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Etymology Usage

The other half of it

Q: You say on the blog that the idiomatic use of “the” in “the half of it” isn’t acceptable in formal English. However, I’ve found this usage in the King James version of the Bible, where the Queen of Sheba tells Solomon: “Howbeit I believed not the words, until I came, and mine eyes had seen it: and, behold, the half was not told me: thy wisdom and prosperity exceedeth the fame which I heard.”

A: In our 2009 posting, we discussed many of the idiomatic uses of “the.” Among others, we talked about the expressions “the both of us” and “the half of it.”

We said those two constructions, while acceptable in speech and informal writing, wouldn’t be appropriate in formal written English in the US.

But perhaps we were a bit shortsighted about “the half of it.” After doing some additional research, we’ve decided to fill in the other half of the story. So here goes.

A search of the Early English Books Online database shows that respectable writers—and not just writers of Bibles—have been using phrases like “the half” and “the half of it” for centuries.

Examples in the ordinary sense (that is, half of something) are numerous: “the half of my kingdom,” “the half of their goods,” and so on.

But we also found many examples of negative or ironic constructions built around the phrases “the half of” and “by the half.”

These are early versions of such modern expressions as “you don’t know the half of it” and “he’s too clever by half.”

Here’s a sampling from the 16th and 17th centuries.

1571: “Excuse if I writ euill [evil], ye may gesse the halfe of it” (from George Buchanan’s condemnation of Mary Queen of Scots).

1587: “If men but knew, the halfe that he did write” (from a eulogy on the death of Sir Phillip Sidney).

1652: “O, quoth the Goat-Heard, I doe not yet know the half of the Adventures succeeded to Marcela‘s lovers” (from a translation of Don Quixote).

1655: “Is it not as well to have it [money] without blows?” “Not by the half” (dialogue from The Passionate Lovers, a tragicomedy by Lodowick Carlell).

1667: “few of the Laity know the half of them” (from an anti-papist treatise by Jeremy Taylor).

1677: “But truly I have not come to the half of that which I intended” (from a London minister, Thomas Wadsworth).

1685: “report of the Glory was true, but the half of it was not told” (from a theological treatise by George Keith).

1686: “it was too little by the halfe” (from Raphael Holinshed’s Chronicles of England, Scotland and Ireland).

1686: “the half of it is not mentioned” (from Gilbert Burnet, bishop of Salisbury).

1690: “I found that the half was not told you then of what is commonly known in this place” … “They have not done the half of what will be necessary to save them” (sentences from a theological work by Thomas Morer).

1696: “It were tedious to number the half of its omissions” (a comment on the Litany by a Presbyterian minister, Richard Baxter).

We could go on, but you get the idea.

The Oxford English Dictionary’s citations for “the half of it” (meaning “a significant or more important part of something” and generally used “in negative contexts”) don’t begin until the 20th century.

The OED’s first citation is from Hot Water (1932), a novel by P. G. Wodehouse.

Since we never pass up an opportunity to quote Wodehouse, here’s the relevant passage: “It makes me sick. And that’s not the half of it. … She told me I’ve got to be American Ambassador to France.”

Here’s another OED citation, from Minute for Murder (1947), by the pseudonymous Nicholas Blake (actually Cecil Day-Lewis): “ ‘We’ve not seen the half of it yet,’ said the Messenger darkly.”

The OED’s citations for “by half” (meaning “by a great deal; much, considerably, far”) go back much further—to before the year 1000.

The first quotation—which translates into Modern English as “sweeter by half”—is from the Metres of Boethius, an Old English adaptation from the Latin of the sixth-century Roman philosopher Boethius.

We’ll give a few more lines of the poem for context: “The comb of the honey cannot but seem / To each son of men sweeter by half, / If he have tasted before the honey / Aught that is bitter.”

A 1780 citation in the OED—“Oh, he’s too moral by half”—is from Richard Brinsley Sheridan’s comedy The School for Scandal.

And  later comes “too clever by half,” from George John Whyte-Melville’s novel The Interpreter (1858). The OED says the phrase means “trying too hard to be clever.”

And with that, we’ll stop. We don’t want to be too wordy by half.

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Etymology Usage

A cat’s-paw in fable and law

Q: In an appearance on WNYC, Pat mentioned the “cat’s-paw” fable of La Fontaine. As an attorney and an ailurophile, I might add that “cat’s paw” is the name of a legal theory of employer liability for discrimination. In a recent Supreme Court opinion, Justice Scalia explained the fable in footnote 1.

A: We’re ailurophiles (or cat lovers) ourselves, and we found your comment an interesting footnote to Pat’s discussion on the radio about feline expressions.

As Pat said on the show, a “cat’s-paw” (now often “catspaw,” but usually “cat’s paw” in employment law) is a dupe, someone used as a tool.

The term, first recorded in the mid-17th century, is an alteration of the earlier phrase “cat’s foot,” according to the Oxford English Dictionary.

The OED explains that it’s a “reference to the fable or tale of a monkey (or a fox) using the foot or paw of a cat to rake roasted chestnuts out of the burning coals.”

The dictionary adds parenthetically that some versions of the story say the monkey belonged to Pope Julius II (1503-13). Depending on the version, the cat is either tricked or forced into letting the monkey use its paw.

The earliest citation in the OED for “cat’s-paw” is from a political pamphlet, Killing Is Murder, written by Michael Hawke in 1657: “These he useth as the Monkey did the Cat’s paw to scrape the nuts out of the fire.”

The earliest reference to a “cat’s foot” used in this sense comes from a 1623 translation of The Spanish Rogue, a picaresque novel by Mateo Alemán that was published in Spanish the year before.

The English version of the Alemán quotation: “To take the Cat by the foote, and therewith to rake the coales out of the Ouen.”

As for the fable that gave rise to these terms, it was “current in the sixteenth century, but varying considerably in details,” according to John S. Farmer’s Slang and Its Analogues (1890).

“The earliest printed version,” Farmer writes, “occurs in John Sambucus’ Emblemata (Plantin, Antwerp, 1564), where the sufferer is a dog, and not a cat. There is, however, a story of the same kind told … of Pope Julius II.”

Francis Grose’s A Classical Dictionary of the Vulgar Tongue (1785) also notes that the monkey was said to have belonged to Pope Julius II.

And a contributor to the journal Notes and Queries wrote in 1884 that he had found an account written in 1600, stating “that the occurrence took place while the chamberlains of Julius II were waiting for the Pope to retire to rest, and that the monkey held the cat with his left arm and took the paw in his right.”

Pope or no pope, the definitive version of the tale is the one written by Jean de La Fontaine in the 17th century.

La Fontaine’s “Le Singe et le Chat” (“The Monkey and the Cat”) first appeared in a collection of fables published in 1679.

This version of the tale is less violent than some earlier ones, because La Fontaine’s cat is persuaded by flattery, not wrestled by force, into sticking a foot into the hot coals.

As the cat blisters his paws to claw the chestnuts out one by one, the monkey gobbles them up.

The footnote in Justice Antonin Scalia’s opinion says La Fontaine’s fable was “conceived by Aesop.”

Though the idea has often been attributed to Aesop, we haven’t found any positive evidence of this. Perhaps Justice Scalia knows something we don’t.

We can’t close without explaining the etymology of “ailurophile,” which comes from the Greek roots ailouros (cat) and phile (one who loves).

Despite its ancient connections, the word is a relative newcomer, coined in the 20th century.

The OED’s first citation is from 1931, but a Google Books search turned up one from a 1927 issue of Scribner’s Magazine:

“You are really an ‘ailurophile,’ or ‘lover of cats.’ I think ailurophile is a beautiful word, is fluent, and rolls trippingly on the tongue with catlike fluency.”

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Bear facts: the passive infinitive

Q: A narrator on Nat Geo TV who was speaking about a killer grizzly said the “authorities could order him to be destroyed.” Is this construction acceptable? I’d say the “authorities could order that he be destroyed.”

A: A sentence like “The authorities could order him to be destroyed” conjures up images of a judge saying to the bear, “Hey, you, Bruno! Be destroyed!”

But in fact sentences like this have been common for centuries. It’s an example of the passive infinitive.

Here, “to be destroyed” describes something to be done to the bear, not something Bruno is supposed to do to himself.

We often see the passive infinitive after verbs intended to cause something to happen—like “order” or “command”—when the person who’s supposed to carry out the order or command isn’t mentioned.

We’ll invent a few more examples: “I ordered the tree to be planted next to the pond” … “The king commanded the castle to be made ready” … “The vet directed the dog to be euthanized.”

In all those cases, the verbs’ immediate objects—the tree, the castle, the dog—aren’t being told to do anything. Some unnamed person or agent is the one being ordered around.

This kind of construction doesn’t work with every verb under the sun. We wouldn’t say, for example, “I asked the tree to be planted next to the pond” or “The vet advised the dog to be euthanized.”

With those verbs (“advise,” “ask”), a passive construction would call for a “that” clause in the subjunctive mood: “I asked that the tree be planted next to the pond” … “The vet advised that the dog be euthanized.”

(There are other kinds of passive infinitive sentences in which the agent isn’t mentioned: “The car needs to be washed” … “There wasn’t a star to be seen” … “The company is said to be on the ropes.”)

The word order may sound odd in some passive infinitive constructions, but it’s not ungrammatical.

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Etymology Usage

Cess who?

Q: The other day an Irish friend wished “bad cess” to the bankers responsible for Ireland’s economic woes. Is that “cess” as in “cesspool”? Too bad this is too late for St. Patrick’s Day. Maybe next year.

A: Why wait for St. Patrick’s Day to come around again? In fact, tax day (yes, today is the deadline for filing) may be just as appropriate. More on this later.

The Oxford English Dictionary describes “bad cess to” as an Anglo-Irish phrase meaning “bad luck to” or “evil befall.”

The OED’s first published reference for the usage is from Punch in 1859: “Carlisle and Russell—bad cess to their clan!”

But a Google Books search turned up a much earlier example.

In a story published in 1833 in the Dublin University Magazine, a character named Barny O’Reirdon says, “Whist, whist! and bad cess to you both.”

And the busy scanners at Google have also provided us with several 19th-century appearances of “good cess,” meaning good luck.

Here’s an 1857 example from Putnam’s Monthly Magazine of American Literature, Science and Art: “Oh, he’s a curious crayther, tho pig, an has his own ways, good cess to him!”

How did “cess” come to mean luck or fortune? The etymology here is a question mark, though the OED offers two suggestions:

(1) It could be short for “success.” This seems unlikely to us, since “good success” is redundant and “bad success” is an oxymoron.

(2) It could have something to do with taxes—a timely subject today, even if we’re too late for St. Patrick’s Day!

A “cess” has meant an assessment, tax, or levy since at least as far back as the 16th century. It’s an aphetic (or shortened) form of  “assess.”

(While the proper etymological spelling of the shortened term would be “sess,” the word generally appears as “cess.”)

“Cess” seems to have  been a product of English officialdom.

The OED’s first citation is from an act of Henry VIII in 1531 that makes reference to “divers and sundry Cesses, Scots, and Taxes.” (A “scot” is an assessment.)

Jonathan Swift in the 18th century refers to a “parish cess,” or church tax. Similar usages spread to other parts of the Empire.

In Scotland, for example, a “cess” referred to a land tax in the 17th and 18th centuries.

And in 19th-century India, a journalist wrote of “the road cess, the irrigation cess, the public works cess, and the education cess.” (Today all taxes in India are subject to an education cess of 3 percent.)

In Ireland, “cess” is still the official term for a local tax. But it once had another and more sinister meaning, and we think this is where “bad cess” comes from.

The OED defines this meaning of “cess,” first recorded around 1571, as “the obligation to supply the soldiers and the household of the lord deputy with provisions at prices ‘assessed’ or fixed by government.”

In other words, the Irish populace was arbitrarily forced to support the occupying soldiers and the personal needs of the lord deputy.

At any rate, to wish someone “bad cess” would be a curse indeed. A contributor to the Journal of the Royal Historical and Archaeological Association of Ireland had this to say in 1889:

“Before barracks were commonly built in Ireland, it was usual to quarter soldiers permanently upon the inhabitants, and this was called ‘cessing’ them. It was possible that the soldiers thus quartered might be well conducted and respectable men, but if (which was more than probable) they were not very desirable persons to have the run of a man’s house and premises, this might  be reasonably called a ‘bad cess’; and a few things can be imagined to have been more disagreeable.”

As for “cesspool,” the OED says the word is “of uncertain origin,” though the dictionary offers several theories.

The most likely, in our opinion, is that the English term is somehow related to the Italian word for privy, cesso, which is derived from the Latin secessus, a secluded place.

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You really got a hold on me

Q: I’m seeing the word “ahold” a lot in books—and not just in dialogue! I’m miffed, but a fellow librarian says it’s an archaic form like “aholt” that’s now an acceptable variation of “a hold.” If that’s the case, what part of speech is it?

A: As you know, the word “hold” is not only a verb (to grasp) but a noun (a “hold” is a grip). The verb preceded the noun; it was first recorded in the 10th century, the noun in the 11th.

In the common expression “get hold of,” it’s a noun. Sometimes the article “a” is added: “get a hold of.” Neither of these usages raises any hackles.

But the combination of the noun and the article into one word—as in “get ahold of”—gets people’s attention.

This usage is often criticized by language commentators as “dialectal” (peculiar to a region, social class, etc.), or “colloquial” (found more often in speech than in writing).

For example, Fowler’s Modern English Usage (rev. 3rd ed.) calls it colloquial and says the usual idiom is just “hold … with no a- prefixed.”

Garner’s Modern American Usage (3rd ed.) calls “ahold” a “casualism” (an informal usage).

And Pat’s grammar and usage book Woe Is I recommends “get hold” or “get a hold” instead.

However, The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.) include “ahold” without any such reservations, which means they regard it as standard English.

American Heritage and Merriam-Webster’s—the two standard dictionaries we rely on the most—cite examples from the writings of contemporary authors.

AH quotes Jimmy Breslin: “I knew I could make it all right if I got … back to the hotel and got ahold of that bottle of brandy.” And M-W quotes Norman Mailer: “if you could get ahold of a representative.”

As for its part of speech, both dictionaries identify “ahold” as a noun meaning “hold.”

But the Oxford English Dictionary takes a different view. It still regards “ahold” (which it hyphenates, “a-hold”) as dialectal or colloquial. And it classifies the word as an adverb.

In the OED’s analysis, “ahold” is an adverb formed from the noun “hold” and the prefix “a-,” which is not an article but a preposition.

So “ahold” or “a-hold,” according to the OED editors, is in effect a small prepositional phrase, serving as an adverb.

In explaining the use of “a-” as a prepositional prefix, the OED says it’s often used with a noun or gerund, sometimes hyphenated and sometimes not, to express action.

Most words formed this way are now obsolete or regional, as in “At noon he was still lying abed” or “Froggy went a-courtin’ ” or “It’s been a long time a-coming.”

Historically, “ahold” was once used as a navigational term meaning to sail a ship close to the wind.

It was recorded sometime before 1616 in Shakespeare’s The Tempest. In Act I, the boatswain cries: “Lay her a-hold, a-hold!” That use of the word is now obsolete.

The modern sense of the word emerged in the 1870s. Here’s an OED citation from an 1878 issue of Scribner’s Monthly: “With one bee a-hold of your collar … and another a-hold of each arm.”

And here’s a 20th-century example, from Ernest Hemingway’s short-story collection In Our Time (1926): “Nick dropped his wrist. ‘Listen,’ Ad Francis said. ‘Take ahold again.’ ” 

Since you mention “aholt,” it’s interesting to note that the OED’s first citation for the current meaning of “ahold” is spelled this way.

It’s from Edward Eggleston’s novel The End of the World (1872): “You gripped a-holt of the truth.”

“Aholt,” which doesn’t appear in standard dictionaries, can be traced to what the OED calls “an unexplained phonetic variant” of “hold” as “holt.”

The OED has many citations for “holt,” dating from around 1375 to modern times.

In fact, it says “hold” is still pronounced “holt” in some midland and southern counties of England, as well as regionally in the US. So it’s dialect, not archaic.

But getting back to “ahold,” you can consider it a noun or an adverb, standard English or dialectal. In our opinion, it still has a dialectal flavor and doesn’t belong in formal writing.

Merriam-Webster’s Dictionary of English Usage says “ahold” is “primarily a spoken construction, and its most frequent appearance is in the transcription of speech.”

(Perhaps if the people quoted were writing instead of speaking, they would have written “a hold.” Who knows?)

As for how to label “ahold,” the M-W usage guide says, “If it is indeed dialectal it is well spread around.”

The word has been recorded in 17 states, both urban and rural and in all parts of the country, according to M-W usage and the Dictionary of American Regional English.

A couple of Google searches suggest that the two-word version is more popular: “a hold,” 16 million hits, vs. “ahold,” 5 million. (Many of the one-worders refer to the Dutch grocery chain Ahold.)

We’ll stick with “hold” or “a hold,” unless we’re going to our local Stop & Shop, an Ahold supermarket. 

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Odd fellows

Q: Your posting on the idiomatic use of prepositions with “odd” and “even” left me to wondering how these two little words got their numerical meanings.

A: And now we’ve been wondering about the conventions of “odd” and “even” numbering.

Let’s begin with “even” and save the odder history of “odd” for later.

The adjective “even” has had several related meanings over its more than 1,000-year history.

Among other things, it has meant level, equal, alike, uniform, straight, direct, parallel, exact, precise, balanced, and equable (that is, unruffled).

In the mid-16th century, the Oxford English Dictionay says, “even” acquired a numerical meaning: “divisible integrally into two equal parts.” 

“Even” first appeared this way, according to OED citations, in Robert Record’s The Whetstone of Witte (1557): “Euen nombers are those, whiche maie be diuided into equalle halfes.”

It’s easy to see how a word that meant equal could evolve over a few hundred years into one that meant dividable into equal parts.

The adjective “odd,” however, didn’t have to evolve to get its numerical sense.

It’s been used for numbers since it showed up in a Middle English religious poem in the late 13th century, according to OED references.

The original meaning of “odd” in English was one in addition to (or one shy of) an even number.

“Odd” got this meaning from associations it had in early Scandinavian.

For example, oddi in Old Icelandic meant a triangle, and later a third or an odd number. Here’s how the OED explains it:

 “The senses ‘odd,’ ‘odd number’ in early Scandinavian apparently developed by metaphor from ‘triangle’ (as being three-cornered), and thence by extension from the third or unpaired member of a group of three, to any single or unpaired member of a group, and from three as the primary ‘odd number,’ to all numbers containing an unpaired unit.”

Meanwhile, a century of so after it entered English, “odd” started taking on non-numerical meanings: left over, unpaired, irregular, strange, and generally the opposite of “even.”

So “even” developed its numerical meaning because of an earlier sense of evenness, while “odd” developed its sense of oddness because of an earlier numerical meaning.

Now isn’t that odd!

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Is all well that begins well?

Q: The words “so” and “well” are often the first ones that talking heads utter. Example: “So, Catherine, give us an update on the world. Well, Martha, the world is still round.” I know they aren’t needed here, but are they used properly?

A: Yes, “so” and “well” are properly used in sentences like those. But they do seem to be overused by on-air reporters and interviewers.

Many people have asked us about the use of “so” to introduce a remark. In fact, we had a blog item a couple of years ago about this usage.

As for “well,” it’s an adverb, but in this case it doesn’t modify a verb. Instead, it’s used almost like an interjection (or even a throat-clearer).

Here’s how the Oxford English Dictionary defines this use of the adverb:

“Employed without construction to introduce a remark or statement, sometimes implying that the speaker or writer accepts a situation, etc., already expressed or indicated, or desires to qualify this in some way, but frequently used merely as a preliminary or resumptive word.”

So “well” can be used merely to introduce a conversation (“Well, what do you think about so and so?”) or resume one (“Well, let’s get back to the subject of so and so”).

One thing you can say in favor of this usage is that it has a lot of history.

The OED’s first citation comes from King Alfred’s translation of  Boethius into Old English, circa 888: “Wella, wisan men, …” (Well, wise men, …).

The word has been steadily used in this way ever since.

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Into the woulds

Q: I was speaking to a Brazilian friend and said something like this: “When I was a boy, I would go to a theater every Saturday and watch two films, a newsreel, a short subject, and a cartoon for 30 cents.” A look of consternation crossed her face. “You mean you can use the conditional ‘would’ in place of ‘used to’?” I told her yes, but I couldn’t tell her why. Can you? Can anybody?

A: We’re surprised that your Brazilian friend found this use of “would” more astounding than seeing those two films and all the rest for 30 cents!

We’ve written before on the blog about the use of “would” to express a tentative question or request. Example: “I would like to borrow that book when you’re finished reading it” instead of “I want to borrow it.”

Your question is different, though. In a sentence like “When I was a boy, I would go to the theater every Saturday,” the word “would” is not the conditional; it’s the simple past tense of the verb “will.”

Here we’re not talking about the “will” that’s an auxiliary (or “helping”) verb to indicate a future action.

This “will” is a verb in itself, meaning to intend or desire. It expresses volition, intention, or voluntary action (as in “Do what you will”).

When “would” is the past tense of “will,” it can have many meanings: wished to, intended to, chose to, was capable of, was determined to, insisted on, was accustomed to, or used to.

And in many of these usages (as when it means wished to or used to), “would” is generally followed by an infinitive: “would go,” “would take,” “would find,” “would eat,” and so on.

(Yes, “go,” “take,” “find,” and “eat” are infinitives despite the absence of the prepositional marker “to.” We’ve written before about these “to”-less infinitives as well as the split infinitive myth.)

Getting back to “would” plus an infinitive, the Oxford English Dictionary cites this example from the works of Daniel Defoe in which “would” is used in the sense of wished to:

“Mrs. Bargrave asked her whether she would drink some Tea” (from A True Relation of the Apparition of One Mrs. Veal, the Next Day after her Death, to One Mrs. Bargrave, 1707).

Now here’s a citation in which it means used to, from William Makepeace Thackeray’s novel Vanity Fair (1848): “The girls would ask her … for a little music, and she would sing her three songs.”

This posting barely scratches the surface of “would,” which is a many-splendored verb with a multitude of uses. But we hope it answers your question.

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Can you “read” an audio book?

Q: I believe you can “read” an audio book, but some people insist you can only “listen” to it. They feel that engaging in a book with your ears is inferior to using your eyes. What’s your take on this? And what about books written in Braille?

A: In our opinion, reading and listening are different experiences, though we don’t necessarily see one as better than the other.

And by reading, we mean interpreting a written text, whether with the eyes or the fingertips.

As you know, much of the ancient literature that’s survived into modern times was preserved in people’s memories and recited to generations of listeners, until at last it was committed to writing.

But the listener and the reader have different ways of engaging with that literature. Listening can be profoundly absorbing, of course. But it’s absorbing in a way that’s different from reading. 

Listening requires two people—one to recite and one to listen. Reading is more solitary; the only “voice” you hear is your own.

In an audio recording, for example, the voice (often an actor or other professional) might supply interpretive nuances that the reader of a book would have to supply for himself.

That’s what we mean by different ways of engaging. And that’s why we would have to say that one doesn’t read an audio book—one listens to it.

Interestingly, the verb “read” meant a lot more than to take in written words when it showed up in the early days of English.

In Old English, the language of the Anglo-Saxons, “read” also meant to consider, interpret, discern, guess, discover, and so on, according to the Oxford English Dictionary.

In other words, the process of reading has always meant something more than merely taking in words with our eyes.

The American Heritage Dictionary of the English Language (4th ed.) points out that English is “one of the few western European languages that does not derive its verb for ‘to read’ from Latin legere.

In an etymology note, the dictionary says the Latin verb for read gave the Italians leggere, the French lire, the Germans lesen, and so on.

Read comes from the Old English verb raedan, ‘to advise, interpret (something difficult), interpret (something written), read,’ ” American Heritage adds.

It seems that Anglo-Saxons also felt that reading was a more involved way of taking in information than listening.

In saying this, we’re not making a value judgment about reading versus listening. We’re merely recognizing that the experiences aren’t the same.

So how do the two of us experience them?

Well, we find ourselves more engaged by words on the page than by words in an audio book.

After all, we can listen to an audio book while driving, though perhaps the driving should get all of our concentration!

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Do your bangs stay bung?

Q: Why does the word “bangs” refer to a fringe of hair cut straight across the forehead?

A: The use of “bangs” (or “bang”) for that short fringe of hair originated in the US in the 19th century, according to the Oxford English Dictionary.

But the usage has its roots in “bangtail,” an equine term seen on both sides of the Atlantic. So let’s start our investigation in the stables.

The word “bangtail” is defined in the OED as “a (horse’s) tail, of which the hair is allowed to grow to a considerable length and then cut horizontally across so as to form a flat even tassel-like end.”

The dictionary notes that the term has also been used in Australia for cattle with tails cut that way, and in the US as slang for a horse, especially a race horse.

The earliest citation for “bangtail” in Green’s Dictionary of Slang is from a Scottish journal, suggesting that the term may have first reared its head in the British Isles.

Green’s cites an 1812 issue of the Edinburgh Review that mentions a stud horse named Bangtail, but the name surely came from an even earlier use of the term.

Through a Google search we found a comic British story about fox-hunting, published in 1851, in which “bang-tail” appears least seven times in reference to tails as well as horses.

The story, “Turning Out a Bagman,” by a writer signed “B.P.W.,” is about two London greenhorns who are on vacation and want to hire a pair of hunters.

The showily groomed horses they hire are called “bang-tails,” and are described as having “such flowing bang-tails as at once stamped them in the eyes of our friends as ‘out-and-out’ thorough-breds.”

The story is chockfull of slang (like “bagman” to mean “fox”), which may explain the repeated use of “bang-tail” instead of “horse.”

Apparently it didn’t take long for “bang” to graduate from horse tails to human hair.

We found an 1844 travel book, Revelations of Russia by Charles Frederick Henningsen, that mentions a man’s hair cut “somewhat in the fashion of a thorough-bred’s ‘bang-tail.’ ”

In another travel book we came across an 1849 entry that describes a woman whose hair was braided in back and “cut in bang style” in front.

The OED’s earliest citation for the human usage is from a letter written in 1878 by Frances M. A. Roe, author of Army Letters From an Officer’s Wife: “It had a heavy bang of fiery red hair.” (The “bang” was on a face mask in a shop window in Helena, in the Montana Territory.)

Another American, William Dean Howells, also used the word in his book The Undiscovered Country (1880): “His hair cut in front like a young lady’s bang.”

A Google search turned up a plural reference in an 1883 article from the New York Times. A Catholic priest, lecturing Sunday school children, “condemned the fashion of wearing ‘bangs’ in severe terms.”

A matching adjective (as in “banged” hair) and verb (to “bang” or cut the front hair straight across) also emerged in the 1880s, according to citations in the OED.

Here are a couple of examples: “He was bareheaded, his hair banged even with his eyebrows in front” (from the Century Magazine, 1882), and “They wear their … hair ‘banged’ low over their foreheads” (from Harper’s Magazine, 1883).

So it would appear that the verb “bang” (to cut hair straight across) emerged after the hairstyle and not before, unless there are earlier verb references we haven’t found.

That still leaves us with a question: Why did “bang” mean bluntly cut?

Both Green’s and the OED indicate that since the late 1500s the verb “bang” has meant to hit or thump, and the noun “bang” has meant a blow or a thump.

And “bang” has been used adverbially since the late 18th century, the OED says, to mean “all of a sudden,” or “suddenly and abruptly, all at once, as in ‘to cut a thing bang off.’ ”

Since the bangs on a person’s forehead, like a horse’s banged tail, end abruptly—you might say with a  “bang!”—perhaps the word is simply a case of creative English.

A collection of humor pieces, Wit and Humor of the Age (1883), takes the creativity a step further. In a story by  Melville D. Landon, one chambermaid asks another “if she banged her hair.”

“Yes, Mary,” the first chambermaid says. “I bang my hair—keep a banging it, but it don’t stay bung!”

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Here it is. Or is it?

Q: A Russian who teaches English in Moscow asked me about these sentences: (1) “Here is the key.” (2) “Here it is.” She wonders if “here” is the subject. Could you forward the cause of détente and shed some light on these structures?

A: Although each of those sentences begins with the word “here,” your student shouldn’t mistake it for the subject.

“Here” can be either an adverb or (less commonly) a noun.

It’s an adverb if it means “in this place” (as in “I was born here” or “Here is the car”).

It’s a noun if it means “this place” (as in “We leave here tomorrow” or in the expression “the here and now”).

In both sentences you ask about (“Here is the key” and “Here it is”), “here” is an adverbial complement—that is, the adverb completes the predicate.

The subjects of these sentences are “key” and “it.” In the first, the subject follows the verb; in the second, the subject precedes the verb.

The subject/verb order of the first sentence could easily be reversed (“The key is here”). But the same isn’t true of the second. “Here is it” is not idiomatic English.

Generally, when the pronoun “it” is used in place of a subject noun, it precedes the verb. An exception is an interrogative sentence (“Where is it?”).

“It” usually follows the verb if it’s an object instead of a subject. For example: “This is it.” (The subject is “this,” the object “it.”)

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Etymology

Let the cat out of the bag

Q: The expression “let the cat out of the bag” means to reveal a secret that’s impossible to take back. Why? This is a no-brainer for anyone who has ever tried to get a wise cat into a carrier to go to the veterinarian.

A: It seems to be raining cats here. This is the second question we’ve had lately about feline expressions. The earlier posting discussed “the cat’s pajamas,” “the cat’s meow,” “the cat’s whiskers,” and similar phrases.

The Oxford English Dictionary agrees with you that “let the cat out of the bag” means to disclose a secret, but it doesn’t mention anything about the difficulty of taking the secret back.

The OED cites a 1760 quotation from the London Magazine: “We could have wished that the author … had not let the cat out of the bag.”

Eric Partridge’s A Dictionary of Slang and Unconventional English gives an earlier date, 1750, though it doesn’t provide a source.

But why a cat, and why a bag?

Brewer’s Dictionary of Phrase and Fable suggests this expression is a variation on the “pig in a poke” theme. Here’s Brewer’s explanation for the porcine phrase:

A pig in a poke. A blind bargain. The reference is to a common trick of yore of trying palm off on a greenhorn a cat for a sucking-pig. If he opened the poke or sack he ‘let the cat out of the bag,’ and the trick was disclosed. The ruse is referred to in Thomas Tusser’s Five Hundred Good Pointes of Husbandrie (1580). The French chat en poche refers to the fact, while our proverb refers to the trick.”

(We checked Tusser’s book and found a reference to “pig in a poke,” but nothing about letting cats out of bags.)

The American Heritage Dictionary of Idioms agrees with the Brewer’s explanation. It dates “let the cat out of the bag” from the mid-1700s and says:

“This expression alludes to the dishonest practice of a merchant substituting a worthless cat for a valuable pig, which is discovered only when the buyer gets home and opens the bag.”

We’re a little skeptical here. One would have to be a pretty dim bulb to mistake a cat—no doubt meowing and trying to claw its way out of the bag—for a squealing baby pig. And wouldn’t you look to see what you were getting for your money?

The word sleuth Michael Quinion doesn’t buy the pig story either. On his website World Wide Words, he says the expression “let the cat out of the bag” does indeed date back to the mid-18th century, but he adds:

“Anybody who has ever kept a live cat in a bag for more than a couple of seconds will know that even the most gullible purchaser would hardly mistake it for a piglet. It may just possibly be that the phrase comes from the explosive exit of a cat from a bag when it’s opened, so suggesting an original connection more with the shock and surprise of the event than of disclosure of the secret itself.”

Quinion concludes that there may be another explanation, now lost.

If somebody knows the secret, we’ll have to wait for him to let the cat out of the bag.

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An ear for idiomatic English

Q: I teach a course in law school on drafting legal documents. In a matrimonial agreement on holiday parenting, I’d write “in even (or odd) numbered calendar years,” but a lot of my students would use “on.” Is there a preferred way of writing this? I have no idea how to spell “sprachgefuhl,” but is this an example of it?

A: As we’ve written many times on the blog, the uses of prepositions in English are very slippery and idiomatic, and they’ve been that way from the start.

Today, people generally use “in” with years and “on” with days.

Examples: “in 2001,” “in the year we met,” “on Tuesday,” “on the 27th,” “on Feb. 22, 1900.” (There are exceptions, of course, like “later in the day.”)

But over the course of their very long histories, both “in” and “on” have been used to pin down years. And, as citations in the Oxford English Dictionary show, the two have often traded places in time-related usages.

Since early Old English, the OED says, “on” has been used for “indicating the day or part of the day when an event takes place.”

And it still is. In fact, people even now say “on yesterday” and “on tomorrow” in some dialects of American and Irish English, a practice we discussed in a posting a couple of years ago.

In the past, “on” was often used where we would now say “in.” The OED has citations like “on thaem ilcan geare” (on the same year), “on wintra & on sumer” (on winter & on summer), and “on the day-time.” 

As for “in,” it was formerly used to indicate times in phrases where we would now use a different preposition, like  “on” or “at.” 

Here’s “in” used for “on,” in a citation from The Chronicle of Robert of Gloucester (1297): “In a thores-dai it was” (In a Thursday it was).

And here’s “in” for “at,” in a citation from Shakespeare’s Othello (written before 1616): “The Duke in Councell? In this time of the night?”

So while most people would join you in saying “in” even or odd numbered calendar years, the practice isn’t necessarily universal.

And, yes, you might say this is an example of “sprachgefühl” (you missed the umlaut), a feeling for language, especially an ear for idiomatic usage.

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No money in the till

[A May 30, 2022, post discusses “ ’til,” “till,” and “until.”]

Q: Can you tell me the origin of the expression “no money in the til”? I looked up the word “til,” but couldn’t find a definition related to purse or money box or anything other than time.

A: The phrase is “no money in the till.” The noun “till” here is spelled with a double “l.”

The word “till” has three principal meanings:

(1) It’s a noun for a cash drawer or money-box.

(2) It’s a verb meaning to work the soil.

(3) It’s a preposition or conjunction with much the same meaning as “until.”

By the way, the preposition/conjunction is not a shortening or contraction of “until.” And it’s not etymologically correct to spell it with one “l,” though the misspelling is so common that many dictionaries list it separately as a variant.

In case you’d like to read more on the preposition and conjunction, we wrote a blog post several years ago about the convoluted history of “ ’til,” “till,” and “until.”

But getting back to your original question, the Oxford English Dictionary has no citations that include the phrase “no money in the till.” (However, it does have a mention of the “no”-less phrase “money in the till,” used in the literal sense.)

We also can’t locate “no money in the till” in slang sources or collections of idioms, but a Google search comes up with more than 900,000 hits.

An unscientific sampling of the Google results suggests that most people use the expression figuratively in the sense of being broke. It’s another way of saying the cupboard is bare or the cookie jar is empty.

The expression is used literally, however, in the earliest example in a Google Timeline search (from the Nov. 12, 1862, issue of the Daily Southern Cross newspaper in Auckland, New Zealand).

In a report about the trial of a man charged with stealing money from the Yew Tree Inn, the innkeeper is quoted as saying: “There was no money in the till when I saw it again.”

By the late 19th century, though, the expression was being used loosely. An April 12, 1882, item in the New York Times includes this quotation:

“Six days before election the Chairman of the General Committee discovers that he has four wards left to ‘take care’ of, and no money in the till.”

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A dour pronunciation

Q: How do you pronounce “dour”? Does it have an OO or an OW sound?

A: These days, “dour” can properly be pronounced either way, to rhyme with “tour” or “tower.” But it wasn’t always so.

At one time, this adjective meaning stern, obstinate, or gloomy had only one pronunciation, the one with the OO sound.

A usage note in The American Heritage Dictionary of the English Language (4th ed.) says “dour, which is etymologically related to duress and endure, traditionally rhymes with tour.

“The variant pronunciation that rhymes with sour is, however, widely used and must be considered acceptable,” American Heritage adds.

The dictionary says 65 percent of its Usage Panel preferred the traditional pronunciation while 33 percent preferred the variant.

Both pronunciations are now accepted in standard American dictionaries.

The online Macmillan Dictionary, which has both British and American pronunciation guides, gives the two pronunciations for readers on both sides of the Atlantic.

English probably got “dour” from the Latin durus (hard), which may have influenced the traditional pronunciation.

The English word first showed in the 15th century, according to citations in the Oxford English Dictionary.

But the Chambers Dictionary of Etymology says it appeared a century earlier in Scottish and northern English dialects.

We came across the word recently in Elizabeth Gaskell’s novel North and South (1855):

“Thornton’s as dour as a door-nail; an obstinate chap, every inch on him,— th’ oud bulldog!”

Actually, he’s not a bad guy when you get to know him.

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Why aren’t whites people of color?

Q: Why aren’t white people included in the expression “people of color”? This has bothered me for a long time. White is a color too, isn’t it?

A: You make a very good point. All people are really “people of color,” since no one’s skin is colorless.

But the description “of color” strikes us as better than “nonwhite,” which describes people in a negative way—that is, in terms of what they lack or what they are not.

And we’re not especially satisfied with “minority,” which is often inaccurate or meaningless.

The term “people of color” has surged in popularity in the last couple of decades, but it’s not as new as you might think.

Citations in the Oxford  English Dictionary show that the phrase was in use during the 18th century.

The OED’s earliest citation is from An Historical Survey of St. Domingo (1797), by Bryan Edwards, a planter and politician:

“The inhabitants … were composed of three great classes: 1st, pure whites. 2d, people of colour, and blacks of free condition. 3d, negroes in a state of slavery. … The class which, by a strange abuse of language, is called people of colour, originates from an intermixture of the whites and the blacks.” (The italics are Edwards’s.)

And here are two more early appearances of the phrase: “The Bermudian pilots are men of colour” (from  an 1803 issue of The Naval Chronicle), and “She is a woman of colour” (from Robert Louis Stevenson’s Treasure Island, 1883).

The OED says that in phrases like these, “color” means “the hue of the darker (as distinguished from the ‘white’) varieties of mankind,” and “in America, esp. a person of black descent.”

Obviously, today the term “of color” doesn’t necessarily mean racially mixed, as it sometimes did in the 18th century.

The American Heritage Dictionary of the English Language (4th ed.) has an interesting Usage Note on the subject:

“Dissatisfaction with the implications of nonwhite as a racial label has doubtless contributed to the recent popularity of the term person of color and others, such as woman of color, with the same construction. In effect, person of color stands nonwhite on its head, substituting a positive for a negative. It is interesting that the almost exclusive association in American English of colored with Black does not carry over to terms formed with ‘of color,’ which are used inclusively of most groups other than those of European origin.”

You might be interested in a posting we wrote some time ago about how blackness and darkness came to have negative associations (as in in such phrases as “black sheep” and “dark day”).

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Is the diaeresis driving you dotty?

Q: Why has “naïve” survived, but not “coöperate”? Why do we write “Noël,” but not “poëm” or “reïgnite”? I’d appreciate (or appreciäte) any help you can offer on the rules for using the diaeresis. This particular issue is driving me dotty.

A: In a word like “appreciate,” the “i” and the “a” toward the end are clearly not a married couple.

Those two letters happen to be adjacent but they’re not a unit and aren’t pronounced as such. They belong to different syllables, and no one could mistake the way they’re sounded.

But in some words, two vowels side by side are pronounced as a diphthong—one vowel sound gliding into another within the same syllable, like the “oi” in “oil” or the “ou” in “loud.”

Then there are vowel pairs that might look like diphthongs but are in fact separate sounds in separate syllables.

In this case, a mark consisting of two dots over the second vowel can be used to show that the letter is sounded separately and not part of a diphthong.

This mark is called a “diaeresis” or “dieresis,” depending on which dictionary you follow. The two standard dictionaries we consult the most differ on this.

The American Heritage Dictionary of the English Language (4th ed.) prefers “dieresis” while Merriam-Webster’s Collegiate Dictionary (11th ed.) favors “diaeresis.”

Garner’s Modern American Usage (3d ed.) says the occurrences of “diaeresis” in print outnumber those of “dieresis” by three to one, which is why we’re going with the longer version here.

A classic example of the diaeresis is in the word “naïve,” where the first two vowels are phonetically divided: nye-EVE. The mark over the “i” tells the reader it’s pronounced separately.

A diaeresis is also placed over a lone vowel to show that it’s not silent, as in the name “Brontë.” But in most names (as well as words) with diaereses, the mark is suspended over the second of two vowels: “Chloë,” “Eloïse,” “Zoë,” “Noël.”

In practice, however, many familiar words are no longer written with diaereses, since readers already know how to pronounce them. In familiar names, the marks mostly serve as decoration.

As Fowler’s Modern English Usage (rev. 3rd ed.) explains: “Since the sign is not often on modern keyboards it is often omitted in printed work; and it has also usually been dropped from such familiar words as aërate, coöperate (now aerate, cooperate).” 

But Fowler’s adds, “Occasional examples still occur, e.g., I reëntered the chestnut tunnel—New Yorker, 1987.”

Most publications don’t resort to diaereses as much as the New Yorker, where you’ll find spellings like “coördinate,” “reëngineer,” “preëminent,” “coöperative,” and so on.

In fact, “naive” often goes naked these days in publications other than the New Yorker.

In their entries for the word, both Merriam-Webster’s and American Heritage indicate that the diaeresis is optional. The spelling is given as “naive or naïve,” indicating that they’re equal variants and the choice is up to the reader.

You mention “poem” and “reignite.”

In fact, the first has sometimes been spelled with a diaeresis—“poëme” in the 1500s and “poëm” in the 1600s, according to the Oxford English Dictionary.

And we found a few examples in blogs of “reignite” spelled with a diaeresis, though the usage seems to be extremely rare and idiosyncratic.

Today when a writer  worries that a word could be misread, the solution is usually a hyphen (“re-enter,” “re-ignite,” “co-op”), not a diaeresis.

The OED defines the noun “diaeresis” as “the division of one syllable into two, esp. by the separation of a diphthong into two simple vowels.”

It adds that this is also the word for “the sign [ ¨ ] marking such a division, or, more usually, placed over the second of two vowels which otherwise make a diphthong or single sound, to indicate that they are to be pronounced separately.”

The word for the mark was first recorded in English in 1611, according to citations in the OED.

It comes from the Latin diaeresis, but its source is the Greek diairesis (division), which in turn comes from the Greek verb diairein (to divide).

Now here’s a little detour.

The roots of that Greek verb are dia (apart) and another verb, hairein  (to take or choose), which also gave us the word “heresy.” Etymologically, a “heresy” is a choice one makes, a “heretic” being one who makes the wrong choice.

But getting back to the diaeresis, don’t confuse it with its look-alike, the umlaut, which is also two dots above a vowel.

The word “umlaut” comes from German (um means “about” or “around” and laut means “sound”), and the mark is used in English only with German words and names.

It shows that a vowel sound has been modified, as in the word über or names like Göring and Gödel (which are sometimes rendered in English as Goering and Goedel). 

Both the diaeresis and the umlaut are diacritical marks (or “diacritics”). They’re not punctuation; they’re phonetic guides. Such marks are becoming less common in English, though they cling to some foreign borrowings.  

Besides the diaeresis and the umlaut, here are the most familiar diacritical marks, along with words they may appear with: the acute accent (“blasé”), the grave accent (“learnèd”), the circumflex (“bête noire”), the cedilla (“façade”), and the tilde (“señor”).

As for the “rules” on when and when not to use a diaeresis, the best authority is your dictionary.

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Two species of pronunciation

Q: Is “species” pronounced SPEE-shees or SPEE-sees? Or are they just regional variations?

A: Both pronunciations are correct in the US and both are given, without preference, in standard American dictionaries.

If you’re an American, whether you use SPEE-shees or SPEE-sees is more a matter of taste or preference than of regional variation.

However, SPEE-shees is preferred in British English.

This “sh” pronunciation is given in the Oxford English Dictionary and is preferred by Fowler’s Modern English Usage (revised 3rd ed.).

Fowler’s acknowledges the other pronunciation, but inserts the word “prissily” in front of it.

The online Macmillan Dictionary, which has both British and American versions, gives both pronunciations for American readers but only the “sh” version for British readers.

As far as we know, the “sh” version has always been standard English in Britain. The 1831 edition of Walker’s Pronouncing Dictionary, for example, has the following entry:

“Species, spi’shiz, s. A sort, a subdivision of a general term; class of nature, single order of beings; appearance to the senses; representation to the mind; circulating money; simples that have place in a compound.”

The word was borrowed from Latin, in which species means appearance, form, or kind. Its ultimate ancestor is the Latin verb specere (to look).

The Chambers Dictionary of Etymology says that when it first came into English in the late 1300s, “species” was a classification in logic and meant appearance.

In the 1500s it came to mean sort or kind, and in the early 1600s it was first used in the biological sense, to identify groups of plants and animals.

The final “s” doesn’t mean “species” is a plural, by the way; like “series,” it’s the same in singular and plural.

In fact, the word “specie” is often used mistakenly as a singular form of “species.”

Although the two words come from the same Latin source, “specie” usually refers to money in coins.

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Are you ready for any more anymore?

Q: In your posting about the positive use of “anymore,” you caution against confusing “anymore” with “any more.” But one of your examples (“If you shout anymore, I’ll scream”) uses “anymore” where I (an Australian) would use “any more.” Am I misguided? Or is this a British vs. US thing?

A: In American English the one-word version, “anymore,” is standard usage for the adverb meaning “nowadays,” “any longer,” or “still.” And that’s how we used it in our posting.

The two-word version, “any more,” is standard in the US for the adjectival or noun phrases meaning “any additional” or “anything additional.”

But you’re right. This is indeed a British vs. US thing, though the British usage appears to be moving in the American direction.

The following sentences are considered standard in American English:

(1) “I can’t believe that you’re hungry anymore!” (Here, “anymore” is an adverb meaning “any longer” or “still.”)

(2) “If you eat any more hot dogs, you’ll explode.” (Here, “any more” is an adjectival phrase meaning “any additional.”)

(3) “Are you full or do you want any more?” (Here, “any more” is a noun phrase meaning “anything additional.”)

In explaining the US practice, Garner’s Modern American Usage (3rd ed.) says the adverb “anymore” conveys a sense of time while the phrase “any more” conveys a sense of quantities or degrees.

As we said, however, the American view of sense #1 is not universal.

A British source, Fowler’s Modern English Usage (revised 3rd ed.), notes that there are “sharp divisions” over whether to use one word or two for the adverb.

Fowler’s says American English “and other forms of English outside the UK tend to favour anymore, and this form is now being adopted by some British writers and publishing houses.”

However, the usage guide notes that the “majority of authors and printers in the UK … still print any more for this … sense.”

Another US source, Merriam-Webster’s Dictionary of English Usage says the one-word version is more common for sense #1, but it’s OK to use either one or two words for the adverb:

“Both anymore and any more are found in current written use. Although usage prescribers disagree about which form to use, the one-word styling is the more common. Feel free to use it as two words, if you prefer.”

The standard dictionaries we use most often—The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.)—list only one spelling, “anymore,” for the adverb.

In a usage note, Merriam-Webster’s adds: “Although both anymore and any more are found in written use, in the 20th century anymore is the more common styling.”   

The Oxford English Dictionary spells the adverb as two words, “any more,” but notes that since the 19th century it has also been spelled “anymore.”

One last comment. With “than,” the two-word version is always used: “I don’t like shouting any more than you do.”

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Why does the “f” in “of” sound like a “v”?

Q: I’m puzzled by something. Why is “of” pronounced UV and not UF?

A: You raise a very interesting question.

First of all, the letter “v” wasn’t used in Old English writing. The letter “f” represented either an “f” or a “v” sound, depending on vocal stresses. 

This fact plays an important part in the history of the word “of.”

“Of” entered English from Germanic sources. It was derived from af  in languages like Old Saxon, Old Icelandic, and Gothic, according to the Oxford English Dictionary.

The word once had two forms—stressed and unstressed. In primitive Old English, it was spelled differently and pronounced differently depending on where it fell in a sentence.

The unstressed form (of) had a shorter pronunciation and the “f” was pronounced like “v.”

The stressed form (aef) was more drawn out, and the “f” was pronounced like “f.”

The vowel sounds were different, too. The unstressed form sounded more or less like UV and the stressed form like AHF.

The forms did not have different meanings, just different spellings and pronunciations. Soon the aef spelling disappeared, however, and for much of its history, until into the 1600s, this word was spelled “of” in both of its forms. 

Meanwhile, the spelling “off” developed for the stressed form, and eventually “off” became a separate word, with different functions to go along with its different sound.

The OED says “of” and “off” weren’t “fully differentiated” until the 17th century, and “thus of and off now rank as different words.”

One view of all this is that “of” and “off” were once the same word. Today it’s hard to imagine these two words as one with a single meaning, like the original of/aef.

In ancient times, the word’s primary sense was “away” or “away from.” But the original sense of “of” has become obscured over time. Even the OED admits that the history of its meanings is “exceedingly complicated.”

One things hasn’t changed much. Even now, we use different stresses in saying “of” and “off,” as in these underlined phrases: “The roof of the house blew off the house.”

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Pay pals: paid vs. payed

Q: Can the word “payed” be used as a legitimate alternative to “paid”—that is, as the past tense of “pay”?

A: In most cases, the past tense and past participle of “pay” is “paid.” (The past participle is the form used with “have” or “had.”)

For example: “I pay every month” (present) … “I paid last month” (past) … “For years, I have paid regularly” (present perfect).

The two standard dictionaries we use the most—The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.)—agree on this.

There’s only one common sense in which either “payed” or “paid” can be used, according to the lexicographers at American Heritage and Merriam-Webster’s.

This is when the verb “pay” means to slacken something like a line or rope, allowing it to run out a little at a time. Example: “He payed out the rope to give it some slack.”

English borrowed the verb “pay” in the 13th century from an Anglo-Norman word spelled various ways, including paier, paer, and paaer, according to the Oxford English Dictionary.

The word ultimately comes from the classical Latin pacare, meaning to appease, pacify, reduce to peace.

In a note on the history of the word, American Heritage says: “Given the unpeaceful feelings one often has in paying bills or income taxes, it is difficult to believe that the word pay ultimately derives from the Latin word pax, ‘peace.’ ”

“However, it is not the peace of the one who pays that is involved in this development of meaning,” AH adds. “From pax, meaning ‘peace’ and also ‘a settlement of hostilities,’ was derived the word pacare, ‘to impose a settlement on peoples or territories.’ ”

In post-classical Latin, according to the dictionary, pacare took on the sense of to appease, and paiier, the Old French word that evolved from it, came to mean to pacify or satisfy a creditor.

This sense of the word, AH notes, “came into Middle English along with the word paien (first recorded around the beginning of the 13th century), the ancestor of our word pay.

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The cat’s pajamas

Q: The origin of “the cat’s pajamas,” a subject that came up while Pat was on WNYC, is nicely told in Tad Tuleja’s The Cat’s Pajamas. Meow!

A: We assume you’re writing this with tongue in cheek, since Tuleja’s book is a humorous compilation of imagined origins—or “fakelore,” as he puts it—and not serious etymology.

As for “the cat’s pajamas” (or “pyjamas”), the expression was coined by the cartoonist T. A. (Tad) Dorgan (1877-1929), according to Green’s Dictionary of Slang.

Dorgan is also credited with coining “the cat’s meow,” though not “the cat’s whiskers.” All three expressions mean someone or something that’s outstanding.

(An early “whiskers” example is from a 1923 item in the St. Joseph (Mo.) News-Press that plugs the paper’s want ads as “the ‘cat’s whiskers,’ which, being translated for college presidents means they are o k—they get quick results.”)

These “caticisms” are examples of zoological whimsy from the flapper era that we discussed in a blog posting in 2009.

Similar feline phrases include “the cat’s cuffs,” “the cat’s lingerie,” “the cat’s mac,” and “the cat’s spats,” according to Green’s Dictionary.

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English language Usage

Fast tracks and quick studies

Q: Is there a difference between the words “fast” and “quick”? When is it appropriate to use one and not the other?

A: As adjectives meaning speedy, “fast” and “quick” are often interchangeable, but not always.

There are some idiomatic usages in which one is better than the other, and in many cases your dictionary can provide examples. 

Here are a few illustrations of each, starting with “fast.”

A watch that gets ahead of itself is said to be “fast.” In sports, a pitcher boasts of his “fastball” and a racetrack that’s hard and dry is called a “fast track.”

In photography, brief exposures are “fast,” as in “fast film,” “fast shutter,” “fast lens,” and so on. Viewers can skip commercials in recorded material by using “fast forward.”

Somebody who’s got a facile and perhaps deceptive tongue is a “fast talker.” A highway lane used for passing is called the “fast lane,” while somebody likely to get a promotion is on the “fast track.”

Then of course there’s “fast food,” which needs no explanation!

As for “quick,” bread or cake with a short baking time is called “quick bread,” and a hot oven is called a “quick oven.”

Someone who learns rapidly is “quick” or “quick-witted” or a “quick study” or “quick on the uptake.”

And those of us in the language biz are always getting queries described as “a quick question,” a phrase we’ve written about on our blog.

In sports terminology, “fast” and “quick” can have somewhat different meanings. Although the words overlap a lot, “fast” suggests fleet of foot, or in covering ground; “quick” suggests having rapid reflexes or economical movements.

We emailed a friend of ours who’s a student of baseball, and he sent this general comment:

“While ‘fast’ and ‘quick’ can be used interchangeably in certain baseball usages, in general ‘fast’ is used to describe gross speed, usually leg speed but also pitch speed and probably some usages that don’t come quickly to mind. ‘Quick’ is more often used to refer to reflexes or shorter portions of movement, as in ‘a quick release’ (by a pitcher or fielder throwing a ball), or ‘a quick start’ (by a player running to catch a ball or steal a base).”

He went on to describe the use of both words as applied to fielders, base runners, and pitchers. Here’s a sampling:

“When discussing pitchers, for instance, ‘fast’ is most often used when discussing the speed of his pitches from mound to plate.

“There two ways you would hear ‘quick’ applied to a pitcher:

“ ‘He’s got a quick move to first’ (e.g., throwing to attempt to pick off a base runner). In that sentence, ‘quick’ means he doesn’t waste arm motion before releasing the ball.

“Or: ‘He works quickly’ (meaning he doesn’t dawdle between pitches). But it wouldn’t be out of the question to hear someone convey the same meaning by saying, ‘He works fast.’ ”

We have only one thing to add about “fast” and “quick.” Contrary to popular belief, both are properly used as adverbs, too. So it’s perfectly all right to say things like “He runs fast” and “Come quick!”

We wrote a posting a few years ago about adverbs (like “fast” and “quick”) that don’t have an “-ly” ending.

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Etymology Pronunciation Usage

An arch etymology

Q: The other day I heard a woman on WNYC pronounce “archipelago” as ARCH-uh-puh-LAH-go—the ARCH sounded like the architectural structure. Is there something I don’t know or should she modify her pronunciation?

A: As traditionally pronounced, the first four letters of “archipelago” end in a “k” sound (as in “architect”), not in a sibilant sound (as in “archbishop”).

This generally accepted pronunciation (ar-kuh-PEL-uh-go) is the only one given in The American Heritage Dictionary of the English Language (4th ed.) and almost every other standard dictionary.

The Oxford English Dictionary also gives a “k” pronunciation.

Usage guides like Garner’s Modern American Usage (3rd ed.) and Fowler’s Modern English Usage (revised 3rd ed.) agree, insisting on the “k” pronunciation.

So the “authorities” are practically unanimous.

But a mistaken pronunciation of this word has apparently begun to influence some lexicographers. This isn’t unusual; in fact, it’s one way in which usage changes.

Merriam-Webster’s Collegiate Dictionary (11th ed.) now lists a variant pronunciation in which the “ch” sounds as it does in “church.” Merriam-Webster’s also included this variant in its previous edition, the 10th, published in 2001.

As far as we can tell, Merriam-Webster’s is the only standard dictionary that includes this pronunciation. And until it becomes more widely accepted, we can’t recommend using it.

How did the mispronunciation creep in? Probably because of confusion between the prefix “arch-” and the noun “arch,” or because of confusion among the different forms of the prefix.

In English, we have several forms of this prefix (“arch-” and “archi-” and “arche-”), all borrowed from Greek (arkh-, arkhi-, arkhe-) and meaning principal or leading or beginning.

In many cases, the prefix is pronounced with a hard “k” sound, as it would be in Greek: ARK, AR-kee, AR-kay, and so on.

The hard sound appears in words like “archeology” (beginning history), “archaic” (from the beginning), “architect” (chief builder), “archangel” (leading angel), “archetype” (beginning model), and “architrave” (the main beam that rests on a column).

In other cases, “arch-” has a soft “ch” sound, as in compounds like “archbishop,” “archduke,” and “archdiocese.”

This is the prefix that later became an adjective and now appears (sometimes hyphenated) in compounds like “archenemy,” “archconservative,” “archrival,” etc.

The only compound of this kind that doesn’t have a soft “ch” sound is “archangel.” Because of the following “a” in “angel,” the OED explains, “the prefix in this word remained hard (arc-, ark-) in all the Romance languages.”

The word “archipelago” belongs to the first category—words traditionally pronounced with a hard “k” sound. It has quite a history.

Today an “archipelago” is a group of islands or a body of water studded with islands. But when the Venetians coined the word arcipelago in the mid-13th century, it was a term for the Aegean Sea.

The Italians borrowed the Greek prefix arkhi to form the compound word, which literally means principal gulf or pool. To the Venetians, the Aegean was the queen of oceans.

John Ayto’s Dictionary of Word Origins has an interesting historical note about the word:

“The term ‘chief sea’ identified the Aegean, as contrasted with all the smaller lagoons, lakes, and inlets to which the word pélagos was also applied. An ‘Englished’ form of the word, Arch-sea, was in use in the 17th century, and in sailors’ jargon it was often abbreviated to Arches.”

Ayto gives this citation from the diplomat Sir Thomas Roe’s Negotiations (1626): “An island called Augustos near Paros, in the Arches.”

He goes on to say that because the Aegean has many islands, the word “archipelago” gradually came to mean “large group of islands.”

In Italian, words with the Greek arkhi or arkhe prefix are spelled with arci or arce, and the “c” is pronounced with a sibilant “ch” sound. So the “c” in the Italian arcipelago would be pronounced like the “ch” in the English word “church” 

When the word came into English, it was spelled “archpelago” or “archipelago,” and pronounced in the Greek manner with a “k” sound.

But there are a couple of “arches” we haven’t explained yet.

The adjective “arch” that’s used as a separate word—meaning crafty or waggish or saucy—developed in the 17th century, the OED says.

It got its meaning through association with such phrases as “arch-rogue” and “arch-knave,” even though the “arch” part originally meant “preeminent.”

And finally we come to the noun “arch,” meaning a curved structure.

It comes from the Latin arcus, meaning a curve or bow. This is the Latin ancestor of “archer” and “archery” (so named for the curve of the bow), as well as “arrow” (so named not because of the curve of its flight, but because it’s shot from a bow).

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Etymology Grammar Usage

Lots of ifs, ands, & buts

Q: Your posting about beginning a sentence with a conjunction reminds me of a speech by Adlai Stevenson that started nearly each sentence with one. I’ve tried for years to track down that speech. I thought it was given by Stevenson in conceding defeat, but a scholar at the Princeton University Library said I was mistaken. Can you help?

A: We suspect that you’re thinking of the speech Stevenson made when he accepted the Democratic presidential nomination in July 1952.

He started many sentences (though far from all of them) with conjunctions. By our count he started six with “and,” five with “but,” two with “nor,” two with “if,” and one with “so.”

Here’s the last sentence: “And finally, my friends, in this staggering task you have assigned me, I shall always try ‘to do justly, to love mercy, and to walk humbly with my God.’ ” (The quotation is from the Book of Micah.)

Stevenson was defeated in the 1952 and 1956 presidential elections by Dwight D. Eisenhower.

Is it legit to begin a sentence with a conjunction? Yes. As we say in our blog item, it is not, and never has been, grammatically wrong to do so. This isn’t a subjective judgment on our part. It’s a fact.

We cite as authorities the Oxford English Dictionary, Merriam-Webster’s Dictionary of English Usage, The Cambridge Grammar of the English Language, Fowler’s Modern English Usage (revised 3rd ed.), and Garner’s Modern American Usage (3rd ed.)

And that’s that!

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Etymology Linguistics Usage

Why don’t genies use contractions?

Q: Your True Grit posting reminded me of the old TV show “I Dream of Jeannie.” As a child, I wondered why Jeannie never used contractions. Were they considered a no-no in ancient Persia? I also wonder why some languages, like English, overflow with contractions while others, like French, have hardly any.

A: In the Sept. 18, 1965, pilot episode of the TV show, Jeannie (a genie trapped in a bottle for 2,000 years) supposedly spoke Persian when she was released.

We don’t know whether contractions were frowned on in Old Persian, an ancient language that evolved 2,500 years ago from the Indo-Iranian branch of Proto-Indo-European.

And we suspect that the scriptwriters who dreamed up “I Dream of Jeannie” knew even less than we do about the mechanics of the language revealed in the surviving Old Persian cuneiform inscriptions.

Our guess is that TV writers of the ’60s assumed that any archaic language must have been stiff and formal, hence lacking in contractions.

So Jeannie’s speech was made to sound like their idea of antiquated.

Although we can’t speak for Old Persian, we do know that Old English was full of contractions.

By the way, French actually has many contractions, which, unlike those in English, are required instead of optional.

Examples include contractions with articles (as in l’homme); pronouns (as in je t’aime, j’ai, il s’appelle); with the conjunctions puisque and lorsque (puisqu’on, lorsqu’il); with the prepositions à and de (du, d’, aux, etc.); with single-consonant words ending in vowels (qu’il, n’est pas, s’ils, c’est); and in miscellaneous constructions like aujourd’hui, quelqu’un, and jusqu’alors.

In German, prepositions and articles are contracted without apostrophes, as in ums for um das (“around the”). Then there’s the common German greeting Wie geht’s (“How goes it?”). This is a contracted way of saying “How goes it for you?”—Wie geht es dir? (informal) or Wie geht es Ihnen? (formal).

We aren’t scholars of languages, but we do know that some languages lend themselves to contracting more than others do. This sounds like a good idea for a master’s thesis in linguistics, no?

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Etymology Usage

Code words and politics

Q: Do you have any insight into the saying “invest is a code word for spend”? How has it been so rapidly placed in the brains of so many people? Is Frank Luntz lurking? Was it created as a kind of poison pill in advance of President Obama’s State of the Union speech?

A: We checked out various combinations of “spend” (or “spending”) + “code word” (or “codeword”) + “invest” (or “investing” or “investment”) and got millions of hits on Google.

Although many of the hits appeared just before or after the  president’s Jan. 25 State of the Union Address (in which he called for investing in the future), the saying originally showed up long before that 2011 speech.

A cursory Google search came up with a version of the expression in a July 11, 1988, Time magazine article that appeared the year Mr. Obama entered law school.

In commenting on Michael Dukakis’s presidential platform, Walter Shapiro and Michael Duffy wrote in Time: “Read invest as the new Democratic code word for spend.”

Did the political consultant, pollster, and self-described word doctor Frank Luntz have anything to do with it? Not as far as we can tell.

The use of the phrase “code word” in the sense of a secret word has been around since the 19th century, according to citations in the Oxford English Dictionary.

The OED doesn’t mention the newer sense we’re discussing, but both The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.) include euphemism as a meaning of “code word.”

For an example of the usage, American Heritage cites the New Republic: “The Democrats’ ‘populism’ is a code word for bigger farm subsidies and protectionism.”

We don’t know exactly when this usage first showed up, but it appears to go back at least as far as the 1960s.

A June 27, 1969, column by C. L. Sulzberger in the New York Times, for example, says, “Vietnam has become a code word for everything that is wrong or vulnerable in American life.”

Update: After this entry was posted, we got this email from Walter Shapiro, the former Time magazine writer mentioned above:

“Just a brief note to say that I wrote the 1988 Time magazine story that called ‘invest’ the new Democratic code word for ‘spend.’ (My then-colleague Michael Duffy provided the reporting in that old-fashioned news-magazine division of responsibility).

“While my precise memory has, of course, faded with the years, I am pretty certain that this was my observation based on the prevalence of the word ‘invest’ in Democratic rhetoric coming out of the Reagan years. This linguistic sleight-of-hand by the Democrats was an obvious response to the way that Ronald Reagan had demonized government spending. And, as a long-time political reporter (and Jimmy Carter speechwriter), I can testify that political consultants in both parties were tinkering with rhetoric before Frank Luntz was born.”

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Etymology Usage

Man, woman, and child!

Q: You say in your March 7, 2011, posting that you don’t know a female equivalent of male interjections like “man oh man” and “boy oh boy.” Our legendary Nebraska broadcaster, the late Lyell Bremser, had a signature phrase to introduce key plays: “Man, woman and child!” It became probably THE most beloved phrase in the state during Lyell’s long reign on radio station KFAB—and it does seem to use “woman” in the “boy oh boy” sense.

A: You’re right. Bremser did use “woman” that way, though most people use the phrase “man, woman, and child” as an expression of universality or in its literal sense, not as an interjection.

For any Husker fans too young to remember Bremser, here’s an excerpt from his 1973 broadcast of a Nebraska-Minnesota football game:

“OOHHH, MAN, WOMAN AND CHILD WHAT A THROW THAT WAS BY DAVE ‘THE DEALER’ HUMM! He faked his hand-off into the middle, Frosty Anderson went down the left side on a fly pattern, Humm RIFLED that ball, he had to throw that 45 to 50 yards in the air!!!….here’s the try for the point, the kick is up, and Sanger’s kick is good!…But believe me, he threw that absolutely a TON!!! Frosty Anderson NEVER broke stride! He had his man beat! He was in behind Kevin Keller, #42, flying down the left sideline … he had him beat by a couple of steps. And that ball was laid right on his FINGER TIPS! He never broke stride, and you knew that was TOUCHDOWN ALL THE WAY!! … ONE OF THE MOST BEAUTIFUL PASS PLAYS YOU’LL EVER WANT TO SEE!!!”

The transcript (including the creative punctuation and capitalization) comes from the website HuskerMax.com, which notes that Bremser nicknamed the quarterback David Humm “The Dealer” because Humm was from Las Vegas.

(Humm went from Nebraska to the Oakland Raiders, Buffalo Bills, Baltimore Colts, and Los Angeles Raiders.)

By the way, we got nearly a million hits when we googled the phrase “man, woman, and child,” including more than 400 from Bremser, but most of the hits we looked at used the phrase in its universal sense.

President Obama, for example, said in his Jan. 20, 2009, Inaugural Address that “America is a friend of each nation and every man, woman, and child who seeks a future of peace and dignity.”

The Oxford English Dictionary doesn’t have an entry for the phrase “man, woman, and child,” but it has six citations that include it, all of them in the universal or literal sense.

An 1806 citation in the entry for the verb “drag” is the earliest published reference in the OED: “Having dragged the whole neighbourhood for every man, woman and child.”

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Etymology Usage

An elitist attitude?

Q: I’ve always believed that “elite” is a collective noun, both singular and plural. I’m aware the word “elites” emerged during the George W. Bush years, generally in a pejorative sense. Is there in fact such a word as “elites”?

A: The use of “elites,” especially in a negative sense, may have increased during the Bush years, but it had been around for decades before then.

A May 27, 1982, article in the New York Times, for example, mentions “a trenchant critic of the power of unbridled elites in a pluralist society.”

And a June 13, 1982, piece in the Times discusses “confronting local power elites locked into quid pro quo relationships with the ruling party” in India.

OK, the usage has a history, but is the word “elites” legit?

The short answer is yes. However, the use of the noun “elite” in English often seems arbitrary. Here’s the story.

The  word, borrowed directly from the French élite, comes ultimately from the Latin verb eligere (to choose). It’s the same source that gave us “elect.”

In English, “elite” refers to the choice part of something—the most respected, skillful, or influential members of a society or class or body.

With the Latin verb eligere in mind, we might refer to the elite as the chosen.

Although the term is often used in a negative way, as you point out, that sense hasn’t made its way yet into standard dictionaries.

Both The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.) say “elite” has two plurals, “elite” and “elites.”

But the two dictionaries aren’t as clear as we’d like about when to use “elite” as a singular and when to use each of the plurals.

In fact, the AH and M-W entries give the impression that it would be hard to go wrong in using these terms.

As for us, we’d use “elite” as a singular noun if we were emphasizing the group as a whole: “The Washington elite has lost touch with Middle America.”

We’d use “elite” as a plural if we were thinking of members of the group: “The Wall Street elite are reeling from the banking scandal.”

And we’d use “elites” as a plural if we were speaking of two different groups: “The political and literary elites are at odds over support for public broadcasting.” 

We think “elites” is overused today and unnecessary if “elite” could just as easily be used. But that’s only our opinion. And maybe it’s an elitist attitude.

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Etymology Grammar Usage

Why can’t the Brits and Yanks agree?

Q: Commentators on the BBC World Service say people “agree” things. Example: “The delegates finally agreed the rules for seating.” This sounds unusual to an American. Is it a British thing?

A: In British English, according to Garner’s Modern American Usage (3rd ed.), “agree” is coming to be used transitively (“agree the rules”) where in US English it’s used intransitively (“agree on the rules”).

A verb is transitive when it acts on an object (“Gertrude grew dahlias”) and intransitive when it doesn’t (“Her dahlias grew” or  “Her dahlias grew by the wall”).

The transitive use of “agree,” notes Fowler’s Modern English Usage (rev. 3d ed.), “has become common but somewhat controversial in Britain” though it “remains rare or non-existent in America.”

Fowler’s lists several examples of the British usage, including this one from a 1963 issue of the Listener, a former BBC magazine: “the difficulty of agreeing a definition of mysticism.”

As you point out, this usage sounds jolting to the American ear. We’d find it difficult to get used to if it caught on in the US.

Interestingly, this relatively new British use of “agree” as a transitive verb is actually a revival of an old usage that dates back to Chaucer’s day.

The earliest published example in the Oxford English Dictionary of a transitive “agree” is from Chaucer’s Middle English poem Troilus and Criseyde (circa 1374):

“If harme agre me, ye, wherto than I pleyne?” (If harm agrees me, why complain then?)

The verb “agree” in this early sense meant to please, much as we would say a good meal or a pleasant day agrees with us.

However, the OED has citations dating back to the 1500s for the transitive use of “agree” in the sense you ask about: to settle differences or come to an understanding.

Here’s a citation from The Fair Example, a 1706 comedy written by the actor Richard Estcourt: “Do but agree the matter between you.”

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Etymology Usage

Is a Band-Aid a securement device?

Q: A poster at my local hospital in Idaho uses the term “securement devices” for bandages, Band-Aids, and Velcro-like wraps that the techs put around my arm (along with gauze or a cotton ball) when I get blood drawn. This is a new one on me.

A: This use of “securement” is new to us too. But then “securement” is a noun that the Oxford English Dictionary defines as “rare” even in its recognized meanings.

The noun generally means “the action or an act of securing,” according to the OED, but that broad definition includes two more precise meanings.

One of them, now obsolete, is “making safe from or against”; the other is “ensuring or making sure.”

There are only a handful of OED citations for this second sense (“ensuring or making sure”), all from the 17th to the 19th century.

The first is from William Foster’s The English Factories in India 1622-23, a calendar of historic events. In this entry from 1622,  the OED provides the missing language in brackets:

“[Willoughby has also been furnished with money, and left to take his choice of means] for his best securmentt.”

The most recent OED citation is from an 1883 issue of the Century Magazine: “Liberty, however, is so highly prized that society condemns the securement in all cases of perpetual protection by means of perpetual imprisonment.”

However, a Google Timeline search finds examples dating up to the present. Most of these seem to use “securement” in its established senses, but there are also extended meanings in the mechanical sense—to fasten or make secure.

We found a lot of references relating to the security of freight being transported (“cargo securement systems,” for example).

But we also found medical usages. Recent phrases from medical literature include “securement straps” for wheelchairs, “intravenous catheter securement techniques,” and “sutureless securement devices.”

Our guess is that “securement” will remain in specialized technical language, but that it won’t cross over into everyday usage.

Why should it, when in most cases we could just as easily use “security” or “securing”?

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Can a bank “bank” (or “unbank”) you?

Q: I saw an ad for a bank—I can’t remember which one—that said: “XYZ banks me and my business.” If Mr. Murray were still putting together the OED, I’d add a slip to his pigeonhole for the word “bank.”

A: The verb “bank” in the money sense has a couple of well-established meanings.

It’s commonly used as an intransitive verb—that is, one without an object—meaning to have a bank account, as in “Where do you bank? I bank with First National.”

“Bank” is also used as a transitive verb—one with an object—in the sense of “deposit,” as in “I banked my paycheck,” or “He banks the receipts every week.”

But the usage you mention is a less familiar one. Here, “bank” is a transitive verb meaning “provide banking services to.” Examples: “Who banks you? First National banks me.”

It was noted recently by a subscriber on the American Dialect Society’s online mailing list that the word “bank” (or, rather, “unbank”) was used this way in a Jan. 5 article in the Wall Street Journal.

The newspaper said banks were looking for new fees to charge customers, replacing  old charges that had been disallowed by government regulators.

It quoted a spokeswoman for J.P. Morgan Chase as saying, “We don’t want to raise fees on our customers, but unfortunately, regulation is forcing us to do it, and as a result, some customers may end up unbanked.”

By “unbanked” she meant “unprovided with banking services.”

In using this inverted form of expression, you’ll notice, she was able to avoid saying WHO was pulling the plug. “You may end up unbanked” is another way of saying, “We may unbank you.”

A second ADS list subscriber pointed out that the usage dates back to the 1980s.

A third subscriber pointed out a different use of “unbank.” Credit unions use the term to differentiate themselves from banks. An ad for the credit union Connex, for example, says: “Unbank with us.”

We’ve found many similar usages ourselves. A financial services center in Minnesota, for instance, calls itself “The Unbank Company.” It even offers “unloans,” but presumably discourages “unpaying.”

So far, odd transitive uses of “bank” seem confined to corporate and advertising language. We haven’t found any examples of real people using “bank” this way in the real world.

The word “bank” entered English around 1200 as a noun meaning a ridge or mound or other raised area of the ground, according to citations in the Oxford English Dictionary. There are similar words in Old Norse and Old Icelandic.

The verb “bank” showed up in the late 1500s in the transitive sense of to form a border and the intransitive sense of to border upon something.

The verb was first used in a financial sense in the 18th century. Initially, it was an intransitive verb meaning to run a bank or act as a banker, but that usage isn’t seen much now.

The OED’s first financial citation is from Ephraim Chambers’s Cyclopaedia (2nd ed., 1738): “Banker, a person who banks, that is, negotiates, and trafficks in money.”

In the 19th century, the verb “bank” took on another intransitive sense: “to deposit money or keep an account with a banker.”

The earliest OED cite for this sense is from Harriet Martineau’s novel Berkeley the Banker (1833): “A man who brings a splendid capital, and will, no doubt, bank with us at D——.”

As a transitive verb meaning to deposit, “bank” appeared slightly later. The first OED citation is from an 1838 issue of a stage journal, Actors by Daylight, in which a writer refers to theater managers “having ‘banked’ their cash.”

The word that the Chase spokeswoman used (“some customers may end up unbanked”) hasn’t made it into James Murray’s OED or any other published dictionaries.

Frankly, we think it smacks of corporate gobbledygook and wouldn’t bank on it.

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Etymology Grammar Usage

Are we misguided?

Q: Your effort to debunk the “myth” about not starting sentences with “and” or “but” is misguided. They are conjunctions, designed to joined two groups of words. Your subjective claim that it’s OK to do it is both inaccurate and vague.

A: We assume you’re referring to the brief comment about this on our Grammar Myths page. We’ve written more extensively about the subject in our books and on the blog, including a posting a couple of years ago.

As the Oxford English Dictionary and other authorities say, “and” and “but” can properly be used to join words, phrases, clauses, and sentences.

It is not, and never has been, grammatically incorrect to begin a sentence with “and” or “but.” This isn’t a subjective judgment on our part. It’s a fact.

In an attempt to determine where this belief came from, the editors of Merriam-Webster’s Dictionary of English Usage traced it to a 19th-century writer, George Washington Moon, most of whose works were attacks on other language commentators.

Moon wrote: “It is not scholarly to begin a sentence with the conjunction and.” (From The Bad English of Lindley Murray and Other Writers on the English Language, 1868.)

This single sentence is the only example of the prohibition that Merriam-Webster’s has been able to locate in print!

“Everybody agrees that it’s all right to begin a sentence with and, and nearly everybody admits to having been taught at some time past that the practice was wrong,” M-W says. “Most of us think the prohibition goes back to our early school days.”

The usage guide, citing the author Edward P. Bailey Jr., suggests that “the prohibition is probably meant to correct the tendency of children to string together independent clauses or simple declarative sentences with ands:  ‘We got in the car and we went to the movie and I bought some popcorn and….’ ”

“As children grow older and master the more sophisticated technique of subordinating clauses, the prohibition of and becomes unnecessary,” M-W says. “But apparently our teachers fail to tell us when we may forget about the prohibition. Consequently, many of us go through life thinking it wrong to begin a sentence with and.”

Merriam-Webster’s adds: “Few commentators have actually put the prohibition in print. The only one we have found is George Washington Moon.”

In case you’d like more evidence, here it is.

(1) The Cambridge Grammar of the English Language, by Rodney Huddleston and Geoffrey K. Pullum: “Such coordinators as and, or and but can occur in sentence-initial position. For example, speaker A might say, She thoroughly enjoyed it, and B then add, And so did her mother. It is clear that and here forms a unit with so did her mother.” (Page 1277.)

(2) Fowler’s Modern English Usage (revised 3rd ed., edited by R. W. Burchfield): “There is a persistent belief that it is improper to begin a sentence with And, but this prohibition has been cheerfully ignored by standard authors from Anglo-Saxon times onwards.”

(3) The OED defines and as a coordinating conjunction that’s used for “introducing a word, phrase, clause, or sentence, which is to be taken side by side with, along with, or in addition to, that which precedes it.” OED citations using “and” to introduce a sentence go back to Old English in the 9th century and continue steadily up to the present.

Under its entries for “but” as a conjunction, the OED says it’s used “in a compound sentence, connecting the two co-ordinate members; or introducing an independent sentence connected in sense, though not in form, with the preceding.” Citations go back at least as far back as Middle English.

(4) Garner’s Modern American Usage (3rd ed.): “It is rank superstition that this coordinating conjunction [and] cannot properly  begin a sentence. … Schoolteachers may have laid down a prohibition against the initial and to counteract elementary-school students’ tendency to begin every sentence with and. … The same superstition has plagued but.”

In short, starting a sentence with “and” or “but” may sometimes be bad style—especially if done to excess—but it’s not bad grammar.

Even Moon, the guy who may or may not have started all this, didn’t say the practice was grammatically incorrect. He said it wasn’t “scholarly.”

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