact, we’ve found many early examples of “fullest” used in this sense. State papers from the reign of Queen Elizabeth I concerning Scotland, for example, contain a March 1, 1564, comment by guests at a banquet that they “were merriest when the table was fullest.”

In Fowler’s Modern English Usage (rev. 3rd ed.), R. W. Burchfield defends the idiomatic use of superlatives:

“Use of the superlative is idiomatic in such phrases as Put your best foot foremost; May the best man win; Mother knows best. And who would wish to introduce a comparative into Milton’s Whose God is strongest, thine or mine?”

When the adjective “full” first showed up in Old English, according to the OED, it meant (as it does today) “having within its limits all it will hold; having no space empty; replete.”

But for centuries, writers have felt the word needed something extra—using it, as Oxford says, “often with intensive phrases, as full as an egg, full to the brim, full to overflowing, full up (colloq.), etc.”

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To honor or to celebrate?

Q: Already this season, I’ve heard three people who ought to know better “celebrate” the retirement of treasured old guys. They meant to “honor” the guys, not “celebrate” their retirements. But maybe I’m the only one who notices.

A: For hundreds of years, the verb “celebrate” has meant to observe or acknowledge a significant event—such as a retirement—as well as to honor or praise someone or something.

In our opinion, not many people would construe the celebration of a retirement as a backhanded way of saying, “Good riddance. We’re better off without him.”

Readers can tell the difference between celebrating (that is, applauding) the overthrow of a tyrant in Mitteleuropa and celebrating (that is, publicly acknowledging) the retirement of a “treasured old guy” at the Booth School of Business.

The word “celebrate” is ultimately derived from the Latin verb celebrare, which originally meant to attend in great numbers, according to the Chambers Dictionary of Etymology.

Chambers says the Latin verb is also the source of such English words as “celebrity” (about 1380), “celebration” (1539), and “celebrant” (1839).

When “celebrate” first showed up in English in the mid-1500s, it meant (among other things) to observe with solemn rites or to honor with religious ceremonies.

The earliest example of the usage in the Oxford English Dictionary is from the 1560 edition of the Geneva Bible: “From euen to euen shall ye celebrate your Sabbath.”

In a little more than a century, however, writers were using “celebrate” for more secular observances.

In The Conquest of Granada, a 1672 play by Dryden, the King of the Moors says: “With pomp and Sports my Love I celebrate.”

Finally, here’s an updated example of the usage from the 1937 first edition of Eric Partridge’s A Dictionary of Slang and Unconventional English:

Celebrate, v.i., to drink in honour of an event or a person; hence, to drink joyously.”

Cheers!

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A happy ending

Q: I’m Dutch and I recently read (from someone claiming to be a native English speaker) that the use of “happy end” is a common mistake made by those not intimately familiar with the language. Instead “happy ending” should be used. Can you enlighten me?

A: In the phrase “happy ending,” as you know, “ending” is a gerund, an “-ing” word that’s formed from a verb but functions as a noun.

Both the noun “end” and the gerund “ending” mean, among other things, a conclusion. So “happy end” and “happy ending” would seem to mean the same thing.

Although both are technical correct, “happy ending” is the idiomatic phrase (the one used naturally by a native speaker) when referring to the happy conclusion of a novel, play, movie, and so on.

The earliest example of the expression in the Oxford English Dictionary is from Memorable Conceits, a 1602 translation of a book by the French writer and printer Gilles Corrozet:

“A good entrie or beginning is not all, without it haue a happie ending.” (In the original French, “happie ending” is heureuse issue.)

And here’s a citation from a May 10, 1748, letter by Samuel Richardson in which he discusses a scene from his recently published novel Clarissa:

“The greater Vulgar, as well as the less, had rather it had had what they call, an Happy Ending.”

The OED defines “happy ending” as “an ending in a novel, play, etc., in which the plot achieves a happy resolution (esp. by marriage, continued good health, etc.), of a type sometimes regarded as trite or conventional.”

The dictionary adds that in the US the phrase is also used for “an orgasm, esp. one experienced by a man after sexual stimulation given after (or during) a massage.”

The OED doesn’t have an example of this usage, but the comedian Jim Norton uses the phrase in the sexual sense in the title of his 2007 book, Happy Endings: The Tales of a Meaty-Breasted Zilch. The cover shows him lying on a massage table.

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A first-generation American?

Q: As an immigrant and an American citizen for nearly 70 years, I have always considered myself a “first-generation American,” and I dislike seeing the term applied to the first generation born in the US. If you haven’t addressed this, would you, please?

A: Your usage is fine, but so is the one you dislike. “First generation” can mean either the first to arrive in a new country or the first to be born there. Here’s the story.

When the noun “generation” showed up in English in the 1300s, it meant offspring or family as well as the descendants of one family or one period of time.

English borrowed the term from the Old French generacion, according to the Chambers Dictionary of Etymology, but the ultimate source is generare, Latin for to bring forth.

Chambers says all these early senses of the English noun were first recorded in Cursor Mundi, an anonymous Middle English poem written sometime before 1325.

The use of the adjectival phrase “first-generation” to describe the first “generation of a family to do something or live somewhere”—showed up in the late 19th century, according to the Oxford English Dictionary.

The earliest example in the OED is from a September 1896 letter by Cannon Samuel Barnett, Warden of Toynbee Hall, a settlement house in London.

In the letter, Cannon Barnett writes of meeting an American who described himself as a “first-generation man.”

Oxford has only one citation for the phrase you’ve asked about, but it’s a relatively recent example. It comes from Then We Came to the End, a 2007 novel by Joshua Ferris that describes “first-generation Americans” power-spraying the asphalt at a loading dock.

However, we’ve found several earlier examples of the usage, including one from Descendants of Aaron and Mary (Church) Magoun, of Pembroke, Mass., an 1891 book of genealogy.

Aaron’s great-grandfather, John Magoun, who came from Scotland to Massachusetts in 1670, is described in the book as “the first generation, American.”

This would support your use of the expression to describe an immigrant who becomes a US citizen. However, we’ve found another 19th-century example that uses the phrase “first-generation” to describe American-born citizens.

In No Enemy (but Himself), an 1895 book, Elbert Hubbard writes that only foreign women were willing to work in the cornfields in Indiana: “The first generation American-born, go on a strike.”

In fact, the OED says the phrase “first-generation” can be used to designate “a naturalized immigrant or a descendant of immigrant parents, esp. in the United States.”

So it’s correct (at least in the opinion of Oxford’s editors) to refer to a naturalized American citizen like you as well as an American-born child of immigrants as a “first-generation American.”

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Did Stella die?

Q: Two dinner companions recently got into a spirited debate about using “died” in referring to a euthanized pet. Leaving aside the general advisability of being specific, is there any authority for characterizing “died” as incorrect or misleading here?

A: As two long-time owners of Golden Retrievers and Labs, we’ve had to put down several ailing dogs over the years.

If someone asks about them, we usually say they died. In the rare instances when we have to be specific, we’ll say we put them down or we euthanized them.

If a friend were to ask whether our debilitated, 12-year-old Labrador Retriever Stella died a natural death, for example, we’d say she was put down. In speaking to a vet, we might say she was euthanized.

If there’s no reason to be precise, however, we aren’t. If a friend were to ask if Stella is still alive, for example, we’d simply say, “No, she died.”

Is this use of “die” incorrect?

No. The primary meaning of the verb “die” in standard dictionaries is to stop living. And that’s what Stella did (with a little help from her best friends).

Is the usage misleading? Yes, but English speakers are often deliberately imprecise or misleading.

The usual answer to the question “How are you?” is “fine” or “OK” or “good” or something similar. Only rarely is precision expected: “the CT scan was negative” or “the stitches are coming out tomorrow.”

If someone dies, is it really necessary in casual conversation to mention that he was wearing a “Do not resuscitate” band or that his family had ended life support?

In other words, if it’s relevant, add the painful details. If not, don’t. Save yourself and others the discomfort.

Interestingly, the verb “die” doesn’t generally appear in Old English literature. Instead, an Anglo-Saxon might have said someone “is dead” (wesan déad ) or “was dead” (wæs déad).

However, “die” does exist in Old Norse, Old Frisian, Old Saxon, and other early Germanic languages, according to the Oxford English Dictionary.

The OED says the verb “is generally held to have been early lost in Old English” and “re-adopted in late Old English or early Middle English from Norse.”

The dictionary’s earliest example of the verb (deȝen in Middle English) is from the History of the Holy Rood, a Christian manuscript written around 1135 about the Cross.

We’ll end with an example of the verb “die” from Shakespeare’s Sonnet 68:

Thus is his cheek the map of days outworn,
When beauty lived and died as flowers do now,
Before the bastard signs of fair were born,
Or durst inhabit on a living brow.

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Out of the question

Q: Every once in a while an expression that I’ve heard all my life suddenly sounds strange. Why, for example, do we refer to something unthinkable or impossible as “out of the question”?

A: When the word “question” showed up in English in the early 1200s, it meant (as it does today) something that’s asked about, discussed, or debated.

English adopted the word from Anglo-Norman, but it’s ultimately derived from Latin. In classical Latin, a quaestio was, among other things, a subject for discussion, which is a clue to the expression you’re asking about.

When “out of the question” first showed up in the early 1600s, according to the Oxford English Dictionary, it meant “not relevant to the matter under discussion.”

The earliest example of the usage in the OED is from a 1607 religious tract in which the English Puritan clergyman Robert Parker argues that the effective use of the sign of imposing hands (that is, the laying on of hands) “is out of the question.”

And here’s an example from A Defence of the Right of Kings, a 1642 tract in which Edward Forest attacks the writings of the Jesuit priest Robert Persons:

“This cunning and curious Composer of Bookes, and Contriuer of cases, doth in this his chiefe proposition, worke himself quite out of the question.”

Over the years, according to the dictionary, the expression came to mean “not to be considered or countenanced; impossible.”

This is an example of the new usage from The History of Betsy Thoughtless, a 1751 novel by Eliza Haywood: “A marriage with miss Betsy was, therefore, now quite out of the question with him.”

The OED’s latest citation is from James Ryan’s 1997 novel Dismantling Mr Doyle: “And the yellow and red checkered head scarf Mrs Doyle produced as a possible necktie was, he insisted, out of the question altogether.”

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Is ubiquitousness ubiquitous?

Q: The question herein to be addressed centers around the so-called word “ubiquitousness” (I frankly contest its claim to the title). Do you agree with the editor who changed my use of “ubiquity” to “ubiquitousness”?

A: We prefer the simpler “ubiquity.” It’s more ubiquitous than the clunky “ubiquitousness.”

You can find “ubiquitousness” in a few standard dictionaries, but “ubiquity” appears in more. And the people who use the English language clearly prefer the shorter word.

Here’s the Google scorecard: “ubiquity,” 5.4 million hits; “ubiquitousness,” 90,000.

When the noun “ubiquity” showed up in English in the early 1570s, it referred to the omnipresence of God.

The word comes from ubiquitas, post-classical Latin for “the omnipresence of Christ or of his body,” according to the Oxford English Dictionary. In classical Latin, ubique meant  anywhere, everywhere, wherever.

The OED’s earliest citation for “ubiquity” is from A Booke of Christian Questions and Answers, Arthur Golding’s 1572 translation of a work by the French Protestant theologian Théodore de Bèze:

“The Vbiquitie or Eueriwherbeing of Christs manhod mainteined by Brentius and certeine others.”

By the late 1500s, according to Oxford, the term “ubiquity” was being used secularly to mean “the ability, or apparent ability, to be everywhere at once.” Today that sense generally refers to “being seen or encountered everywhere.”

By the early 1600s, the term had widened to mean the state of “being present everywhere or apparently everywhere; widespread presence; prevalence, pervasiveness.”

Most of the standard dictionaries we’ve checked now define “ubiquity” loosely as the fact that someone or something is widespread or seems to be everywhere.

This is an example of the freer usage from Oxford Dictionaries online: “I heard more gnatcatchers, but I never did see one, which was a bit surprising given their general ubiquity.”

The American Heritage Dictionary of the English Language (5th ed.) defines it loosely as the “existence or apparent existence everywhere.”

American Heritage has this example from the 20th-century critical theorist Theodor W. Adorno: “the repetitiveness, the selfsameness, and the ubiquity of modern mass culture.”

The adjective “ubiquitous” showed up two centuries after the noun “ubiquity,” with a similar theological sense: “Of God, Christ, the soul, etc.: present in all places; omnipresent.”

The earliest example in the OED is from Remarks on an Introduction to the History of Great Britain and Ireland (1772), by the Scottish writer James Macpherson:

“When we think him [sc. God] in some matter straitned, or abdridged of room, for his Omnipresence, on the supposition of his essence not pervading this ubiquitous nothing, we seem to forget who he is.”

By the early 1800s, according to Oxford citations, the adjective was being used more generally in reference to a person, thing, quality, and so on that’s widespread, predominant, very common, popular, or omnipresent.

The first OED example is from an 1802 survey of Londonderry by G. V. Sampson: “The almost ubiquitous and perennial daisy, bellis perennis.”

The latecomer in this lot, the noun “ubiquitousness,” was coined in the 1850s by adding “-ness” to the adjective. (The suffix “-ness” is used with adjectives, participles, adjectival phrases, and some other terms to form abstract nouns.)

The dictionary’s first example of the usage is from the April 1852 issue of Colburn’s United Service Magazine and Naval and Military Journal:

“In vain you would track their course … and cry ‘Eureka’, at each bend, fancying you have at length found it [sc. a winding river]. Hopeless delusion! You have yet to learn the ubiquitousness of its character.”

The most recent OED example—from the April 10, 2009, issue of the Daily Telegraph in London—refers to the ubiquitousness of unavoidable ‘musak.’ ”

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An anonymous artery?

Q: I’m puzzled about why the “brachiocephalic artery” is commonly referred to as the “innominate artery.” In other words, why is an artery with a precise name vaguely referred to as an anonymous artery?

A: Let’s first look at the adjective “innominate,” which the Oxford English Dictionary defines as “not named, unnamed, anonymous.”

English adapted the term in the 17th century from the late Latin innominatus, which was used in the writings of the early sixth-century philosopher Boethius.

The earliest example in the OED is from Some Yeares Travels Into Divers Parts of Asia and Afrique (1638), by Thomas Herbert: “Zeyloon … was not innominate to the Antients.” (Zeyloon, once an alternate spelling of Ceylon, is now known as Sri Lanka.)

By the 19th century, the term was being used, sometimes in English and sometimes in Latin, to refer to various bones, arteries, and veins in the human body.

The first Oxford example is from Phillips’s New World of Words, a 1706 edition edited by John Kiersey: “Innominata Ossa … the Nameless Bones, two large Bones plac’d on the sides of the Os Sacrum.”

The dictionary’s earliest example of “innominate artery” is from George Rolleston’s Forms of Animal Life (1870): “The aorta [in birds] divides after a very short course into three great trunks, by giving off two subequal innominate arteries.”

Interestingly, the term “brachiocephalic artery” appeared in print dozens of years before “innominate artery,” according to OED citations.

The Cyclopædia of Anatomy and Physiology (1836-39), edited by Robert Bentley Todd, has an entry for the “brachio-cephalic artery.”

So the term that you consider more precise apparently showed up before the one that you consider fuzzier. Hmm!

So why is the “brachiocephalic artery,” which supplies blood to the right arm, the head, and the neck in humans, commonly referred to as the “innominate artery”?

Mosby’s Medical Dictionary (8th ed.) says the term “innominate” is sometimes used for body parts that have descriptive names rather than precise ones (like the aorta, the femur, or the tibia).

“The term is traditionally applied to certain anatomic structures, often identified by their descriptive name, such as the hip bone and brachiocephalic artery,” the medical dictionary explains.

In other words, the “brachiocephalic artery” is referred to as nameless because “brachiocephalic” here merely indicates that the function of the artery involves the arm and head.

We can understand if you’re still puzzled by all this. The idea of a descriptive name being nameless strikes us as odd too. But who are we to complain, no matter what it’s called—as long as surgeons can find it?

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Judgment (or Judgement) Day

Q: I’ve noticed that you spell “judgment” without the extra “e” in the middle. I use the same spelling, but “judgement” is increasingly popular. During my law school days, I encountered the word with no small regularity, and both American and English texts used “judgment.” If I never saw the written word, though, I would assume “judgement” was correct. It seems right. Could you shed any light on the situation?

A: The word “judgment” has been spelled many different ways since it showed up in Middle English in the 1200s, sometimes with an “e” and sometimes without.

Here’s a small sampling of early spellings: “gogement,” “gugement,” “iugegement,” “iuggyment,” “iugment,” “iugumen,” “jugment,” “judgment,” and “jugmente.”

The word initially had an “e” when it was adapted from Anglo-Norman, where it was variously spelled judgement, jugemen, juggement, juggment, jogement, jougement, jujement, and gugement.

The Oxford English Dictionary says the “e”-less spelling with “dgm” in the middle appeared in the early 16th century, “and by the late 17th cent. judgment had become the prevailing spelling, although judgement  was still commonly found.”

During the 19th century, the OED adds, “the form judgement gained in frequency in British contexts, and is now the usual spelling in general British use.”

However, the dictionary notes that “judgment  has remained the standard spelling in British legal contexts when used to refer to a judicial decision, as well as in U.S. usage.”

No doubt the version of the word with “e” in the middle looks right to you because it begins with “judge,” the spelling of the verb and noun.

However, the word “judge” didn’t give us the word “judgment.”

The noun “judge” didn’t appear until a century after “judgment,” while the verb “judge” showed up for the first time in the same manuscript as “judgment.” All the early spellings were in Middle English.

So what, you’re wondering, is the situation today?

Well, standard dictionaries in the US and the UK generally include both “judgment” and “judgement” for the non-legal usage. But “judgment” is more popular in the US and “judgement” in the UK.

So the two spellings are standard English on either side of the pond, though the presence of “e” might raise a few eyebrows in the US while its absence might raise some in the UK.

We’re not aware of an increase in the popularity of “judgement” in American English, but given the word’s shifting history, we wouldn’t be surprised to see the “e” become fashionable in the US one day, as it did in the UK during the 19th century.

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Up and at ’em!

Q: The phrase “up and at ’em” is older than you suggest—at least in Spanish. Is it borrowed? The Spaniards who conquered the New World used arriba y a ellos as a battle cry.

A: Although “up and at ’em” has a Spanish equivalent—arriba y a ellos—we’re doubtful that the English expression came from Spanish. In fact, the English version apparently appeared first.

In our 2010 post, we mentioned an Oxford English Dictionary citation (“the up-and-at-’em aspect of things”) dating from 1909.

In addition, the OED has examples like this one, found in a letter written by Katharine Mansfield in 1919: “Lets up and at em this winter.”

Oxford also has examples of “up and at” from the late 19th century that are followed by other pronouns, like “up and at it” and “up and at him.”

But in our own searches, we’ve found published examples of the uncontracted “up and at them” from early 19th-century England. And while Americans borrowed language from Spanish in the early 1800s, the British generally did not.

The earliest examples we’ve found appeared in 1815 in hastily published accounts of the Battle of Waterloo, which had been fought in June of that year.

The Duke of Wellington, according to these sources, used the expression as a war cry on the famous battlefield. This example is from The Battle of Waterloo (1815), written “By a Near Observer”:

“The Duke, who was riding behind us, watched their approach, and at length, when within a hundred yards of us, exclaimed, ‘Up, Guards, and at them again!’”

Another, from A Short Detail of the Battle of Waterloo (1815), was said to have been “collected on the spot” (apparently by a British officer). It has this passage:

“ ‘Up, Guards, and at them,’ cried the Duke of Wellington, who was then with a brigade of the Guards. In an instant they sprung up, and, assuming the offensive, rushed upon the attacking columns with the bayonet.”

But while Wellington’s words were indeed published in 1815—and in different accounts—he denied late in life that he’d said them.

In an 1852 letter to his friend John Wilson Croker, a former Secretary to the Admiralty, Wellington wrote:

“What I must have said, and possibly did say was, Stand up, Guards! and then gave the commanding officers the order to attack.” (Published in The Croker Papers, 1884.)

Whether authentic or not, the battle cry became instantly famous and was widely quoted from 1815 on. It was popular on playing fields, in the streets, and in sporting circles.

Christopher North’s novel Winter Rhapsody, serialized in Blackwood’s Edinburgh Magazine, describes a schoolboys’ game in which a character shouts, “Guards, up and at them!” (From the February 1831 issue.)

This example is from an eyewitness account of a riot that occurred on March 18, 1833, in the Irish city of Newry:

“Again these poor fellows came to the charge, ‘up and at them,’ and routed the mob completely.” (The testimony was published in the papers of the House of Commons in July 1835.)

And this sporting example is from a description of a four-mile steeplechase in Shropshire in December 1837:

“Tarporley, again all right, was up and at ’em across the ploughed field.” (The report was published in the January 1838 issue of a British magazine, the Sportsman.)

As for the Spanish phrase, arriba y a ellos, it seems to have originated later.

The earliest example we’ve been able to find is from an Oct. 10, 1889, speech by the Cuban national hero José Martí at Hardman Hall in New York.

In the speech, commemorating Oct. 10, 1868, the beginning of the Cuban wars of independence, Martí quotes “almirante Nelson” (not the Duke of Wellington) as using the battle cry:

Y el almirante le dijo, de una buena tronada de la voz: “¡Al diablo las maniobras: arriba y a ellos!” (“And the admiral told them, in a thunderous voice, ‘The hell with maneuvers, up and at them!’ ”)

We haven’t been able to find any examples of arriba y a ellos from the days of the Conquistadors—at least not in Spanish.

But it appears that the Aztecs who resisted the Spanish conquest may have used a version of “up and at them” as a battle cry in their native language, Nahuatl.

In The Human Record: Sources of Global History (4th ed.), Alfred J. Andrea and James H. Overfield provide firsthand accounts of the events that made history.

One of these is the battle for Tenochtitlán, the Aztec capital, in 1519, as Cortés and his forces set out to conquer Mexico.

The account the authors quote, compiled by Bernardino de Sahagún, a Franciscan missionary, was written in Nahuatl and Spanish some 25 years after the battle.

Sahagún mastered Nahuatl and collected oral histories from Aztec survivors of the battle.

This is from Sahagún’s account in La Historia Universal de las Cosas de Nueva Espanã, translated into English from Nahuatl:

“When they [the Spaniards] got to Tlilhuacan, the [Aztec] warriors crouched far down and hid themselves, hugging the ground, waiting for the war cry, when there would be shouting and cries of encouragement. When the cry went up, ‘O Mexica, up and at them!’ the Tlappanecatl Ecatzin, a warrior of Otomi [elite] rank, faced the Spaniards and threw himself at them, saying, ‘O Tlatelolca warriors, up and at them, who are these barbarians? Come running!’ ”

(We searched the Spanish text in various versions of Sahagún’s account and couldn’t find the expression arriba y a ellos.)

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Are two head better than one?

Q: No grammarian I/me, but why is “head” singular as well as plural when referring to cattle?

A: In both the singular and the plural, the noun “head” has long been used numerically.

It’s used for a number of animals (“twenty head of cattle,” “each head of sheep”) as well as measuring (“two heads taller,” “leading by a head,” and so on).

The earliest written example of “head” used for a number of animals comes from an Old English land charter, according to the Oxford English Dictionary. The document contains the phrase “mid xii heafdon sceapa” (“with 12 head of sheep”).

This sense of “head” is defined in the OED as “an individual animal, esp. a herd animal.” And Oxford notes that the word is used “usually with plural unchanged after a numeral or other quantifier.”

Here are a couple of 19th-century examples in which “head” is used in reference to singular or plural animals:

“The low grounds were laid under water, and many head of cattle drowned” (from The Annual Register for the year 1772).

“Every head of cattle about the place had died” (from Anthony Trollope’s novel The Belton Estate, 1866).

But “head” isn’t used for animals exclusively. In English writing, the phrase “a head” has meant “per person” since at least as far back as the 900s, according to citations in the OED.

And this usage is still with us. A report in a British newspaper, the Independent, noted in 2000: “Delegates will start the day with a ‘coffee, tea and danish’ at £5.95 a head.”

The English word “head” has ancestors in more than a dozen old Germanic languages.

It can “probably” be traced, according to the OED, even further back to a prehistoric Indo-European root that means “cup” or “vessel.” Oxford draws a comparison to the Sanskrit noun kapāla (“cup,” “skull”).

The “shift of meaning from ‘vessel’ to ‘skull, head’ ” is in fact “quite common” in other languages, the linguist Winfred Philipp Lehmann writes in A Gothic Etymological Dictionary (1986).

Lehmann points out, for instance, that the semantic resemblance between a skull and a vessel can be seen in the nouns tête in French and kopf in German. They once meant something like “bowl” or “vessel” but today only the meaning “head” has survived.

John Ayto’s Dictionary of Word Origins says the ancient Indo-European root of “head” (kauput- or kaupet-) “probably had connotations of ‘bowl’ … as well as ‘head,’ although which came first is not clear.”

Ayto says kaput-, a variant of the Indo-European root, “seems to be responsible for the Latin word for ‘head,’ caput (source of a wide range of English words).”

Thus, our word “head” is distantly related to such English words as “capital,” “captain,” “capillary,” “chief” and (yes!) “cup.”

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The rub of the green

Q: In golf, the expression “rub of the green” basically means bad luck—as when a putt for a birdie is knocked off line by a dive-bombing red-winged blackbird. Does “rub” in this case have any link to Shakespeare’s “Aye, there’s the rub”?

A: When the noun “rub” showed up in regional English in East Anglia in the early 1500s, it referred to a stone used for sharpening a scythe—that is, a whetstone.

But by the 1570s, the noun was being used to mean an unevenness of the ground in the game of bowls, or lawn bowling.

In the 1580s, “rub” came to mean “an obstacle, impediment, or difficulty of a non-material nature,” according to the Oxford English Dictionary.

Shakespeare was using “rub” in that sense in the early 1600s when he wrote Hamlet’s “to be, or not to be” soliloquy, which includes “there’s the rub.”

Is there a link, you ask, between Shakespeare’s use of “rub” and the golfing expression “rub of the green”?

The Chambers Dictionary of Etymology says the early sense of an obstacle in the game of bowls gave us the “extended sense of any obstacle or hindrance (as in Hamlet’s there’s the rub).”

We’d add that the usage in lawn bowling no doubt gave the golfing world the expression “rub of the green,” which showed up in the early 1800s, according to citations in the OED.

The dictionary’s earliest example of the golfing usage is an 1812 entry from The Story of R & A (1956), J. B. Salmond’s book about the Royal and Ancient Golf Club of St. Andrews:

“Whatever happens to a Ball by accident must be reckoned a Rub of the green.”

The OED says the expression has two meanings, the one you’re asking about and a wider one: “a) Golf an accidental interference with the course or position of a ball; (b) fig. good (also bad) fortune, esp. as determining events in a sporting match.”

Here’s an example of the wider sense from the Dec. 31, 1931, issue of the Times Literary Supplement:

If he is unfortunate in having finished his task before his problem was knocked completely out of shape by England’s suspension of the gold standard, that is just the ‘rub of the green.’ ”

By the way, when the expression “aye, there’s the rub” first showed up in Hamlet, the interjection “aye” was spelled “I.”

The expression doesn’t appear in the First Quarto (1603), the earliest print edition of Hamlet. (Some scholars consider the abbreviated text in the First Folio unreliable.)

But in the Second Quarto (1604), the expression is written as “I there’s the rub,” and in the First Folio (1623), it’s “I, there’s the rub.”

In fact, the word “aye”was spelled “I” when it suddenly showed up around 1575, according to the OED, and it appeared that way well into the 1600s.

The dictionary discusses several theories about the source of the word “aye,” but ultimately describes it as “origin unknown.”

However, Oxford Dictionaries online says that “aye” is “probably from I, first person personal pronoun, expressing assent.”

The online Collins Dictionary agrees that it’s “probably from pronoun I, expressing assent.”

And we’ll add our aye.

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My foot!

Q: Can you please tell me the origin of the expression “my foot!”?

A: The word “foot” has traveled quite a bit since it showed up in Anglo-Saxon days as a noun for the part of a leg, below the ankle, that a person stands on.

It has meant a foot in measurement (since sometime before 1000), a foot of verse (around 1050), the foot of a bed (sometime before 1400), the bottom of a page (1669), a presser foot on a sewing machine (1877), and so on.

In the early 20th century, it showed up in “my foot!” (or “your foot!”), a colloquial expression of “contemptuous contradiction,” according to the Oxford English Dictionary.

The OED’s earliest example is from Mary the Third, a 1923 play by Rachel Crothers:

“Mother: She was honest enough to tell me that—and I could have persuaded—

“Father: Honest your foot! She’s fooled you—deceived you.”

And here’s a “my foot!” example from Hay Fever, a 1925 comedy by Noël Coward:

“Judith: It’s so silly to get cross at criticism—it indicates a small mind.

“David: Small mind my foot!”

Jonathon Green, writing in Green’s Dictionary of Slang, describes the phrase as a euphemistic variation on “my arse!”

The earliest example of the usage in Green’s Dictionary is from the April 1, 1905, issue of the Sporting Times. In the item cited, one man apparently corrects another for using “my hat!” instead of “my foot!”

“Said No. 2: ‘My hat! this is a really nice girl!’

“Said No. 1: ‘She is a nice girl, old chap, but that was
my foot!’ ”

(The phrase seems to be used here as a mild version of “my God!”)

The next example in Green’s (from The Harvester, a 1911 novel by Gene Stratton-Porter), clearly uses the phrase to suggest contemptuous rejection:

“ ‘She can’t leave her people. Her grandmother is sick.’

“ ‘Grandmother your foot!’ cried the old woman.”

In looking into your question, we came across a related exclamation that might interest you. Chaucer uses the oath “Christ’s foot!” in “The Miller’s Tale,” the second of the Canterbury Tales (circa 1386):

“Ey, Cristes fote! what wil ye do therwith?”

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Can “since” mean “because”?

Q: In your “disrupter”/“disruptor” post, you use the word “since” in the sense of “because.” To me, “because” indicates cause and effect, while “since” indicates time. Am I being hypercritical?

A: Yes, you’re being hypercritical. The word “since” has been used as a conjunction in the sense of “because” for hundreds of years.

Here’s an example from Shakespeare’s The Comedy of Errors (1593): “Since mine own doors refuse to entertain me, / I’ll knock elsewhere, to see if they’ll disdain me.”

Bryan A. Garner, one of our more traditional grammarians, says it’s a “canard that the word properly relates only to time.”

“In modern print sources, the causal sense is almost as common as the temporal sense,” he writes in Garner’s Modern American Usage (3rd ed.).

We’d caution, however, that the use of “since” for “because” can be ambiguous if both causal and temporal readings are possible.

As Pat writes in Woe Is I, her grammar and usage guide, “Just be sure the meaning can’t be confused, as in, Since we spoke, I’ve had second thoughts. In that case, since could mean either ‘from the time that’ or ‘because,’ so it’s better to be more precise.”

Merriam-Webster’s Dictionary of English Usage adds that “since” may be “a bit less emphatic” than “because” when used in the causal sense. Perhaps, but that’s for the writer to decide.

The word “since” has been an adverb, adjective, preposition, and conjunction since it showed up in Middle English in the 1400s, according to the Oxford English Dictionary.

It had various early meanings (then, thereupon, immediately afterward, etc.) before the modern temporal and causal senses showed up in the 1500s.

The earliest “because” example in the OED is from The Comedye of Acolastus, a 1540 translation by John Palsgrave of a Latin play about the Prodigal Son by the Dutch writer Gulielmus Gnapheus: “Go to, let it be … syns it lyketh so.”

We’ll end with this example from Oliver Goldsmith’s The Vicar of Wakefield (1766):  “Then what signifies calling every moment upon the devil, and courting his friendship, since you find how scurvily he uses you?”

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We have some ideas to share

Q: How about the use of the word “share” to mean communicate, as in “I want to share my concerns with you”?

A: People have been sharing opinions and feelings since Shakespeare’s time, but the more personal sense of sharing that’s common today dates from the 1930s. Here’s the story.

When the verb “share” showed up in the mid-1500s, it meant to cut into parts or cut off, according to the Oxford English Dictionary. It’s ultimately derived from scearu, an Old English term for cutting.

By the late 1500s, according to the OED, “share” was being used in the sense of dividing something into portions or shares.

And by the start of the 1600s, the dictionary says, the verb had taken on the sense of sharing “an action, activity, opinion, feeling, or condition.”

Oxford’s earliest example for this sense, from Shakespeare’s A Midsummer Night’s Dream (1600), refers to “all the counsell that we two haue shar’d.”

The contemporary sense you’re asking about (to share one’s personal experiences or feelings with others) dates from the early 1930s.

The first example in the OED is from Arthur James Russell’s For Sinners Only (1932), a book about the Oxford Group, a Christian organization founded by the American missionary Frank Buckman:

“They [the Oxford Group] defined Sharing as meaning two distinct things—further definable as Confession and Witness.”

And here’s an example from The Challenge of the Oxford Groups (1933) by S. A. King: “What does the Bishop think a man feels when he has ‘shared’ for ‘witness’ and finds that God has used that ‘sharing’ to bring a brother out of … bondage?”

The Oxford Group evolved in the late 1930s into Moral Re-Armament, a moral and spiritual movement headed by Buckman.

In “the language of Moral Re-Armament,” according to the OED, the verb “share” had the sense of “to confess one’s sins openly; to impart to others one’s spiritual experiences.”

However, the verb was soon being used loosely to describe the sharing of quite secular feelings and experiences.

The dictionary cites two early nonreligious examples from Going Abroad, a 1934 novel by Rose Macaulay:

“She would, thought he, be able to share with another girl in a way she could not with him.” And this one, from later in the book: “I must say, I did annoy my father a bit by sharing with him a few things I’d thought about him.”

We’ll end with an example from Your Eyelids Are Growing Heavy, a 1982 crime novel by Barbara Paul:

“She ‘shared’ with the group the fact that she’d begun to have severe bouts of depression.”

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Why “disastrous” isn’t a disaster

Q: When did the “e” disappear from “disastrous”? In other words, why don’t we spell it “disasterous”?

A: English borrowed both the noun and the adjective from French, according to the Oxford English Dictionary.

The source of the noun was désastre while the source of the adjective was désastreux (masculine) and désastreuse (feminine)

However, both “disaster” and “disastrous” are ultimately derived from astron, Greek for star and the source of the English word “astronomy.”

Etymologically, according to John Ayto’s Dictionary of Word Origins, the underlying meaning of the adjective is ill-starred and of the noun a “malevolent astral influence.”

The adjective, which showed up in the late 1500s, was originally spelled “desastrous” or “dysastrous.” Although an “er” version, “disasterous,” showed up briefly in the early 1600s, it didn’t catch on.

The earliest example in the OED is from Ciuile Conuersation, a 1586 translation of a work by the Italian writer Stefano Guazzo about economics and society:

“If she aford mee but one sparkle of hope and favour, she doth it to no other ende, but to make mee more desastrous.”

The noun, which first appeared in the early 1600s, was spelled “disaster” from the beginning. Shakespeare, who used it in seven of his plays, was probably responsible for popularizing the Anglicized spelling of the French noun.

The OED’s earliest example is from Hamlet (1604): “Starres with traines of fier and dewes of blood / Disasters in the sunne; and the moist starre, / Vpon whose influence Neptunes Empier stands, / Was sicke almost to doomesday with eclipse.”

Why, you ask, is the “e” in “disaster” missing from the modern adjective “disastrous”?

We suspect that the pronunciation of the adjective in French may have influenced its spelling in English. And Shakespeare’s decision to Anglicize désastre as “disaster” probably influenced the spelling of the noun.

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Not every “uu” is a “double-u”

Q: I’ve read your article about why a “w” is called a “double-u.” What puzzles me is why we still have words with “uu”—i.e., “vacuum,” “continuum,” and “triduum.” And why the “w” in “weltanschauung” is pronounced like a “v.” Just curious.

A: As we said in that 2011 post, English words were written in runic letters until the seventh century, when the Latin alphabet was introduced.

But the Latin alphabet of that time had no symbol for the sound of “w,” so such a symbol had to be invented.

At first the symbol used was “uu” or “double u.” But in the eighth century the runic letter ƿ (called a “wyn”) was borrowed for this purpose and was used in English writing for several centuries.

In the meantime, the old “uu”, the Oxford English Dictionary says, “was carried from England to the continent.”

There, the OED explains, it was used to represent the “w” sound “in the German dialects, and in French proper names and other words of Germanic and Celtic origin.”

It was Norman scribes who introduced a ligatured version of the old “uu,” forming the letter “w.” This new letter traveled from France to England in the 11th century, and by about 1300 it had replaced the old rune ƿ in English writing.

Although this new “w” was probably regarded as a single letter from the beginning, “it has never lost its original name of ‘double U,’ ” the OED says.

Now for your question about why some English words continue to be written with “uu.” The reason is that they have retained the “uu” spellings they had in Latin.

For example, “vacuum” is from the Latin noun spelled the same way: vacuum.

However, the “uu” combination in English does not sound like “w.” In the case of “vacuum,” it can sound like “yoo” or like “yoo-uh.”

The latter pronunciation is a diphthong—two syllables merged into one sound. This double sound is observable in the spelling of the word in Italian, Spanish, and Portuguese: vacuo.

A handful of similar words spelled with “uu” also come from Latin words with identical spellings. And in these the “uu” is pronounced as a diphthong: “continuum,” “residuum,” and the uncommon “triduum,” meaning three days (or specifically the last three days of Lent).

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Happy hour

Q: I noticed a sign yesterday outside a bar that listed “Happy Hour” as being from 4 to 7. Besides wondering about the oddity of describing a three-hour-period as an hour, I became curious about the history of “happy hour” as an expression. Any ideas?

A: The phrase “happy hour” showed up in the early 20th century as a US Navy term for a period of entertainment offered the crew on a ship.

Interestingly, the earliest example of the usage in the Oxford English Dictionary describes this nautical happy hour as lasting several hours.

Here’s the citation from the May 8, 1914, issue of the Day Book, a short-lived Chicago newspaper whose most famous reporter was Carl Sandburg:

“The happy hour is really several hours set apart three nights a week for the entertainment of the crew. … The entertainment consists of moving pictures, boxing bouts … and dramatics from vaudeville to tragedy.”

The OED defines the sense of the phrase you’re asking about as “a period of time (originally hour, now often longer), usually in the early evening, during which drinks are served in a bar or other licensed establishment at reduced prices.”

The dictionary’s first example for this modern sense—from the Nov. 26, 1951, issue of the Los Angeles Times—describes “the stampede at a Valley tavern during its ‘Happy Hour’ from 5 to 6 p.m. when all drinks are 25 cents.”

Here’s a more recent citation, from the March 24, 2011, issue of Time Out New York: “You can … indulge in the anytime happy hour—just drop $20 to drink as many beers and bottom-shelf mixed drinks as you’d like for two full hours.”

English borrowed the word “hour” from Old French in the mid-1200s, but it’s ultimately derived from hora, Latin for “hour” and Greek for “season” or “time of day.”

The OED says the English word originally meant—as it does now—“a space of time containing sixty minutes; the twenty-fourth part of a civil day.”

But by the early 1300s, according to the dictionary, the word “hour” was being “used somewhat indefinitely for a short or limited space of time, more or less than an hour.”

Oxford’s first citation for this usage, from a Middle English manuscript written around 1325, refers to “Þis hure of loue” (“this hour of love”).

So it’s not at all surprising that the Happy Hour sign you saw at a bar referred to three hours. Time passes quickly when you’re drinking.

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