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Etymology Usage

Is a one-sentence paragraph OK?

Q: What are the rules on one-sentence paragraphs? I tend to see the regular use of them as a sign of tabloid journalism.

A: Many people seem to have been told, sometime during their school careers, that a one-sentence paragraph is not legitimate. It’s this belief, however, that’s not legit.

Modern dictionaries define a paragraph as a piece of writing consisting of one or more sentences devoted to a single point or topic. It begins on a new line and is usually indented.

(We don’t indent the beginning of paragraphs on our blog. We start them flush left, with a line of white space between them. This seems to be a common convention of online writing.)

As for how many sentences in a paragraph, the writer can use as many—or as few—as the topic requires.

Quite often, as you’ve probably noticed if you read much fiction, a paragraph consists of one speaker’s quoted words. In fact, it might have just a single word:

“Right!”

There are no “rules” of English grammar about the number of sentences per paragraph. This is a matter of style, not grammar.

On our blog, for example, we often use one- or two-sentence paragraphs, confining ourselves to just a few items of information per paragraph.

We think this is easier for people to read, especially in a format consisting of a narrow vertical column with other matter abutting on either side.

But our book Origins of the Specious, with its vacant margins and roomier format, has a more classic style of paragraphing. We used as many sentences per paragraph as we needed to complete a particular point or thought.

Personally, we don’t like extremely long paragraphs, since the eye tends to get lost without a few geographical landmarks as reference points. It’s fatiguing to read a paragraph that takes up page after page, even if it’s legitimately devoted to a single argument.

Many famous writers—Samuel Johnson among them—have written paragraphs of only one or two sentences.

In The History of the English Paragraph (1894), Edwin Herbert Lewis scrutinized dozens of famous writers, examining several hundred paragraphs from the works of each.

For the works he studied, he calculated the percentage of single-sentence paragraphs in Defoe at 62 percent; Bunyan, 61; Laurence Sterne, 55; Spenser, 48; Scott, 45; Dickens, 43; Fielding, 38; Hobbes, 35; Bacon, 32; George Eliot, 27; Johnson, 27. The writers Locke, Lamb, Swift, De Quincey, Addison, Ruskin, Dryden, Sidney, and Milton were in the 18 to 10 percent range. (The novelists among these writers were in some cases using one-sentence paragraphs to quote speakers.)

Paragraphing itself is very old. Lewis said that indented sections of writing can be found in some of the oldest English manuscripts.

“In a manuscript of the sixth century,” he wrote, “quotations are written as in modern paragraphs,—carried in evenly from the marginal line.”

One-sentence paragraphs are found in “every period in English Literature,” Lewis said, but they were more common in the 18th than in the 19th century.

Reading between the lines, it appears that prejudice against the one-sentence paragraph came from 19th-century writers on rhetoric and composition.

Lewis quotes a contemporary of his who believed that “a paragraph is to a sentence what a sentence is to a word.”

And this hierarchy—from word to sentence to paragraph—may have encouraged the belief that a paragraph must be a group of sentences.

Lewis notes that most of the multiple-sentence definitions he found in books of rhetoric and composition “were framed primarily for purposes of pedagogy.”

“This,” he said, “may explain why so much stress is laid upon the idea of a paragraph as a sentence group.”

Teachers, he suggested, wanted to discourage pupils from simply making each new sentence a paragraph.

It seems, though, that they taught their pupils too well.

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Etymology Usage

Are you having none of it?

Q: Is the expression “I will have none of it” acceptable when referring to someone’s behavior or actions? For example, “His excessive praise is a thinly veiled attempt to jinx my research project and I will have none of it.”

A: Yes, it’s fine to use the expression that way. People have been doing it for more than a century and a half.

The Oxford English Dictionary defines the expression as “to refuse or reject something outright.” And that something can be someone’s behavior or actions.

In the earliest example cited, Henry David Thoreau rejects friendship with someone who disagrees with him about right and wrong.

Here’s the citation from A Week on the Concord and Merrimack Rivers (1849): “If Friendship is to rob me of my eyes, if it is to darken the day, I will have none of it.”

And we never miss an opportunity to quote P. G. Wodehouse. This is from Very Good, Jeeves! (1930): “Her name was Maudie and he loved her dearly, but the family would have none of it. They dug down into the sock and paid her off.”

The most recent OED example of the usage is from Swing Hammer Swing! (1992), a novel by Jeff Torrington: “I tried to coax the old woman into her apartment but she was having none of it.”

The pronoun “none” is one of the oldest words in English. We’ve written several times on the blog about the myth that it always means “not one” and always is singular.

If you disagree and are having none of it, take a look at our latest posting on the subject.

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Etymology Usage

Is a “concrete boardwalk” an oxymoron?

Q: The NYC parks commissioner considers a “concrete boardwalk” an oxymoron, but he argues that the usage is OK because the word “boardwalk” had become eponymous. As I see it, he’s using the words “oxymoron” and “eponymous” incorrectly. If I’m wrong, you can bet I won’t tell anyone I consulted you!

A: Thanks for sending that New York Times article about the fight to keep the boards in the boardwalk at Coney Island.

In the article, Adrian Benepe, the parks commissioner, is quoted as saying last year that a concrete boardwalk is an “oxymoron.”

He’s also quoted as saying  that “boardwalk has become eponymous, in the way Kleenex is for paper tissue. It is a generic term for an elevated oceanfront walkway, and other communities use concrete.”

We think the parks commissioner is being a little loose with his terms, misusing both “oxymoron” and “eponymous.”

The phrase “concrete boardwalk” may be a misnomer, though that’s debatable, but it’s not an oxymoron.

The word “oxymoron,” as we’ve said before on our blog, is a figure of speech with a pair of opposite or markedly contradictory terms. Wood and concrete are different building materials, but they aren’t opposites or markedly contradictory.

And it may be true that “boardwalk” is now a generic term, as the parks commissioner says, but it’s definitely not eponymous.

The adjective “eponymous,” which we’ve also written about on the blog, refers to the person something is named for. For example, Hamlet is the eponymous hero of Shakespeare’s play Hamlet.

Perhaps the parks commissioner meant that “boardwalk” is ubiquitous—that is, found everywhere. Many people confuse the words “eponymous” and “ubiquitous,” but as we’ve also pointed out on the blog, they’re not synonymous.

One thing we can say for “boardwalk” is that it’s an all-American word. We associate it with Coney Island, Atlantic City, and similar American vacation spots, and as it turns out the word was born in the USA.

The Oxford English Dictionary’s first citation for “boardwalk” is from a letter written in 1872 by Frances M. A. Roe, author of Army Letters From an Officer’s Wife:

“We reached a narrow board-walk that was supposed to run along by her side fence.”

Notice that the word wasn’t originally associated with waterfronts. But a 1906 citation from a story by Abby Meguire Roach in Harper’s Magazine has a whiff of salt air:

“A few days later, on the board walk at the seashore, she came face to face with Hugh Wilberding.” (A later version of Roach’s story, collected in a book, has “on the board-walk at Atlantic City.”)

As for what a boardwalk should be made of, the word was—and still is—defined by the OED as “a footway or walking-path constructed of boarding.”

Though the OED doesn’t say so, boardwalks these days are sometimes built of things other than wooden boards.

Perhaps if Coney Island’s boarding continues to be replaced with concrete, the OED will revise its definition.

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Etymology Pronunciation

It’s NYOOZE to us

Q: Your posting on pronouncing “news” as NYOOZE reminded me of my undergraduate music studies. As a voice student, I had to take a one-semester course in diction, where we learned that NYOOZE was the correct pronunciation. In fact, we learned that whenever a long “u” sound follows any of the consonants in the phrase “Daniel Sitteth,” it should be pronounced with a “y” sound. So words like “lute” and “tune” should be pronounced LYOOT and TYOON. This comes from  Madeleine Marshall’s book on diction for singers.

A: Thanks for the interesting footnote. We weren’t familiar with Marshall’s book, The Singer’s Manual of English Diction, which was first published in 1953. It’s still in print and widely used.

When she died in 1993, at the age of 93, her obituary in the New York Times described the work as “a standard guide on the subject.”

We found an online overview of the book that has this advice for choral singers (the “j” in the pronunciation key is a “y” sound):

“Syllables spelled with u or ew, where the u or ew comes after the consonants d, n, l, s, t, or th (mnemonic device: ‘Daniel Sitteth’) are pronounced [ju], e.g., duty, due, dew, during, new, knew, lute, prelude, suit, assume, tune, stupid, student, enthuse. (See Chapter 36 for these rules and further examples).”

Madeleine Marshall Simon, who was known professionally as Madeleine Marshall, was a singing coach and concert pianist. She taught diction to singers at Juilliard for more than half a century, from 1935 to 1986.

Her pupils, according to her obituary, included Lily Pons, Leontyne Price, and Lauritz Melchior. Her husband was Robert A. Simon, a writer, a librettist, and a longtime music critic for The New Yorker. He died in 1981.

Of course, there’s singing pronunciation and there’s spoken pronunciation.

We’re pretty sure that Marshall would not have advised students of speaking elocution to pronounce “lute” as LYOOT or “tune” as TYOON. But clarity and uniformity of pronunciation are especially important in vocal music.

In discussing the value of clarity, Marshall laments the singer who sounds “as if he had a hot potato in his mouth …. as if he had a mouthful of mush … as if his mouth were full of marbles.”

“One of the purposes of this manual,” she writes, “is to help singers remove the potatoes, mush, and marbles from their songs in English. … It’s a book about singing in English and isn’t tended as a guide to anything else.”

Her pronunciation manual, she says, also aims at uniformity. In performance, each word must be pronounced exactly the same way by every singer.

If different characters in an opera, for instance, say the same word differently, she writes, “This disparity in pronunciation is disconcerting to an audience.”

But she stresses that she’s not concerned with ordinary spoken English: “The recommendation of this English for singing is, of course, no criticism of the English spoken in any given area.”

“Your personal speech,” she says, “is your own prerogative.”

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Etymology Pronunciation Usage

Is a comma before “and” a serial crime?

Q: When I was in junior high in the ’40s, I was taught that an apostrophe in a word denoted a missing character and a comma in a series denoted a missing word. But I often see a comma before “and” in a series. Wouldn’t this mean “and and”?

A: We’ll discuss this comma business first. No, the comma doesn’t represent a missing or implied word.

Commas, like other marks of punctuation, bring meaning to strings of words, organizing them for readability and clarity.

As the Cambridge Grammar of the English Language puts it, commas “mark boundaries within a sentence”—boundaries between clauses and between words in a series.

When used in a series, commas separate each part from the next, as in these examples: “knives, forks, and spoons” … “eating, drinking, and making merry” … “rude, abrupt, and insensitive” … “quickly, politely, and accurately.”

Here we’ve used a comma before each “and.” This is sometimes called the “serial comma” or “Oxford comma,” and though it isn’t required, we think it’s a good idea.

As we’ve said before on our blog, a final comma before “and” can make a sentence clearer.

We used this sentence as an example of one that could use another comma for clarity: “The biggest influences on my career have been my sisters, Martha Stewart and Oprah Winfrey.”

But your email made us curious. Apparently there was once a belief that each comma in a series represented a missing “and.”

In “Certain Fashions in Commas and Apostrophes,” a 1945 article in the journal American Speech, Steven T. Byington called this a “popular misconception.”

“There exists a widespread belief that one of the functions of the comma is to take the place of an omitted word, especially of an omitted coordinating conjunction,” Byington wrote.

This belief “has had a very perceptible influence” on the debate about the use of the final comma in a series like “A, B, and C,” he said. “A good-sized minority will mentally argue, ‘The purpose of the comma after A is to take the place of the omitted conjunction; consequently it is illogical to use it also after B, where the conjunction is expressed.’ ”

Newspapers may have encouraged the belief that a comma was equivalent to “and.”

In a 1940 article in American Speech, “The Serial Comma Before ‘And’ and ‘Or,’ ” R. J. McCutcheon wrote:

“An author informs me that in newspaper work he observed that the comma between the last two members of a series was habitually omitted, probably on the theory that the word and took its place and that the use of both the comma and the word and was redundant. Many syndicated articles in newspapers, however use both in series constructions.”

American Speech surveyed several US newspapers, magazines, and publishing companies on the subject for McCutcheon’s article.

It found, McCutcheon wrote, that “the ‘serial comma’ is omitted by the Baltimore Sun and Evening Sun, the New York Herald Tribune, Daily News, Sun, Times, and World-Telegram. The Boston Christian Science Monitor employs the comma.”

The magazines surveyed had differing opinions on the serial comma, as did book publishers.

In 1940, McCutcheon wrote, The Chicago Manual of Style recommended using the final serial comma. (It still does.)

“The University of Chicago Press, following its influential A Manual of Style, seems to be inflexible,” McCutcheon said. “They inform me that for material edited by them or bearing the press imprint they insist upon the comma before the final member of a series of three or more.”

Today the Chicago Manual, now in its 16th edition, says: “When a conjunction joins the last two elements in a series of three or more, a comma—known as the serial or series comma or the Oxford comma—should appear before the conjunction. Chicago strongly recommends this widely practiced usage, blessed by Fowler and other authorities, since it prevents ambiguity.”

No one would dispute the presence of the last comma in this example from the Chicago Manual: “She took a photograph of her parents, the president, and the vice president.”

As for the apostrophe, it signifies a missing letter or letters only when used in a contraction (like “it’s” for “it is,” or “tho’ ” for “though”).

Byington, in his American Speech article, wrote that in newspaper punctuation, “the latest aberrant tendency is that of using apostrophes before monosyllabic words which are falsely supposed to be abridgments of forms with prefixes.”

As examples he cites words written as ’round, ’though, ’way, and ’til on the assumption that they’re short for “around,” “although,” “away,” and “until.”

If you’d like to read more, we’ve discussed “until” & company on our blog.

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Grammar

Apposition paper

Q: Burning question and a grant might be riding upon it! The sentence in question goes something like this: “We live quite happily here, my gerbils, my neighbors, and I.” Or is  “me” the proper pronoun in the object phrase at the end? I have argued both sides. Can you help me with this war within myself? Torn apart!

A: The noun phrase at the end of that sentence should read, “my gerbils, my neighbors, and I.”

This phrase, by the way, is not an object. On the contrary, it’s in apposition to—or the equivalent of—the subject (“we”). So the pronoun in the phrase should be in the same case (“I”).

Another way of looking at this is that the appositive noun phrase “my gerbils, my neighbors, and I” could replace the subject, “we.”

Here are examples of both subject and object pronouns used in apposition:

(1) Subject pronoun: “Three people built the house—Dad, Uncle Harry, and I.” (Here the phrase in italics is in apposition to the subject, “three people,” and could replace it.)

(2) Object pronoun: “The house was built by us—Dad, Uncle Harry, and me.” (Here the phrase is in apposition to the object, “us,” and could replace it.)

We’ve written about appositives before on our blog. An appositive is usually found right next to its equivalent, as in “Let me introduce you to my boss, Mr. Dithers.” But, as in your sentence and in No. 1 above, this isn’t always the case.

The Cambridge Grammar of the English Language gives this example of an appositive that’s separated from its “anchor,” or original noun phrase: “I met a friend of yours at the party last night—Emma Carlisle.”

The anchor is “a friend of yours” and the appositive is “Emma Carlisle.”

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Etymology Usage

Why do NO HUNTING signs say “POSTED”?

Q: Just the other day, I saw a “POSTED: NO HUNTING” sign at a nature preserve. It made me wonder why the word “posted” appears in signs forbidding hunting, fishing, trespassing, etc. Doesn’t the fact that the sign was actually posted make the inclusion of the word at best redundant?

A: In our area of rural New England, we see endless examples of “POSTED: NO HUNTING,” “POSTED: NO TRESPASSING,” and so on. The signs are there, so obviously somebody “posted” them—why underscore the fact?

The short answer is that there’s no short answer.

If you regard a sign as a simple communications tool, the “posted” part is of course redundant. But if you regard it as a legal notice, the wording is another matter.

As you might imagine, this business of sign posting has become a thorny issue involving the rights of hunters on one side and landowners on the other. So, naturally, sign requirements vary widely from state to state.

In some states no signs are necessary, because a hunter must get permission before hunting on private property. In other states, hunting is allowed unless a sign is posted that says otherwise.

And among those states where a sign is necessary, not all require that it include the word “posted.” (It should be noted that municipalities, too, sometimes enact their own ordinances.)

Mark R. Sigmon wrote in the Duke Law Journal in 2004 that 29 states “have statutes requiring landowners to post their land to exclude hunters; the other states have statutes requiring hunters to get explicit permission from landowners before they hunt.”

In his article, “Hunting and Posting on Private Land in America,” Sigmon said that of the states requiring signs, most “set an exact number of signs that must be posted, their size, what they must say, and even their height off of the ground and their color.”

But even in states where the word “posted” isn’t required, its presence on signs seems to have become a hoary American tradition.

Perhaps a sign that shouts “POSTED” underscores the seriousness of a landowner’s intentions. But it may simply be the kind of sign the hardware and farm-supply stores tend to sell. At any rate, here’s a little etymology.

The noun “post,” meaning a support or column of timber, has been in the language since the days of Old English, according to the Oxford English Dictionary. It was taken from the classical Latin word postis, meaning a doorpost.

When the verb “post” first entered English in the mid-1500s, it meant to cut timber into posts, the OED says. A century or so later, it came to mean “to affix (a notice, poster, etc.) to a post, or in a prominent position.”

In the 19th century, “post” began to be used more generally to mean to put up a notice. Here’s a modern citation from Joyce Carol Oates’s novel Bellefleur (1980): “All of the Bellefleur property was posted against trespassers.”

Similarly, the adjective “posted” has been used since the 19th century to mean “set up or fixed in a prominent place; displayed so as to provide information; advertised, made public.”

This adjectival usage is “chiefly” North American, the OED says. The dictionary’s first citation is from Herman Melville’s 1851 novel Moby-Dick (we’ve gone to the original to expand the quotation).

In searching for a leaking cask, Ishmael imagines finding deep in the hold of the Pequod a “mouldy corner-stone cask containing coins of Captain Noah, with copies of the posted placards, vainly warning the infatuated old world from the flood.”

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Etymology

Sex education

Q: I teach sex education at an inner-city school. Over the last few years, I’ve learned more new sexual slang than I care to recount. But my question is about one of the older terms. My students would like to know when “blow job” was first used to mean fellatio and whether it’s one word or two. School is out for the summer, but I’d like to have an answer for them when they return in the fall.

 A: Things have certainly changed since we were in school—Pat in Des Moines and Stewart in Yonkers. But you’re the teacher (yes, we checked her out and she is), so here goes.

Let’s begin with the easy part: one word or two? The two standard dictionaries we usually consult differ on this.

The American Heritage Dictionary of the English Language (4th ed.) prefers one word, while Merriam-Webster’s Collegiate Dictionary (11th ed.) goes with two.

We’ll let the Oxford English Dictionary be the tie-breaker: it uses two words, and we will too.

Now for the etymology. The slang term “blow job” isn’t quite as old as you seem to think.

The earliest published reference in the OED is from a poem by Anthony Hecht published in the Hudson Review in 1961 (we’ve expanded the excerpt):

“I have been in this bar / For close to seven days. / The dark girl over there, / For a modest dollar, lays. / And you can get a blow-job / Where other men have pissed, / In the little room that’s sacred / To the Evangelist.”

But perhaps the OED isn’t the first place we should look to find the origins of “blow job.”

The new three-volume Green’s Dictionary of Slang traces the noun phrase back to around 1948, when it appeared in an underground comic strip featuring the McCarthy-era figures Whittaker Chambers and Alger Hiss.

The slang dictionary cites Tijuana Bibles, a book of explicit comics collected by Bob Adelman, and includes an excerpt in which the Chambers figure apparently tells Hiss that “you give such good blow jobs!”

The noun phrase “blow job” may be a relative newbie, but the use of the verb “blow” in a sexual sense is much older, dating back to the 1600s, when Green’s says it meant “to bring to orgasm.”

However, the earliest citation for this sense in the dictionary, from an anonymous 1650 song, uses “blow” only obliquely to suggest sex:

“Limping Vulcan he came, / As if he had been jealous, / Venus follow’d after him, / And swore she’d blow the bellows.”

The use of the verb “blow” in the sense of fellatio or cunnilingus didn’t appear in writing until the 1930s, according to the slang dictionary.

The first published reference is from a book, Nell Kimball: Her Life as an American Madam: “The Greek contractor wanted me to blow him in the bundle room.”

Although the book was originally published in 1970, Green’s dates its composition from around 1930.

The work presents itself as a confessional memoir introduced and edited by Stephen Longstreet, a man of mystery, according to a website devoted to unraveling the mystery.

We hope you and your students find this informative. We surely did.

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Etymology Usage

Data entry

Q: In your 2007 posting about “media,” you write that “data” is now “considered singular by a great many usage experts.” As a consulting economist, I’ve long observed that “data” is usually singular in technical literature.

A: You’re right in observing that in scientific and technical literature, “data” has long been treated as a singular collective noun.

We mentioned this in a discussion of “data” in Origins of the Specious, our book about language myths and misconceptions.

Here’s what we wrote:

“ ‘Data’ first appeared in English in the seventeenth century, but it didn’t become a common word until a century or so ago. Since then, people have been arguing about its singularity. In its modern sense—information in the form of facts and figures—is ‘data’ singular or plural? It was first used as a singular in 1902, and the practice soon became widespread, according to Merriam-Webster’s Dictionary of English Usage. But battle lines formed.

“English handbooks reared up in protest over the next couple of decades. Their reasoning? In Latin, data is plural and the singular is datum. But no less an authority than the journal Science joined the fray in 1927 on the opposite side, insisting that ‘ “data” in the sense of facts is a collective which is preferably treated as a singular.’ As Science pointed out, the term ‘datum’ (plural: ‘datums’) is a technical word used in surveying, while ‘data’ means information. Even the revered Webster’s Second of 1934, the dictionary that nobody with back problems should attempt to lift, endorsed the singular ‘data.’ As the usage authors Bergen Evans and Cornelia Evans noted dryly in the 1950s, ‘No one should think that he must treat data as a plural merely because Julius Caesar may have done so.’ The lesson? Tempus fugit.

“In Caesar’s day, data referred to things that were given, such as the givens in a scientific hypothesis. (It came from dare, the Latin verb for ‘give.’) But we use ‘data’ more broadly today to refer to factual information in general. In fact, the English word is closer to indicium, the Romans’ word for ‘information,’ than it is to the Latin data. When a Latin word has a life of its own in English (think “audio” or “video”) there’s no reason to treat it as Caesar did.

“Then why do so many people ignore the data on ‘data’? There’s an old joke in journalism that when all else fails, you can always blame the media. And here, it seems, publishers of newspapers, magazines, books, and so on are largely to blame. For decades, the house style for most companies required treating ‘data’ as a plural. That means generations of editors diligently changed ‘data is’ to ‘data are,’ and ‘this data’ to ‘these data.’ ”

As we note in our book, we did this ourselves for many years when we were journalists. Our former employer, the New York Times, changed its house style to favor the singular “data” in 1999.

By the way, as you probably noticed in that 2007 posting about whether “media” is singular or plural, we advised readers to “stay tuned.”

“Many usage experts,” we wrote, “have predicted that in a generation or two ‘media’ will be considered acceptable as a singular noun.”

This has now come to pass, at least when “media” refers to the world of mass communications as a whole, as we wrote last year in an updated blog entry.

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Etymology Grammar Usage

To me, or not to me

Q: A comment on a New York Times blog begins this way: “To me, the most important ….” Is it possible to start an English sentence with “To me …”?  I am German, but an American friend told me that most grammarians would say it is, at best, colloquial. What do you think?

A: There are two issues involved here: beginning a sentence with “To me …” and introducing an opinion with “to me ….”

Nobody would object to using “To me …” as an ordinary prepositional phrase at the beginning of a sentence.

For instance, a sentence like “To me they taste the same” is no less legitimate than “They taste the same to me.”

The prepositional phrase here has an adverbial function; it modifies the verb “taste,” not the entire sentence.

The sentence on the Times blog, however, uses the prepositional phrase to introduce an opinion. In effect, it modifies the entire sentence.

A great many people, when stating an opinion, begin with “to me ….” This is probably an abbreviated form of “It seems to me that … ” or of the more telescoped “Seems to me ….”

All of them convey the same meaning: “In my opinion ….”

In our opinion, introducing an opinion with “to me …” (whether at the beginning of a sentence or a clause inside it) sounds colloquial—that is, more suited to casual than to formal occasions.

So it’s probably not a good idea to use it in formal writing. But no one would fault you for using “to me …” this way in speech, especially casual speech, or informal writing.

Even the moderately abbreviated “seems to me” is labeled colloquial by the Oxford English Dictionary.

As an example of this usage, the OED cites a sentence from John Strange Winter’s novel Bootles’ Children (1888): “Seems to me women get like dogs—they get their lessons pretty well fixed in their minds after a time.”

(Boy, does that sound sexist! Yet the pseudonymous Winter was actually Henrietta Eliza Vaughan Stannard.)

The OED doesn’t even get into the shorter “to me …” but no doubt the dictionary would find it colloquial too.

It seems to us that starting an opinion at the beginning of a sentence with “Seems to me …” isn’t quite as casual as starting it with “To me ….”

Perhaps the more compressed the expression, the less formal it seems. At least that’s our opinion.

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Etymology Usage

Are you bugged by bivvies?

Q: L.L. Bean sells something called a “bug bivy,” a mini-tent made of mosquito netting for keeping out insects. No dictionary I have access to has an entry for “bivy,” and not even the Bean people could give me a definition. Have you ever heard of it? I went on an etymological flight of fancy and decided that it’s a diminutive of “bivouac.”

A: Your instincts are right on track.

“Bivy,” more commonly spelled “bivvy,” originated during World War I as army slang, short for the older “bivouac.”

The Oxford English Dictionary defines a “bivvy” as “a temporary shelter for troops; a small tent.”

The OED’s first citation for its use in print is from The Anzac Book (1916), which was written and illustrated in Gallipoli by the men of the Australian and New Zealand Army Corps: “We lays down in the open / W’en our ‘bivvies’ isn’t dug.”

Here are a few more OED citations.

1918: “We arrived at our allotted spot, somewhere in Palestine, and erected our bivvies” (from the Chronicles of the N.Z.E.F., a journal published for soldiers of the New Zealand Expeditionary Force).

1920: “The Egyptian Camel Corps and Gurkhas arrived, bringing ‘Bivies’ and other luxuries” (from Blackwood’s Magazine).

1925: “That word was ‘tambu’, meaning a rough and ready shelter made of branches, planks, corrugated iron, a ‘bivvy’, in fact” (from the Glasgow Herald).

But L.L. Bean isn’t using a military term. As it happens, “bivvy” later acquired a more peaceful meaning as a slang word among mountaineers, climbers, and backpackers.

This sporting sense of the word was first recorded as a verb in 1943 and as a noun in 1961, according to citations in the OED.

As a verb, the dictionary says, to “bivvy” is “to spend the night in the open air without a tent (esp. in a bivvy bag); to camp with little or no shelter.”

The verb also appears with prepositions, so a camper can “bivvy down,” “bivvy out,” or “bivvy up.”

As for the noun, the OED says a “bivvy” is “a night spent in the open air without a tent” or “an open air encampment.”

In mountaineering slang, a “bivvy sack” (1977) or “bivvy bag” (1982) refers to a waterproof sleeping bag used outdoors instead of a tent, according to the OED.

And in L.L. Bean slang, a “bug bivy” is a lightweight, waterproof, and bug-proof shelter for “the minimalist outdoor adventurer.” 

The original “bivouac” has had many similar meanings over the years.

The noun was first recorded in 1706, when it meant a “night-watch by a whole army under arms, to prevent surprise,” Oxford explains.

In today’s military usage, the dictionary says, it means “a temporary encampment of troops in the field” without tents.

The nonmilitary meaning of “bivouac,” which came along in the mid-19th century, is simply “an encampment for the night in the open air” or “a camping out.”

The verb “bivouac” was first recorded in 1800, when it meant to remain, especially overnight, in the open air with no shelter.

As for its etymology, the word comes from the French bivouac and bivac, terms that the OED says are “generally said to have been introduced during the Thirty Years’ War” (1618-48).

But ultimately “bivouac” probably comes from beiwacht, an old term in Swiss German dialect. It was used in the cantons of Aargau and Zürich in the Old Swiss Confederacy to mean a nighttime citizens’ patrol for keeping order.

As the OED says, “This remaining of a large body of men under arms all night explains the original sense of bivouac.”

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Grammar Usage

The subject was colors

Q: In a proposal to a client some time ago, I wrote, “A wide range of colors are available.” The client replied, “It’s ‘A wide range of colors is available.’ ” Since then, friends, family, and casual observers have been engulfed by the issue. Thanks much if you are able to weigh in.

A: This is a problem of subject-verb agreement, and it’s a sticky one.

What makes it sticky is the combination of a singular noun phrase (“wide range of”) followed by a plural noun (“colors”). Should the verb agree with the singular noun (“range … is available”) or the plural (“colors are available”)?

We say plural: “A wide range of colors are available.”

And faced with similar examples, so do the editors of Merriam-Webster’s Dictionary of English Usage: “Experts and common sense agree that the plural verb is natural and correct.”

In a section devoted to subject-verb agreement, the usage guide takes this sentence as its example: “A bunch of the boys were whooping it up in the Malamute saloon.” (It’s a line from Robert W. Service’s 1907 poem “The Shooting of Dan McGrew.”)

Merriam-Webster’s says “were” is correct in this sentence, and it notes that commentators like James J. Kilpatrick and Jacques Barzun also weigh in on the plural side in such cases.

One reason for choosing a plural verb is the concept of “notional agreement.” This is agreement based on meaning—that is, the meaning an expression has to the writer or speaker—rather than on form.

In the case of “a wide range of colors” and “a bunch of the boys,” the meaning is clearly plural. But the collecting noun phrase at the beginning (“a wide range of,” “a bunch of”) is singular in form.

This is the heart of the problem. And as Merriam-Webster’s says, “the conflict between notional and formal agreement is behind many disputed usages.”

M-W, along with most modern authorities on English grammar and usage, comes down on the side of notional agreement. But the usage guide says there are other factors “pulling in the direction of the plural.”

These include proximity (“boys” is closer to the verb than “bunch”) and what M-W calls “the plain sense of the subject-verb relation.” That is, “the boys whoop, not the bunch.”

Further, the usage guide says, “if boys is the real subject of the sentence, then the phrase a bunch of is functioning essentially as a modifier—it is, in fact, very similar to what many modern grammarians call a predeterminer.”

The editors go on to supply similar examples where a collecting noun phrase followed by a plural noun calls for a plural verb. We’ll abbreviate a few of the examples:

“a rash of stories have reported” … “a host of people who are interested” … “a class of sentences which are superficially parallel” … “a fraction of such deposits are actually insured” … “a large part of the Jewish communities were Arabic-speaking.”

The editors at M-W conclude: “When you have a collecting noun phrase (a bunch of) before a plural noun (the boys), the sense will normally be plural and so should the verb.”

“Normally,” yes, but not always. We think you have to consider the meaning case by case, “the plain sense,” as M-W puts it.

Nobody would have a quarrel with a sentence like “A bunch of flowers was delivered.” Here the real subject is the bunch.

Similarly, reasonable people can disagree on notional versus formal agreement. Take the case of institutional and collective nouns and how they’re perceived in the US as opposed to the UK.

The American practice is to go with formal agreement: “the commission is” … “General Electric was.” The British practice is to go with notional agreement: “the commission are” … “General Electric were.”

In the US, the institution is regarded as a singular entity; in the UK, it’s regarded as a collection of individuals.

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Etymology Usage

Over and over again

Q: I’m a copy editor who’s often wondered why the style guide where I work considers it a cardinal sin to use “over” in place of “more than.” The rationale is that “over” can only convey position. But it seems to me that its use to mean “more than” is pretty darned ingrained, and certainly sounds right to my ear. Am I nothing more than a victim of new-fangled language or is there some overarching history to be had?

A: No, you’re not a victim of new-fangled language. And, yes, you’ve got history on your side. This is something we’ve written about before.

As we said in a blog entry in 2007, “over” and “more than” have been used interchangeably for six centuries or more, and there’s no reason to think this is wrong.

But we didn’t say much in that post about the origin of the belief that “over” shouldn’t be used to mean “more than.”

Merriam-Webster’s Dictionary of English Usage, which has an excellent entry on the subject, says, “Disapproval of over meaning ‘more than’ is a hoary American newspaper tradition.”

The objection, according to M-W, began with William Cullen Bryant’s book Index Expurgatorius (1877).

It was picked up in Ambrose Bierce’s Write It Right (1909), the usage guide says, and from there “passed into almost all of the newspaper handbooks.”

What was Bryant’s beef with using “over” to mean “more than”? He never said, according to the M-W editors.

We checked Bierce’s book, and he never explained it, either.

You’re right, however, that many editors believe “over” should refer only to position, but that belief is waning.

We have an old Associated Press stylebook that insists “over” refers to “spatial relationships” and “is not interchangeable with more than.” But the latest AP stylebook doesn’t include this bugaboo.

Here’s what the editors at the Merriam-Webster’s usage guide conclude: “There is no reason why you need to avoid this usage.” We agree.

[Update, March 24, 2014: The Associated Press has officially changed its policy. Last week, the editors of the AP Stylebook announced at a session of the American Copy Editors Society (ACES) Conference that in reference to a quantity, “over” may now be used. “We decided on the change because it has become common usage,” said Darrell Christian, the editor of the AP Stylebook. “We’re not dictating that people use ‘over’—only that they may use it as well as ‘more than’ to indicate greater numerical value.”]

 

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Etymology

An indissoluble solution

Q: The word “indissoluble” popped out at me in one of David Denby’s New Yorker movie reviews. It’s not his fault, of course—it’s in the dictionary. But why does this word have a double negative prefix? Why not simply “insoluble”?

A: Don’t jump to conclusions. Each of these English words—“insoluble” and “indissoluble”—has only one negative prefix.

The story begins with two Latin words (solvere and dissolvere) that mean the same thing: to loosen or dissolve.

English got “soluble” from solvere (via the Late Latin solubilis) and “dissoluble” from dissolvere (via the Classical Latin dissolubilis).

When the adjective “soluble” entered English around 1400, it was a medical term that meant free from constipation (remember those Latin senses of solvere?).

In the 1500s, “soluble” took on the sense you’re asking about (capable of being dissolved), according to published references in the Oxford English Dictionary.

The OED’s earliest citation for this sense is from Polychronicon, a work by the Benedictine monk Ranulf Higdon that refers to a white salt “whiche, beenge soluble in the fyre, brestethe and brekethe in the water.”

As for “dissoluble,” the adjective entered English in the 16th century, meaning capable of being separated into elements or being destroyed.

The OED’s first citation is from Sir Thomas More’s Treatise on the Passion (1534): “The body being made of the earth, and mixte wyth other elementes, was of nature dyssoluble and mortall.”

It took about a century for the word to come to mean capable of being dissolved—that is, soluble.

The first OED citation, from The Art of Distillation (1651) by the English physician John French, says water passing through a mine “carryeth along with it some of the dissoluble parts of the mine.”

As for the negative versions, “insoluble” and “indissoluble,” the OED says, they’re simply the result of adding the negative prefix “in-” to “soluble” and “dissoluble.”

You’ll find entries for both negatives in The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.), as well as the OED.

Although both are considered standard English, the one you prefer, “insoluble,” is by far the more popular, with 14.6 million hits on Google compared to not quite 1.6 million for “indissoluble.”

By the way, the Latin roots of these words have given us many other common words, including “absolve,” “dissolute,” “dissolve,” “resolve,” “solution,” “solve,” and “solvent.”

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Etymology

When etymology is bunkum

Q: Your article about Thomas Nast and “nasty” says the belief that the former is  responsible for the latter is bunkum. My question: Who’s responsible for “bunkum”?

A: We can thank Felix Walker, a 19th-century congressman from North Carolina, whose district included Buncombe County.

Walker made a long-winded speech during the discussions that led to the 1820 passage of the Missouri Compromise, an agreement between pro-slavery and anti-slavery factions in the 16th Congress.

This is how the Oxford English Dictionary describes the origin of “bunkum”:

“The use of the word originated near the close of the debate on the ‘Missouri Question’ in the 16th congress, when the member from this district rose to speak, while the house was impatiently calling for the ‘Question’. Several members gathered round him, begging him to desist; he persevered, however, for a while, declaring that the people of his district expected it, and that he was bound to make a speech for Buncombe.”

The word “buncombe,” now usually spelled “bunkum,” came to mean empty, insincere, or foolish talk.

When the usage first showed up, according to citations in the OED, it referred to political oratory “to please or gull a constituency.”

The dictionary’s first citation is from an 1828 issue of the Niles Weekly Register: “This is cantly called ‘talking to Bunkum.’ ” (The Baltimore magazine was founded by Hezekiah Niles.)

In the mid-19th century, the term came to mean insincere political talk as well as empty or deceptive talk in general.

Here’s an 1862 example from the Saturday Review: “In short, did it signify business or ‘bunkum’ ”?

A more recent, non-OED example showed up in a 2006 posting to the Language Log about a questionable etymology in Daniel Cassidy’s book How the Irish Invented Slang.

This is how the linguist Mark Liberman summed up Cassidy’s assertion that “bunkum” is derived from a Gaelic word for a shaggy dog story: BUNKUM!

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Etymology

In high dudgeon

Q: In your posting about adjectives and nouns that hang out together, you say “dudgeon” is seldom seen without “high.” My dictionary says “dudgeon” originally meant the handle of a dagger, but it doesn’t explain why it now means anger or resentment.

A: How did a dagger handle come to mean hard feelings? Nobody seems to know for sure, though that hasn’t stopped people from taking a stab at it.

Sorry about that! We made the same pun in Origins of the Specious, our book about language myths and misconceptions.

In the book, we briefly mention the etymology of “in high dudgeon” during a discussion about the blooper “in high dungeon.”

Some word detectives have tried to link “dudgeon” with dygen, a Welsh word that means malice or resentment, but the Oxford English Dictionary doesn’t see a connection.

The most likely theory is that the expression “in high dudgeon” originally had something to do with grabbing a dagger in anger.

Interestingly, two similar-sounding words, “bludgeon” and “curmudgeon,” are also etymological mysteries.

But “gudgeon,” a small fish used for bait, as well as a gullible person who’ll swallow anything, has a clear pedigree: It comes from goujon, the French word for the fish, which in turn is from gobius, the Latin for it.

Getting back to “dudgeon,” the word first showed up in the 15th century in the sense of the wood used to make the handle of a knife or dagger. Later, it came to mean the hilt or handle itself.

Shakespeare has Macbeth use the word in reference to the hilt of a dagger: “I see thee still, / And on thy blade and dudgeon gouts of blood, / Which was not so before.”

But decades before Shakespeare wrote Macbeth in the early 1600s, “dudgeon” was being used to mean a feeling of anger or resentment.

The first citation in the OED for “dudgeon” used in this sense is from a 1573 entry in  The Letter-Book of Gabriel Harvey: “Who seem’d to take it in marvelus great duggin.” (Harvey was an English writer and his book contained a collection of draft letters.)

The first OED example of “high” and “dudgeon” linked together are in Hudibras (1663), a mock heroic poem by Samuel Butler:

“When civil dudgeon first grew high, / And men fell out they knew not why; / When hard words, jealousies, and fears, / Set folks together by the ears.”

(The author of the poem was a 17th-century poet and satirist, not the better-known Victorian novelist of the same name.)

The OED’s first citation for the most common use of “dudgeon” today is from an 1885 issue of the Manchester Examiner: “[He] resigned his position as reporter of the Committee in high dudgeon.”

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Etymology Grammar Usage

Don’t hold it against us!

Q: If I can disagree with you, why can’t I agree against you?

A: Obviously, the “dis-“ prefix in “disagree” negates the verb “agree.” So why can’t “against” negate it as well?

The answer is that “against” doesn’t work in quite that way.

The word “against,” which generally functions as a preposition, has many meanings, according to the Oxford English Dictionary. We’ll give a few examples.

“Against” can mean in contact with or supported by (“leaning against a tree” … “looks well against a dark background” … “nestled against his shoulder”).

But it can also mean in collision with (“the plate broke against the sink”); in an opposite direction (“against the tide” … “against the grain”); or contrary to (“against my wishes”).

In addition, “against” can mean unfavorable (“her appearance was against her”); in competition with (“a race against the clock”); or opposed (“he’s against it”).

In other meanings, “against” can imply resistance or protection (“I’ll defend you against harm”). And you can bet “against” something, weigh one thing “against” another, or save your pennies “against” a rainy day.

But the sense that comes closest to a negation means in opposition to (as in “vote against” … “speak out against”).

And this sense of “against” is often used, the OED says, in “expressing the adverse bearing of many verbs and nouns of action.”

In other words, “against” can be used with many action words—those that have the potential to be used in a negative way—to bring out that negativity.

The OED goes on to give these examples of such verbs: “to legislate, protest, argue, testify; offend, sin; cry out, rage, inveigh, exclaim.”

And it gives these examples of such nouns: “a law, proclamation, declaration, protest, argument, objection, resolution, action, proceeding, accusation, complaint, evidence; sin, offence; hostility, outcry, feeling, prejudice, rage, anger, animosity, bitterness, grudge, etc.”

Note that, as the OED says, these are words of “adverse bearing”—words that are capable of being used in a negative way. The verb “agree” isn’t one of them. It’s simply too agreeable.

So while you could “testify against” someone, you couldn’t “agree against” that person.

We hope this answers your question. And if you’re still confused, please don’t hold it against us!

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Etymology Pronunciation Usage

An ion for an ion

Q: I’m uncomfortable with the dictionary pronunciations of  “cation” and “anion” (with the accent on the second syllable). I inevitably accent the first syllable, but I find that somewhat choppy. Any ideas?

A: We doubt that many people are losing sleep over how to pronounce these specialized scientific words.

A “cation” (pronounced kat-EYE-un) is a positively charged ion; an “anion” (pronounced a-NYE-un) is a negatively charged ion.

In an electrolyzed solution, a “cation” migrates to the cathode and an “anion” migrates to the anode.

We don’t see much chance that their pronunciations will change. The words simply aren’t being bandied about enough in the general population.

So if you’re using them in scientific conversations and want to be taken seriously, we’d recommend going with the dictionary pronunciations.

If the pronunciations sound like Greek to you, it may be because both words come from the language of Homer, Socrates, and Aristophanes.

The Greek verb katienai means to go down and anienai means to go up. The Greek ion, meaning something that goes, is from ienai (to go).

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Etymology Usage

Turning up our nosism

Q: Pat had a brief discussion on WNYC of why “we” has been insinuated so much into professional writing. I tried—but was not fast enough—to email and remind her that the noun for this procedure is “nosism,” taken (I believe) from the French for “we.”

A: Thanks for calling this rare and interesting noun to our attention. And “our” in this case really does refer to two of us—Pat and Stewart. It’s not an example of nosism!

“Nosism” is the practice of referring to oneself in the plural, as when a writer calls himself “we” instead of “I.” The word comes from the Latin nos (“we”), so it literally means we-ism.

When it was first recorded in English, according to the Oxford English Dictionary, “nosism” was the use of “we” in reference to a self-centered group rather than to an individual, so it meant something like clubbiness.

The OED’s first citation comes from Black’s Edinburgh Magazine (1819): “The egotism or nosism of the other luminaries of the Lake School, is at times extravagant enough, and amusing enough withal.”

It didn’t take long for “nosism” to mean the use of “we” by an individual.

The earliest example is from an 1829 issue of the Examiner, a 19th-century British weekly: “We will be consistent according to the fashionable virtue of the day in nos-ism.”

And here’s how Ben Zimmer used the word in a 2010 On Language column in the New York Times Magazine:

“Given the accumulated resentment of ‘nosism’ (using we for I, from the Latin pronoun nos), it’s little wonder that modern literary writers have rarely tried to write narratives in the first-person plural.”

The noun “nosism” may be rare, but the practice of nosism isn’t. The use of “we” for “I” dates back to early Old English, according to the OED.

One of the purposes of this usage, the dictionary says, is “to secure an impersonal style and tone, or to avoid the obtrusive repetition of ‘I.’ ”

The earliest example of the usage in the OED is from an Old English translation of a 5th-century Christian history written in Latin by Paulus Orosius, a student of St. Augustine.

In more modern times, this sense came to be known as the editorial “we” because it was used by journalists writing unsigned articles and editorials.

But, as the OED says, “This practice has become less usual during the 20th cent. and is limited to self-conscious and humorous contexts.”

Here’s an example from Dickens’s Sketches by Boz (1836): “We shall never forget the mingled feelings of awe and respect, with which we used to gaze on the exterior of Newgate in our schoolboy days.”

We have to disagree with the OED about the use of the editorial “we” today by journalists. The practice isn’t all that unusual, especially in signed articles that refer to the author.

A New York Times reporter, for example, used it repeatedly in a recent nightlife column, including a mention that Gwyneth Paltrow “agreed to an interview if we waited while she and Molly Sims schmoozed.”

Another kind of we-ism is sometimes called the royal “we” because of its use by sovereigns and rulers.

But the early history of this usage is unclear, the OED says, because some apparent Old English quotations “may rather show an inclusive plural use of the pronoun.”

Genuine uses of the royal “we” from Middle English and later include citations from Henry III (1298), King James I (1603), and King Charles I (1642).

But perhaps the best-known example of the royal “we” is the famous “We are not amused” quotation attributed to Queen Victoria.

Fred R. Shapiro writes in the Yale Book of Quotations that the comment  was first reported in an 1887 newspaper article that cited Victoria’s private secretary, Sir Arthur Helps, as the source.

Sir Arthur, according to this account, said the Queen used the line to snub him for telling a funny story to her ladies-in-waiting in an attempt to enliven a boring dinner.

But we’re not through with we-ism yet! There’s a kind of “we,” the OED says, that’s used “confidentially or humorously” to the person being addressed and that dates back to the early 18th century.

Here’s Oxford’s first such citation, from the playwright John Vanbrugh’s comedy The False Friend (1702): “Well, old Acquaintance, we are going to be Married then?”

It’s this kind of “we” that Merriam-Webster’s Dictionary of English Usage is talking about when it describes two sub-genres of we-ism.

Quoting a 1972 usage guide, M-W characterizes these as “the kindergarten we (We won’t lose our mittens, will we?)” and “the hospital we (How are we feeling this morning?).”

With that, we’ll sign off—both of us.

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Etymology Grammar Usage

Can a body try to be hidden?

Q: A forensic witness in the Caylee Anthony murder case testified that the child’s plastic-wrapped body “was trying to be hidden.” And a newsletter publisher referred to fraud that “is trying to be perpetrated.” I’ve seen a couple of other trying examples in the news lately. Is this more than coincidence?

A: We’ve never come across this exact usage before, though a superficially similar one is quite common.

Let’s begin with the usage that caught your eye. We did a little googling and found some examples ourselves, including mosques, power stations, and marinas that were “trying to be built.”

What’s happening here seems to be a new twist on the passive voice.

In an ordinary passive construction, the object of the action becomes a passive subject: “the body was hidden” … “fraud is being perpetrated” … “a marina was being built.”

Nothing wrong there—those are perfectly grammatical passive constructions.

But in these new examples, the passive subject isn’t passive after all. It actually takes over the job of doing something to itself: “the body was trying to be hidden” … “a fraud is trying to be perpetrated” … “a marina was trying to be built.”

In other words, the thing that someone or something is trying to hide or perpetrate or build is raised to the position of the subject.

This isn’t a kosher way of using the verb “try.” Some other verbs, called “raising” verbs, can be used this way, but “try” isn’t one of them.

The Cambridge Grammar of the English Language explains “raising” verbs in a discussion of what it calls “to-infinitivals.” (In your examples, “trying” is followed by a “to” infinitive phrase: “to be perpetrated” … “to be hidden.”)

In its illustrations, Cambridge contrasts a raising verb, “seem,” with an ordinary verb, “hope.”

While “hope” requires a subject that’s “animate and typically human,” Cambridge says, the verb “seem” has no such restriction. It can “raise” almost any noun or noun phrase to the position of subject.

The authors use these sentences as examples: “This news hoped to convince them” versus “This news seemed to convince them.” The first sentence doesn’t work, but the second one does. News can’t “hope” (though it can “seem”) to convince.

Typical raising verbs, like “seem” and “appear,” don’t require a subject capable of performing the activity described by the verb. They can even have “dummy” subjects, as in “It seems to be …” or “There appears to be….”

But verbs like “try” and “hope” and “want” aren’t raising verbs. They require a subject capable of actually trying or hoping or wanting.

In short, a grammarian would say that the verb “try” in the examples you’ve found was being used ungrammatically as a raising verb.

Now, let’s discuss that more common usage that’s superficially similar to the one you asked about.

People use “non-raising” verbs in unconventional, attention-getting ways all the time, as in “That bungalow is trying to be a McMansion.”

This whimsical idiomatic usage may be anthropomorphic, but it isn’t ungrammatical.

A pseudo-passive version of the same sentence, however, wouldn’t be considered legit: “That bungalow is trying to be made into a McMansion.”

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English language Etymology Expression Language Usage Word origin Writing

We are not bemused

Q: When I was growing up in the Jurassic period, I was taught that “bemused” meant confused. And that’s how I still use it. But everyone else uses it to mean amused. This leaves me bemused. But maybe I’m just a dinosaur who should lighten up and be amused.

A: Most of the ten standard dictionaries we regularly consult agree with you, but three of them now include amused as well as confused as standard meanings for “bemused.”

Merriam-Webster has three senses: (1) marked by confusion or bewilderment; (2) lost in thought or reverie, and (3) having or showing feelings of wry amusement especially from something that is surprising or perplexing.”

Merriam-Webster Unabridged and Dictionary.com, based on The Random House Unabridged Dictionary, have similar definitions. American Heritage includes the amused sense, but labels it a “usage problem.”

We’d like to side with American Heritage, but Merriam-Webster, Merriam-Webster Unabridged, and Dictionary.com seem to have their fingers on the pulse of the language.

Our sense, like yours, is that “bemused” is rarely used in the traditional way these days, and anyone using it that way is almost certain to be misunderstood.

However, we can’t bring ourselves to use it to mean amused. We’d rather retire “bemused” and fill the gap with other words—“puzzled,” “bewildered,” “confused,” and so on.

But before we abandon the subject, here’s a little history.

For nearly three centuries, “bemused” has meant confused, muddled, or lost in thought, as in this 1735 couplet from Pope: “Is there a Parson, much bemus’d in beer, / A maudlin Poetess, a rhyming Peer?”

An earlier noun, “muse,” has meant a state of thoughtfulness since about 1500. And the verb “muse,” meaning to be absorbed in thought, has been around since 1340.

Both come from the Old French muser (to ponder or gape in wonder) and have nothing to do with the nine Muses of antiquity.

Interestingly, when “amused” first appeared in the 1600s, it meant to be in a muse— that is, absorbed, preoccupied, or distracted (not all that different from “bemused”).

It wasn’t until the next century that “amused” came to mean entertained, thanks again to our friend Pope. By the early 1800s, the two words had gone their separate ways. “Bemused” meant befuddled or lost in thought, while “amused” meant having fun.

And so things remained until the late 20th century, when newspaper and magazine writers, broadcasters, and Internet pundits started using “bemused” to mean amused.

Why? Our guess is that they were bored with “amused” and thought “bemused” would be more amusing.

[This post was updated on Feb. 18, 2022.]

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Etymology Usage

The book of “job”

Q: I was visiting a friend the other day and she used “good job” in the sense of fortunately. My friend grew up in Ireland, and it seems that I hear this usage most often from native English speakers who are not American. You had a posting a few years ago that mentioned this odd use of the word “job.” Could you expand on it?

A: We’ll be happy to oblige.

The Oxford English Dictionary says the word “job” entered English in the 16th century (excluding Old English references to the biblical figure in the Book of Job).

It had several early meanings, including a cartload, a stump, a stab, and a piece of work (the sense that led to the usage you’re asking about).

The earliest example of the work sense in the OED is in a document from the Office of Revels during the reign of King Edward VI.

Here’s the 1557 citation (published two years after Edward’s death), in which “jobs” is spelled “iobbes” and capitalized: “Doinge certen Iobbes of woorke.”

(The Master of Revels, in case you’re curious, was in charge of royal festivities. Nice work if you can get it!)

The OED says the origin of the word “job” is uncertain. But the dictionary adds that the early reference to “jobs of work” suggests that “piece,” rather than “work,” may have been the original core meaning of “job.”

Be that as it may, “job” took on a new sense in the 17th century: “A state of affairs, a situation, a set of circumstances.”

And this new sense, the OED says, was frequently modified by adjectives like “good” and “bad.”

The first citation in the OED for this usage is from Thomas Dangerfield’s picaresque novel Don Tomazo (1680):

“ ’Twas an ill jobb for one Misfortune so soon to fall upon the neck of one another.”

Here’s a more recent citation from A Season for Murder (1991), by the British crime novelist Ann Granger:

“All right, keep your hair on. Good job you could call him up.”

In that example, “Good job” is short for “It’s a good job that …” (meaning fortunately or luckily). This is the way your friend used the expression.

Although the OED references for this usage are generally from British sources, we often hear “job” used this way by Americans.

The dictionary also cites several expressions that use “job” in a similar way. We’ll mention only one of them here: “to make the best of a bad job.”

The expression, which means to do the best one can in unfortunate circumstances, first showed up in the early 19th century.

The first OED citation is from Vindiciae Britannicae, an 1821 religious tract:

“You cannot be the dupe of a craft, which after failing to strangle an infant in its birth, merely adopts it, ‘to make the best of a bad job.’ ”

In T. S. Eliot’s play The Cocktail Party (1950), both Edward and Sir Henry use the expression in conversing with Lavinia:

Edward: “Lavinia, we must make the best of a bad job. That is what he means.”

Sir Henry: “The best of a bad job is all any of us make of it.”

We hope this helps, and you find it a good job!

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No NYOOZE is good NYOOZE

Q: In your posting about radio pronunciation, you suggest that few North Americans say NYOOZE for “news.” Actually, an increasing number pronounce it that way. I live in the San Francisco Bay area, and most people my age and younger (I’m in my ’30s) say NYOOZE. People who say NOOZE tend to be older or from the Eastern US.

A: We may have spoken a little hastily in that blog posting. You’re right—some Americans do indeed pronounce “news” as if it had a “y” in it: NYOOZE. But the number is not increasing.

Among ordinary speakers of the language, Americans who say NYOOZE are in the minority and their numbers are dwindling, according to people who study these kinds of things.

First, here’s what the dictionaries say.

The two standard dictionaries we use the most, The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.), give both pronunciations as standard English without comment—NOOZE and NYOOZE.

The Oxford English Dictionary says British speakers use NYOOZE but Americans use both pronunciations.

Macmillan, which publishes both British and American dictionaries, says speakers in the UK say NYOOZE and those in the US say NOOZE.

Our hunch is that NYOOZE has been regarded as a standard American pronunciation for only a few decades. Our 1956 copy of Webster’s New International Dictionary (the unabridged second edition) has only one pronunciation: NOOZE.

Why does “news” have two pronunciations anyway?

As it happens, “news” is part of a small class of words in which speakers in Britain, and many in the American South, insert an audible “y” sound (linguists call it a palatal glide).

Other examples include “tune,” “duke,” “due,” “tuna,” “Tuesday,” “avenue,” and “stew.” Some interesting scholarship has been done on the subject.

“The pronunciation of such words as tune, duke, and news, it turns out, is one of the most marked differences between Northern and Southern speech,” the linguist Betty S. Phillips wrote in 1981 in the journal American Speech.

In the North and North-Midland, Phillips wrote, “the words are generally pronounced without a glide” (that is, they sound like TOON, DOOK, and NOOZE). In those Northern regions, she said, pronunciation with the glide (i.e., NYOOZE) is limited to rural New England.

“Only in the South and South-Midland does the [YOO] pronunciation remain in general use,” she wrote, “and even there the older pronunciation with the glide is being gradually replaced.”

In a more detailed follow-up article in 1994, and with fresh data on Southern speech patterns, Phillips confirmed that the YOO pronunciation was indeed fading in the South, especially among younger speakers.

“We are indeed dealing with a sound change in progress,” she wrote. “That is, the younger speakers are further along in the sound change than are the older speakers.”

Another article in American Speech, this one written by Ann Pitts in 1986, also found a decline in what she called “the Southern glided variant” (as in NYOOZE and DYOOK and TYOON).

But Pitts noticed something very odd. While Southerners were gradually dropping the “y,” Northern broadcasters were picking it up.

“The only answer to this puzzle,” she wrote, “is that the old glided variant has acquired a new kind of prestige which is keeping it alive artificially in the broadcasting register.”

Northern announcers, she suggested, may have interpreted the “y” sound “not as a Southern feature, but rather as an elegant variant appropriate to the formal medium of broadcasting.”

The “y” sound in some words, Pitts speculated, may have been kept alive by “snob value,” by “association with the British accent,” or by “elocution instructors teaching elegant speech in the North as well as the South.”

But in some cases the adoption of the “y” glide results in unnatural speech. Pitts reported an anecdote about clueless speakers who unknowingly turned the phrase “noon news” into a mock-elegant monstrosity: NYOON NYOOZE.

She also mentioned some other broadcasting oddities—”y” sounds inserted into words like “capsule,” “consumer,” “suitable,” “assume,” “super,” “revolution,” and others (SYOO-per, re-vol-YOO-shun, and so on).

But to get back to your original point, if the number of Americans who say NYOOZE is increasing, we haven’t seen any evidence of it.

Pronunciation aside, here’s something that may be news to you.

We were once surprised to notice that Anthony Trollope, a favorite Victorian author of ours, used a plural verb with “news” (as in “And now, here are the news”).

Today, the plural noun “news” is normally used with a singular verb. But in fact “news” was used with plural verbs through the 19th century, and it’s still used that way in Indian English.

The word “news,” meaning recent information, dates back to 1417, the OED says. Here are three OED citations (note the plural verbs):

“Th’ amazing News of Charles at once were spread” (Dryden, 1685).

“There are bad news from Palermo” (Shelley, 1820).

“There are never any news” (Thackeray, 1846).

But from about the mid-1500s, “news” was also occasionally used with singular verbs, as in this 1828 citation from Sir Walter Scott: “Was there any news in the country?”

Eventually, the singular usage became more common, and now “news” is routinely accompanied with a singular verb. Among other things, it means an account, a report, a broadcast, or information in general.

Finally, in case you’re wondering about the history of the expression “no news is good news,” we can tell you it’s not new. Variations on the theme have existed since the 1500s.

In a 1574 collection of proverbs translated from Portuguese, it appeared as “Evill newes never commeth too late.” And in a 1616 letter written by King James VI, it was “no newis is bettir then evill newis.”

But perhaps we really owe the expression to the Italians. In 1647, the historian and political writer James Howell had this to say: “I am of the I[t]alians mind that said Nulla nuova, buona nuova, no newes good newes.”

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Schismatic teaching

Q: One of the sisters in my old Catholic school used to rap our knuckles (literally) for pronouncing “schism” as SKIZ-em. She insisted it was SIZ-em. This was back in the ’50s and I still pronounce it SIZ-em. However, nobody else does. Where did SKIZ-em come from?

A: An old radio hand once scolded Pat for pronouncing the ch in “schism” as if it were a k. This prompted us to discuss “schism” in Origins of the Specious, our book about English myths and misconceptions.

When “schism” came into English in the 14th century, we wrote, it was spelled “scisme” and was pronounced SIZ- em.

The word apparently first showed up in print in the Wycliffe version of the Bible in 1382, and it originally referred to divisions in the Church.

We got the spelling “scisme” from Old French, but the ultimate source is schisma, Latin and Greek for “split” or “division.” (The Latin ch and the Greek letter chi are pronounced like k.)

Latin scholars got into the act in the 16th century, when they decided to stick an h in the middle of “scisme” to reflect its classical roots.

Despite the new spelling, the pronunciation remained SIZ- em for another couple of hundred years—until it began to annoy an 18th-century lexicographer named John Walker.

In his influential and widely popular Critical Pronouncing Dictionary (1791), Walker wrote that in Greek-derived words, ch should be pronounced as k, so SKIZ- em “is the only true and analogical pronunciation.”

His opinion probably seemed reasonable to many people because ch was pronounced as k in two similarly spelled words of classical origin, “school” and “scheme.”

For the next 150 years or so, Walker’s new pronunciation was more popular with the people speaking the language than with those writing the dictionaries and usage guides.

The experts (like that sister at your parochial school) insisted SKIZ- em was an error until the 1960s, when the pronunciation started gaining a foothold in American dictionaries.

Today SKIZ-em appears to be the more popular choice. In fact, The American Heritage Dictionary of the English Language (5th ed.) says in a usage note that the pronunciation “was long regarded as incorrect, but it has become so common in both British and American English that it gained acceptability and now predominates in standard American usage.”

Oxford Dictionaries online lists it as the only pronunciation. The other five standard dictionaries we checked include both pronunciations as standard, but three of them use only SKIZ-em for their online pronouncers.

One of the exceptions, the online Macmillan Dictionary, has pronouncers for both. Only Merriam-Webster’s Collegiate Dictionary (11th ed.) has SIZ-em as its sole online pronouncer.

Merriam-Webster’s also includes a more distant third pronunciation: SHIZ-em. Lord knows what Sister would have done if she’d heard that!

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Nasty Business

Q: Help me win a bet. I say Thomas Nast’s political cartoons gave us the word “nasty,” but my girlfriend disagrees. She’s read somewhere that this is bunkum. Please be the referee.

A. We hope you didn’t bet a lot because you’ll have to pay up.

Nast (1840-1902) was an editorial cartoonist whose caricatures in Harper’s Weekly helped bring down William M. Tweed, a corrupt political boss in New York City.

Nast could be nasty. An 1871 cartoon, for example, showed Boss Tweed as a potbellied vulture feeding on the carcass of New York.

But Nast didn’t give us “nasty,” a word that has been in English since the late 1300s.

At first, it meant “filthy” or “dirty” (as it still does), but in the late 1400s it also came to mean “annoying” or “contemptible.”

By the early 1800s, years before Nast was born, the meaning had widened to include “bad tempered,” “spiteful,” and “unkind”—adjectives that Nast’s cartoon subjects might have used to describe him.

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How much is everything?

Q: I saw this sign at a flea market in Greenwich Village: “Everything in the box 25 cents.” The items in the box were worth a lot more than 25 cents and I don’t think the vendor would have been happy if I took everything and left him a quarter. Shouldn’t he have said “each thing”?

A: The two standard dictionaries we consult the most—The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.)—agree with you.

American Heritage defines “everything” in this context as “all things or all of a group of things.” Merriam-Webster’s defines it as “all that relates to the subject.”

However, we think that most people seeing that sign at the flea market would understand that the vendor really meant each thing in the box.

In fact, that’s what you understood. You realized that if you took everything and left the vendor a quarter, he would have called for Officer Krupke.

Although “everything” now refers to the whole enchilada, it used to mean pretty much the same as “each thing.” And even now there’s a sense of individuality built into the words “every” and “everything.”

For starters, “everything” is a grammatically singular pronoun, which is why we say “everything is” rather than “everything are.” But while using a singular verb, we think of “everything” as meaning more than one thing.

Why is this? As ever, the Oxford English Dictionary has the answer.

“Everything” is a compound formed from the adjective “every” and the noun “thing. And “every,” as the OED explains, is “used to express distributively [that is, one by one] the sense that is expressed collectively by all.”

In fact, “each” and “every” were once very intimately connected. The Old English word for “each” (ælc), first recorded in the ninth century, originally had the sense we now associate with “every.”

The word “every” developed from an Old English phrase, æfre ælc (“ever each”).

Here, the æfre part of the compound was added to intensify the meaning, according to the Chambers Dictionary of Etymology and John Ayto’s Dictionary of Word Origins.

So æfre ælc had a meaning much like our modern phrases “every single” or “every which.”

Little by little, the word was contracted until the modern spelling “every” appeared at the end of the 14th century.

“When every had ceased to be recognizable as a compound of each,” says the OED, “the two words were at first often used somewhat indiscriminately, but their functions were gradually differentiated.”

Today, Oxford tells us, “every directs attention chiefly to the totality, each chiefly to the individuals composing it.”

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Hers, ours, theirs—and mines?

A: I’m hearing a usage among teens in the Bronx, where I teach: “I got mines.” The speakers aren’t referring to either explosive devices or places to find ore. They’re adding an “s” to the pronoun “mine” in line with “hers,” “ours,” and “theirs.” Is this regional, cultural, or specific to inner cities?

Q: You’re right in thinking that “mines” is an alteration of “mine” along the analogy of “hers,” “ours,” and “theirs.”

The Oxford English Dictionary thinks so too, and identifies “mines” as a regionalism. There’s no mention in the OED of inner-city American usage, though.

Oxford says “mines” is chiefly Scottish, and several other linguistic sources we checked say it’s a feature of Scots dialect.

The OED’s first citation for the written use of “mines” (spelled “myns”) is from a letter by Sir John Drummond, a Scottish nobleman, in 1661: “Giv order to Bruntfeild for your part off his bond, for myns shall be at Edinburgh this weik.”

In another example, a Scotsman quotes an Irishman as using “mines.” It’s from A Sea Lawyer’s Log by William Lang (1919): “ ‘Innyone as hasn’t had a letter can have a rub of mines,’ says Moriarty, the big Irishman, generously.”

Apparently the Scots are still using “mines.” Here’s an example from Jeff Torrington’s Swing Hammer Swing! (1992), a novel set in Glasgow:

“If there really was such an entity as the human soul then mines would be packing its astral bags and getting ready to ram the clenched gates of my body.”

The OED also has a 1977 citation from The Torchlight, a newspaper in St. George’s, Grenada, but we can’t tell who’s speaking: “I know you have your gun and I have mines.”

We didn’t find much in the way of scholarly articles on the use of “mines” as an American regional usage, but it’s obviously around.

It crops up in hip-hop lyrics as well as in blog postings and discussion groups.

Searches of the journal American Speech turned up a couple of leads as well.

A 1956 article quotes a man from Providence, R.I., whose method of laying claim to something—or getting “dibs” on it—was to say, “All mines, fellas, all mines!”

And a 1942 article reported that Hawaiian children were much more likely to use “mines” (meaning “mine”) than children on the mainland.

One of the better articles we found was about one teacher’s method of dealing with nonstandard usages like “mines.”

In 1996, Rhoda Byler Yoder, who says she teaches ”inner city students in Jackson, Mississippi,” wrote in The English Journal (published by the National Council of Teachers of English):

“After comparing the possessive pronoun pairs (my/mine, our/ours, your/yours, her/hers, his/his, its/its, their/theirs), students readily note the –s ending on all the other possessive pronouns when used alone and see that their use of mines makes logical sense. This knowledge inspires their pride in their language ability, allows them to chuckle at the illogical SAE [Standard American English] form, and increases their willingness to practice the SAE form.”

Here a natural question arises: Why do the other so-called nominal pronouns (those that can stand alone, like “his,” “hers,” “ours,” “yours,” “theirs”) end in “s” while “mine” doesn’t?

One might even ask, Why don’t they all end, like “mine,” with an “n” sound? Well, it turns out, there’s some evidence they once did.

As The American Heritage Dictionary of the English Language (4th ed.) points out, “hisn, hern, ourn, yourn, and theirn have a long history in English.”

“They arose in the Middle English period (c. 1100-1500) by analogy with mine and thine, forms that are older than my and thy and that can be traced to Old English (c. 449-1100),” the dictionary says.

In fact, American Heritage continues, “these -n forms may be older than the current standard -s forms, which arose late in the Middle English period, by analogy to his.”

Although the old “n” endings may have history on their side, they’re now considered regionalisms.

“Most likely, hern, ourn, yourn, and theirn originated somewhere in the central area of southern England,” says American Heritage, “since they can still be found throughout many parts of that region.”

In the United States, the dictionary adds, “the forms appear to be increasingly confined to older speakers in relatively isolated areas, indicating that these features are at last fading from use.”

And “mines”?

“In some Southern-based vernacular dialects, particularly African American Vernacular English,” AH says, “the irregular standard English pattern for nominal possessive forms has been regularized by adding -s to mine, as in That book is mines.”

And that’s apparently what you’re hearing among your students in the Bronx.

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A myth with a silver lining

Q: I was reading a book review in the Weekly Standard that said “sterling” (as in “pound sterling”) is an abbreviation of “Easterling,” a reference to the Byzantine empire and its stable gold coin, the solidus. Is this true? Or too good to be true?

A: It’s too good to be true; “sterling” didn’t come from “Easterling,” and “Easterling” didn’t refer to Byzantium. But the truth is pretty good too. Here’s the story, which reaches back into medieval history.

Until recently, according to the Oxford English Dictionary, “sterling” was believed to be short for “Easterling,” but Byzantium wasn’t involved and this belief has now gone the way of the sixpence.

The word “sterling” entered English in Anglo-Norman times, when it was the name given to the English silver penny first coined after the Norman Conquest.

In its earliest appearance in writing, in the late 11th or early 12th century, the word is spelled in the French manner, “esterlin,” and an Anglo-Latin version, sterlingus, was recorded in 1180.

The current form (originally spelled “sterlynge”) first appeared in 1297.

The word’s origin is uncertain, but the OED suggests it was derived from the Old English steorra (“star”) plus “-ling,” a suffix added to nouns to form new and sometimes diminutive versions.

Some of the new Norman pennies had a small star on them, and since steorra was Old English for “star,” a late Old English word steorling (literally “little star”) could have meant “coin with a star.”

The OED calls this the “most plausible” explanation for the word’s etymology.

A couple of earlier theories have been abandoned, including one that the Old English staer (“starling,” the bird) is the source.

Some older pennies, from before the Conquest, did carry the image of four birds, but this explanation is not taken seriously anymore.

And the “Easterling” theory?

The belief arose because antiquarians in the 16th and 17th centuries assumed the coin was originally minted by “Easterling moneyers”—that is, German and Baltic money coiners.

This explanation, says the OED, has also fallen by the wayside.

As for Byzantium, we find no reliable source that says it was ever referred to as “Easterling.”

(A classical scholar, P. E. Easterling, has written about the Byzantine period.  And J. R. R. Tolkien used the term for people from the east of his fictional Middle-earth.)

Back in the real world, the Norman silver penny was highly respected, and was used as currency on the Continent as well as in Britain.

As the OED says, “Continental examples are frequent in the 13th cent., the excellence of the English penny having procured for it extensive currency in foreign countries.”

Thus there were words in many other languages for the “sterling” coin.

In 13th-century Britain, a “pound of sterlings” (later simply “pound sterling”) was originally a pound’s weight of silver pennies—or about 240 pence.

This is the source of “pound” as a British monetary unit.

In the 15th century, people began using the adjective “sterling” to describe silver as pure as the standard penny. In later usages, “sterling silver” meant silver of a particular quality.

In the 16th century, “sterling” also came to mean money as good as the standard silver penny. It also meant, more generally, genuine English money (or English as opposed to foreign money).

Later, “sterling” was also used figuratively to describe something fine or pure.

Here’s an early example, from a 1647 letter by the historian and political writer James Howell: “ ’Twas your judgement, which all the world holds to be sound and sterling, induced me hereunto.”

Finally, here’s a more poetic example, from A. E. Housman’s A Shropshire Lad (1896): “Then the world seemed none so bad, / And I myself a sterling lad.”

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Is crack addictive or addicting?

Q: Is the proper word “addictive” or “addicting”? I can find only “addictive” in my dictionary.

A: Both adjectives are OK, though “addictive” is older and more popular with speakers of English as well as the lexicographers who put together dictionaries.

The American Heritage Dictionary of the English Language (4th ed.) and Merriam-Webster’s Collegiate Dictionary (11th ed.) have entries for “addictive,” but not “addicting.”

(AH does include the participle “addicting,” minus a definition, in its entry for the verb “addict.”)

However, the Oxford English Dictionary has adjectival entries for “addicting” as well as “addictive.”

And some googling suggests that a lot of people are addicted to both: “addictive,”  58.7 million hits, versus “addicting,” 22.7 million.

The adjective “addictive,” according to published references in the OED, first showed up in the late 19th century.

In its original, pharmaceutical  sense, the dictionary says, it refers to “a drug or other psychoactive substance: capable of creating addiction or dependence.”

The first citation is from an 1891 issue of the Medical Temperance Journal, a publication of the National Temperance League in London: “Narcotic—Addictive—Opium—Alcohol—Cocaine.”

In the early 1960s, according to OED references, the meaning of “addictive” widened to include anything “regarded as capable of creating a dependence likened to that of addiction.”

Here’s an example from a 1962 issue of Film Quarterly: “Critical debates seem to be addictive as well as contagious.”

As for “addicting,” it first showed up in print in a 1932 issue of Science News-Letter (now called Science News): “Morphine, for instance, is strongly addicting.”

The OED says it means the same as “addictive.”

Both words were formed by adding suffixes to a much older word, the verb “addict,” which first appeared in English in the 16th century.

To “addict” originally mean to hand over someone or something in accordance with a judicial decision. The OED says this sense, which comes from Roman law, is now historical.

It was soon used in the sense of to “bind or attach oneself to a person, party, or cause” as well as to “devote oneself to as a servant, adherent, or disciple.”

This sense is now obsolete, but here’s an example from Trollope’s 1857 novel Barchester Towers (which we’ve recently reread):

“He had addicted himself to a party in religion, and having done so had received that benefit which most men do who become partisans in such a cause.”

Most of the other senses in the OED entry for the verb “addict” are now archaic, rare, or obsolete.

Today, of course, the verb usually means to be hooked (or to hook someone else) on a habit-forming drug or other compulsion—like video games, politics, or fries.

The noun “addict,” by the way, didn’t appear until the late 19th century. Here’s the first citation in the OED, from an 1899 issue of the Illinois Medical Journal:

“Indulgers in stimulating food, gluttonous feeders, tea and coffee addicts, are much more prone to beget degenerate and inebriate offspring than are the moderate users of alcohol with generally temperate habits.”

Yikes!

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A do or a don’t

Q: My wife and I run a cheese shop where we make sandwiches to order. Lately, people come in to order a sandwich and say, “I’ll do a ham and cheese.” I don’t care to know if our customers are going to do something besides eat the sandwich. I think this is poor manners in ordering. I’d like to know what you think.

A: We too have overheard this usage, mostly in delis and other takeout places, though occasionally in sit-down restaurants as well.

It’s certainly casual, but we wouldn’t call it ill-mannered. Then again, we don’t have to listen to it all day, unlike you and your wife!

The verb “do” has been around for more than a thousand years, and this usage seems to be a variation on a theme.

People have been using “do” to mean consume (as in “do a couple of pints” or “do a burger”) since the mid-19th century.

The three-volume Green’s Dictionary of Slang has examples dating from 1862 and the Oxford English Dictionary from 1867.

Here’s the OED’s first citation, from James S. Borlase’s story collection The Night Fossikers: “I asked him to come to Poole’s shanty and do a chop and a nobbler [a drink] with me.”

Here’s a more modern-sounding example, from a 1987 issue of the Sunday Telegraph: “An invitation to lunch might be pitched as, ‘Come on, let’s do sushi,’ or ‘We have to do some Korean.’ ”

“Do” can also mean to habitually eat or drink something, as in “You still, ah, do coffee?” (from William Deverell’s novel Mindfield, 1989), or “Ellis doesn’t do alcohol any longer” (from the Denver Post, 1994).

I’m surprised you didn’t say that you and your wife “do” sandwiches at your shop, since that use of “do” has been around for a while, too.

In this case, the OED says, “do” means “to provide or offer (esp. meals) commercially.” Oxford gives two citations for this colloquial usage:

“[Farmers’] wives are encouraged to take visitors and ‘do teas’ ” (from the Observer, 1966), and “The Marina doesn’t do meals other than breakfast” (from William John Burley’s novel To Kill a Cat, 1970).

Then there’s the ubiquitous “let’s do lunch,” which has been around since the 1970s.

The OED describes “to do lunch (also dinner, etc.)” this way: “to meet for the specified meal, esp. with a view to conducting business.”

Here’s Oxford’s first citation, from Richard Price’s novel Ladies’ Man (1978): “I was gonna do lunch; you wanna do lunch?”

And here’s a later one, from Nelson DeMille’s novel The Gold Coast (1990): “This is better than doing dinner or some beastly Easter thing with lamb parts and a house full of paesanos.”

Over the centuries, the verb “do” has had scores of food-related meanings, most of them slang or colloquial—that is, more representative of common speech than formal English.

The one you mention is slightly different from the others discussed here.

At a take-out shop, “I’ll do a ham and cheese” is just another way of saying “I’ll order …” or “I’ll have …” or “I’d like a ham and cheese sandwich.”

For an ancient and endlessly versatile verb like “do,” it’s all in a day’s work.

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What have we wrought?

Q: My dictionary says “wrought havoc” is an acceptable variant of “wreaked havoc.” But it adds that “wrought” is a past tense of “work,” not “wreak.” It seems to me that the only reason the “wrought” variant has come into common usage is that it sounds like the past tense of “wreak.” After all, no one says “work havoc.”

A: Actually, quite a few people say “work havoc,” though a lot more prefer “wreak havoc.”

In fact, both expressions have been around since at least the late 19th century, according to Google Timeline searches.

A Dec. 17, 1894, report by the House Committee on Banking and Currency, for example, comments on how easy it is for speculators to “work havoc in the market by withdrawing gold for shipment.”

And a Dec. 5, 1898, article in the New York Times has this headline about a fire that wrecked an insurance company’s offices in Manhattan: “Flames Wreak Havoc in the Home Life Building.”

The Oxford English Dictionary says the verbs “work” and “wreak” in the two expressions mean pretty much the same thing: to cause or to effect something, to bring it about.

Published references in the OED suggest that the “work” version may have been more popular in the early days.

The dictionary has five citations for each expression, but the “work” examples begin much earlier than the “wreak” ones.

Although both expressions have a history, “wreak havoc” is much more popular today, with nearly 4.8 million hits on Google compared to somewhat more than 33,000 for “work havoc.”

As for the past tenses, “wreaked havoc” gets more than a million hits versus only 198,000 for “wrought havoc” and a mere 12,000 for “worked havoc.”

(The OED notes that many people assume “wrought” here is the past tense of “wreak,” rather than “work.”)

“Wrought” was the original past tense and past participle of “work.” As the OED explains, “worked” didn’t become established until the 15th century but is now the normal form.

However, “wrought” is still used in some “senses which denote fashioning, shaping, or decorating with the hand or an implement,” Oxford says.

As for their etymologies, “work” and “wreak” aren’t directly related, though both have origins in old Germanic languages.

By the way, we had a blog item a few years ago about the “havoc” part of “wreak havoc.”

In the earlier posting, we also discuss “wreck havoc” (a common misuse) as well as confusion over “rack” and “wrack.”

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Etymology Usage

As far as we’re concerned

Q: What do you make of this sentence: “The chapter is concerned to trace the trajectory of the process”? The author seems to be using “is concerned” in the sense of “intends,” but none of the dictionaries I’ve consulted has this meaning.

A: This is a new one on us, though people have written to complain about the use of “concerning” as an adjective meaning “of growing concern” (as in “The high water levels are concerning”).

In a posting on the blog a few years ago, we said “concerning” isn’t normally used this way as an adjective meaning “worrying” or “alarming.”

But “concerned” (as an adjective or a verb), can mean the same as “worried” or “alarmed.”

And “concerned” has another meaning as well—“involved” or “having an interest.”

No matter how “concerned” is used—whether to mean anxious or merely involved—it can be used with or without a preposition.

Here are preposition-free examples:

“We were extremely concerned” … “The concerned parties were gathered” … “The meeting concerned campaign strategy.”

And here are examples with prepositions:

“We aren’t concerned in the matter” … “He’s concerned with accounting but not with budgeting” … “Mom and dad are concerned about you” … “The doctor isn’t concerned by the lump.”

But what about “to,” the preposition in the sentence you’ve ask about?

When “concerned” means troubled, it’s often followed by “to” plus an infinitive.

Examples: “The doctor wasn’t concerned to find a lump” … “I was concerned to hear you were ill” … “We were concerned to learn you’d been fired.”

However, the “to”-plus-infinitive construction is less common when “concerned” has to do simply with involvement—having a responsibility or obligation to do something, having it as one’s business, or caring about it.

The Oxford English Dictionary has many examples of this less common usage, but most of them are centuries old. We’ll give a few and insert the meaning in brackets.

1652: “Princes are concerned [obligated] to bee warie and careful” (from a translation of Marchamont Nedham’s Of the Dominion or Ownership of the Sea).

1659: “That gentleman will be concerned [make it his business] to name them in a fitter season” (from Thomas Burton’s Diary).

1735: “I shall think myself concern’d [responsible] to pursue my Thoughts upon this Subject” (from John Price’s Some Considerations … for Building a Stone-bridge Over the River Thames).

1876: “I am not concerned [don’t care] to tell of the food that was eaten in that green refectory” (from George Eliot’s novel Daniel Deronda).

In modern English, we don’t see this usage much. And there’s a good reason—it’s sometimes ambiguous.

Take the sentence “The doctor wasn’t concerned to find a lump.”

Most of us would interpret this as meaning the doctor wasn’t worried. But a 17th-century interpretation could mean the doctor didn’t make it his business to look for a lump.

If there’s no worrying involved, as in the example you cite, modern writers would avoid using “concerned” plus “to” plus an infinitive.

We’d rewrite the sentence using “with” as the preposition: “The chapter is concerned with tracing the trajectory of the process.”

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English language Grammar Linguistics Usage

Is it racist to “stereotype” a language?

Q: Some friends called me a racist for saying, “Hebrew looks like a horizontal line with squiggly writing across it.” And other friends were offended when I said, “English is insane, given its bizarre and sometimes arbitrary rules.” Am I insensitive for “stereotyping” these languages? Don’t be afraid to tell me I’m wrong.

A: No, we don’t think it was insensitive of you to describe Hebrew and English the way you did. It may have been wrongheaded, but not insensitive! You were describing languages, not people.

Your description of Hebrew (we assume you’re referring to script) would apply to handwriting in just about any unfamiliar language: Arabic, Swahili, Vietnamese, even English, though some languages can be written vertically.

As for your comment about English, we don’t think it was poor form, but we disagree with you that the rules of English are “bizarre and sometimes arbitrary.”

In fact, the rules of English are quite sensible, and stretchy when a little flexibility is required.

If a “rule” doesn’t make sense or puts you in a straitjacket, it’s probably not a rule at all.

The prohibition against “splitting” an infinitive, for example, is a perfect example of a bogus rule.

Two other phony no-noes: beginning a sentence with a conjunction and ending one with a preposition.

If any readers of the blog disagree with us about these “rules,” take a moment to look at the Grammar Myths page on Grammarphobia.com.

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Etymology

Hats off to the bowler

Q: The French word for bowler (the hat) is melon, which also means what you’d think it does in France. I assume that English speakers similarly call the hat a “bowler” because it resembles an upside-down bowl?

A: The French aren’t the only ones to name the hat for a round object. In Dutch, it’s bolhoed (globe hat), in Spanish hongo (mushroom), in German melone, and in Italian bombetta (little bomb—think of a cartoon bomb).

It may seem logical, therefore, that the English word comes from “bowl,” and many people make that assumption, but there’s another kind of logic at work here.

The bowler was created in 1850 for William Coke II, later the earl of Leicester, who wanted a snug hat with a hard, rounded crown to protect his gamekeepers from branches as they rode on horseback.

His purveyors of headgear, James and George Lock of No. 6 St. James’s Street, London, designed the hat and had it produced by their chief suppliers, Thomas and William Bowler of Southwark.

The hat took its name from the Bowler label inside and not from its bowl-like shape.

The bowler has also been called a “derby,” especially in the United States, apparently because of its association with horseback riding and races, or “derbies.”

(Americans say DUR-bee, by the way, and the British say DAR-bee.)

The original Derby, run in 1780 at Epsom Downs in Surrey, was named after Edward Stanley, 12th earl of Derby.

He had earned the right to name the race by winning a coin toss with Sir Charles Bunbury, but Sir Charles got the last laugh when his horse Diomed won.

We’ve written in more detail about the bowler in Origins of the Specious, our book about English myths and misconceptions.

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